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SPECTOR® Club - Part 27

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My DW Spector ... I love this bass ...

DBS1-Copy-1.jpg

A beautiful bass!!! Congrats!
 
I think quite the opposite...... when a band as huge as Nickelback uses certain gear, I would tend to believe its some of the best gear. I'm not a fan of Nickelback, but they have to be one of the most successful bands around, and have A TON OF MONEY... they could play whatever they want... so the fact that Mike chooses Spector basses means a lot to me

and umm Lemmy plays Ricks and a number of Legends play Fenders..... I wouldn't say they are bad basses or deserve to be lumped under a blanket of hate like that....

Don't hate Nickelback because they are living the dream, doing what most if not a of us would love to be doing. I'd tour with those guys in a heartbeat.

+1!!! I think that Mike's sig bass is awesome! If I played passive bass only I'd buy one in a heart beat!

I'd love to be living the dream as they are!

Mike's a great example as a Spector Artist, IMO. :bassist:
 
I mean it's sort of a funny thing... I'm listing to one of Ra Diaz's projects right now... Nina Dioz, a Mexican, all Spanish Rap/Hip-Hop group... but MAN is it good stuff...

On the other hand there's a lot of Spector artists I know and respect, and consider friends, and I don't particularly care for or listen to their music.

I can love the bassist, not the style of music so much.

I don't know Mike Kroeger. I've never met him. His tech, Shu, is a really nice guy. Really cool and know his stuff. That guy is a real, hard-core tech and he's a complete pro.

What I will say is that I don't really know a lot about Nickelback... I've heard a couple of songs. And there's a few groups, Nickelback, Hinder, and a few more, that all seem to do a very similar style of music. There's nothing wrong with it.

I will say that of the three of four Nickelback songs I have heard and can remember... or they come on the TV or radio and I think, "Oh, this is Nickelback" I listen to them closely.

And Mike Kroeger is a very good bassist. Stays in the pocket, but takes some risks, punches and accents the melody in a few unexpected places (which is a nice thing for me)... they may be a formula band, but his playing isn't.

And they've sold like 50,000,000 records. That's 50 Million. And so regardless of all the hate they get from people, they have to have a seriously big following somewhere.

Music is a subjective art form because people have different tastes and likes and it's all good.

I tend not to care what any bassist plays or doesn't play. I look at the tone. I hear a song, hear a bass lines, hear a tone and that's what is important to me. Not what strings or amps or bass the artist is using.

Sting got me started with Spector. And I'd personally love to see him play a Spector again. But Kramer messed that up pretty good. They didn't care about him. They wanted hard-rock metal guys. So they ignored the relationship and Sting moved on.

And now he's like Geddy Lee. One of Fender's top guys. And they take Good care of him. He's going no where, not back to Spector or anywhere else. And that's fine.

PJ still talks to Sting's tech Danny. And Danny says Sting has always thought highly of Stuart's basses. But he's going to stay with Fender, not that PJ has asked that I'm aware of.

I'm glad Sting played his white NS-2 in the only concert of his I've ever seen live. That single concert has without question changed my life.

But since that time... I didn't care that Sting played that bass. That wasn't the appeal of the NS-2 for me. It was standing in an arena with 50,000 other Southerners hearing that growl dominate the mix... I heard Copeland's drums and Sting's bass. That was about it.

So what any one artist plays or doesn't play doesn't matter. It's all about their tone for me. But I respect that you wouldn't want to play something that someone you don't like plays. I'm sort of that way too. Unless it's something awesome like a Spector... then I don't care. LOL.

+1! Well said and put JPS!
 
As I did the youtube scan for the REX5 I just purchased nearly everything that came up related to Spector basses screamed heavy metal. Since you're involved in marketing these fine products is it possible to get more gear reviews up on youtube that show the wonderful flexibility inherent in the Spector product line. It would help us poor schmucks out that don't have a lot of experience with the product.
the REX5 just looked like the perfect solution, can't wait to get it into my hands next week.

+1! Great idea! Usually it's either Metal or Slapping. Which I don't care for either one. :scowl:

I can't wait to hear your report on the Rex 5 too! :bassist:
 
JPSBassist said:
I mean it's sort of a funny thing... I'm listing to one of Ra Diaz's projects right now... Nina Dioz, a Mexican, all Spanish Rap/Hip-Hop group... but MAN is it good stuff...

On the other hand there's a lot of Spector artists I know and respect, and consider friends, and I don't particularly care for or listen to their music.

I can love the bassist, not the style of music so much.

