Interesting.
I was initially intrigued by the potential synthy/fuzz and quirky sounds with the UW. I didn't buy it at as (just another) distortion pedal. But after several months exploring it, I just haven't mastered building these sounds. I don't feel in control. Not necessarily a bad thing, as I like alternative sounds 'found by accident'. I just tweak other guys presets or make useful basic ones - like my scooped drive, or EQ /comp bass boost. I did successfully make a light distorted preset utilising some (atmospheric) multi trem & morph, for jamming with a song writer, who liked it. It sounded much better than my GT-1B
I don't regret buying an UW at all though. The unit is so many things. Once I stopped beating myself up as an 'incompetent creative sound builder', I saw it with fresh eyes and the components within as v useful.
Im also interested in how other bass players have adjusted their playing technique/musical thinking after learning/using the UW (and C4) ?? Its made me rethink some things for sure. I might start a fresh thread to chat about this.....
My current band has 2 guitarists, who often add distortion, so there isn't often the sonic space for me to go full distortion with the bass. I tend to like a bit of grit & punch, which I can achieve/refine with the UW (better than previous distortion pedals). But I'd love to create some original alternative sounds and have the space to play them. Recently got the C4, I'm now having fun with 'dirty funk' type grooves. Might start a separate band project along these lines. Call it the band Ultra