Stoked!Enclosures are in production. 4 - 6 weeks still I would imagine.
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Stoked!Enclosures are in production. 4 - 6 weeks still I would imagine.
Circuits are assembled, just waiting on the next batch of enclosures. 2-3 weeks I'd imagine.I was just hit with a major dose of sadness when I went to order an ATE v2 and it told me there are none available. @SouthamptonPdls what's the ETA on those?
Argh, waiting is so excruciating.Circuits are assembled, just waiting on the next batch of enclosures. 2-3 weeks I'd imagine.
Tell me about it! I'm waiting on the new Fairfield pedal, plus 60 enclosures for SP.Argh, waiting is so excruciating.
I need the new Cooper FX Outward man, waiting for that is as bad as waiting for the Utility KnifeTell me about it! I'm waiting on the new Fairfield pedal, plus 60 enclosures for SP.
And I'm waiting for you to get and flip the Cooper FX Outward! Let's make this one a quick turnaround buddy, ok?I need the new Cooper FX Outward man, waiting for that is as bad as waiting for the Utility Knife
IM NOT YOUR BUDDY, GUYAnd I'm waiting for you to get and flip the Cooper FX Outward! Let's make this one a quick turnaround buddy, ok?
IM NOT YOUR BUDDY, GUY
Respectable come back....now if only Marial had thought of it first......
Respectable come back....now if only Marial had thought of it first......
I still love my Ictineo. It's an amazing pedal. The last few pedals I've gotten have been unreal in the tone dept.
The whole approach to the Utility Knife was to create a great sounding modulation pedal without the bells and whistles of a super tweakable mod box. Usable straight out of the package in any setting. Low profile. And a price tag to match.
There are major players in the industry making incredibly versatile modulation pedals that we can't compete with. However, we think there is a serious lack of HIGH QUALITY affordable multi fx.

Soon to be Ictineo owner here.
Hello again, this time as an Ictineo owner. Now, after two tries, I understand the appeal of the Submarine Designer and thus the Ictineo. It uses a "fuzzy" approach to equalization, not a surgical one. In a way it should be a more natural method for most players than, say in the extreme, a parametric equalizer is. Quirky, but natural.
But it was only after reading the user manual for the original pedal that I got the design's rationale and usefulness. No-one could without the manual.C'mon... two complementary 'aggregated architecture' tone controls, one a tilt EQ? Brilliant, but very hard to discover deterministically within the whole system. Anyway it was for me.
Also, nobody (and I mean no-one whosoever) possibly could guess that each toggle's "SUB" position is meant to be sonically equivalent to the voice of the first Submarine pedal.
Trial and error discovery of useful settings is one thing. Deterministic sound sculpting with a full apprehension of the controls' systemic function is another. It's that last one that I wanted.
So, instead of a link to the archival Zeibek website, attached here is a copy of the original manual, for your reference.