I would think a recording studio would prefer a 2Di4 feature set, as they'll likely have all the parametric and compression that they would want in house (not addressing OD and the harmonic generators of course). And typically IMO they want to track bass 'raw' and process later, so they're not hogtied if they want to make a timbral change during mixing. But yeah, options are good, for sure.
I read your review of the 2DI4 yesterday. I'm hoping to have my Tantra in 1 - 2 weeks. Mike told me about it two years ago and I have been waiting and watching it's evolution. The funny thing is that his goal was simply to add a great tone stack and a power module to the DI but it kept morphing into what it has become. I look forward to having a great compressor and overdrive circuit on board. I also have become a fan of HPF's so not having to carry a seperate box will also be nice.Now that is certainly true. Either way, I can't wait to get my hands on a Tantra! I had such a tease checking out the prototype briefly, I think it's gonna be a game ender for a certain type of tone goal.
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