I've recorded a short sound clip for you this morning. It's a simple but pedestrian line just to show the range of tones some of us are experimenting with. I grabbed a random drum track from my SDRUM unit and played the same matching line to it on my bass. This is a quick and dirty live cut, so please forgive my playing. I'm not trying to impress you with my playing, I'm just trying to show you and audio narrative. I'm building the patch in 4 parts. The final destination is the last round with all three effects engaged.
Initially my dry bass, then I added my C4 which is 1st in my chain.
This uses an OC-2 patch which I mix in about 60% Mono input (effectively giving me more control over the Wet / Dry mix). This patch is available on the Community hub as "
GMC - OC-2" and it's my most used patch on the C4.
I then switch on my Ultrawave which is next in my chain. The Ultrawave has a lot of tonal options, but one of my goto patches is my "
GMC OD / Muff / Gated Fuzz" patch. This is dialled in as a Muff & Gated Fuzz, it's quite loud and clips a bit, because it's going to shunt the filter in the next moment. It's a great patch and one of my fav patches for the Ultrawave. I can blend between an overdrive, Muff and Gated Fuzz in any amount for each. This type of sound cannot be achieved in the C4 alone. The C4 has a lot of great inbuilt dirt...however, if you want something outside of that pallet...then you have to introduce another dirt pedal.
Then I engage my lovely Spectrum. I love this pedal as a pure filter, sure it can do a lot more. But for me and my board I have it placed after my C4 and after my dirt, but before my modulation and ambience. So I'm almost treating is as an analogue / standalone effect. This means I can channel all of it's vast resources into just being a kick ass filter. The Patch I'm using is "
GMC MF-101 - Sensitivity Mod". This is based on Proton Lenny / Zachary Rizer's patch (which I re-created on the Spectrum) but mapped the Frequency knob to the Sensitivity control. What does this do? Well, it brings something to the table that the Moog MF 101 never had; and that's effectively a side chain control in one knob. It changes the way the filter reacts to the input signal. So I can make it more sensitive or less sensitive without changing the input gain. I can use this control to really spank the filter hard or really pull back and dig in to the strings. It really alters how the filter reacts to my playing.
This final sound cannot be replicated with just a C4 or Spectrum. It needs the ultrawave and two units either side. if you are playing something seriously funky...like a 60's cop show lick..this sound just rules. However...it's certainly not an appropriate sound for Church