I don't know Mike Kroeger. I've never met him. His tech, Shu, is a really nice guy. Really cool and know his stuff. That guy is a real, hard-core tech and he's a complete pro.

What I will say is that I don't really know a lot about Nickelback... I've heard a couple of songs. And there's a few groups, Nickelback, Hinder, and a few more, that all seem to do a very similar style of music. There's nothing wrong with it.

I will say that of the three of four Nickelback songs I have heard and can remember... or they come on the TV or radio and I think, "Oh, this is Nickelback" I listen to them closely.

And Mike Kroeger is a very good bassist. Stays in the pocket, but takes some risks, punches and accents the melody in a few unexpected places (which is a nice thing for me)... they may be a formula band, but his playing isn't.

And they've sold like 50,000,000 records. That's 50 Million. And so regardless of all the hate they get from people, they have to have a seriously big following somewhere.

Music is a subjective art form because people have different tastes and likes and it's all good.

I tend not to care what any bassist plays or doesn't play. I look at the tone. I hear a song, hear a bass lines, hear a tone and that's what is important to me. Not what strings or amps or bass the artist is using.

Sting got me started with Spector. And I'd personally love to see him play a Spector again. But Kramer messed that up pretty good. They didn't care about him. They wanted hard-rock metal guys. So they ignored the relationship and Sting moved on.

And now he's like Geddy Lee. One of Fender's top guys. And they take Good care of him. He's going no where, not back to Spector or anywhere else. And that's fine.

PJ still talks to Sting's tech Danny. And Danny says Sting has always thought highly of Stuart's basses. But he's going to stay with Fender, not that PJ has asked that I'm aware of.

I'm glad Sting played his white NS-2 in the only concert of his I've ever seen live. That single concert has without question changed my life.

But since that time... I didn't care that Sting played that bass. That wasn't the appeal of the NS-2 for me. It was standing in an arena with 50,000 other Southerners hearing that growl dominate the mix... I heard Copeland's drums and Sting's bass. That was about it.

So what any one artist plays or doesn't play doesn't matter. It's all about their tone for me. But I respect that you wouldn't want to play something that someone you don't like plays. I'm sort of that way too. Unless it's something awesome like a Spector... then I don't care. LOL.

I remember seeing Sting playing a Modulus on SNL...did he work with them, or was it just a "pet bass"?
+1 on the comments re: various tastes in music. If I were a uber-talented bassist and someone presented me the opportunity to make $1 kajillion playing music that I thought was atrocious, I'd do it, and so would everyone else.
In the meantime, I'll keep my eyes open for a Nickelback worship thread! ;)
 
Worldeeeter said:
I were a uber-talented bassist and someone presented me the opportunity to make $1 kajillion playing music that I thought was atrocious, I'd do it, and so would everyone else.
In the meantime, I'll keep my eyes open for a Nickelback worship thread! ;)

Haha... That is true...but I would have to be a lot.

I was offered a gig to play pop country(no offense to any country players....) music... The band did rodeos and in town casino gigs.. Would work about 3 hours a night about 2 weeks a month and I would be making a bit more then I make now... Getting paid to play music over an office job i had a t the time sounded great..

However after a few meetings and sitting in on a couple gigs with the current line up... I just could not get in to it... I would of had the worse stage presence ever and likely would have not been able to keep the gig lol

I could get away with being unhappy in an office... But performing is different.

Getting paid to play is definitely better then a 9-5 however playing music(for me at least) needs to have some enjoyment or it'll be just like a 9-5 I hate waking up for... Now for nickelback money... I could do a tour like that lol
 
Haha... That is true...but I would have to be a lot.

I was offered a gig to play pop country(no offense to any country players....) music... The band did rodeos and in town casino gigs.. Would work about 3 hours a night about 2 weeks a month and I would be making a bit more then I make now... Getting paid to play music over an office job i had a t the time sounded great..

However after a few meetings and sitting in on a couple gigs with the current line up... I just could not get in to it... I would of had the worse stage presence ever and likely would have not been able to keep the gig lol

I could get away with being unhappy in an office... But performing is different.

Getting paid to play is definitely better then a 9-5 however playing music(for me at least) needs to have some enjoyment or it'll be just like a 9-5 I hate waking up for... Now for nickelback money... I could do a tour like that lol

Its a fine line for sure.... I've played gigs with a lot of different groups and have played a lot of genres. For fill in work I'll play almost anything because it broadens my skillset.
 
Finally, I have some vids. for some reason the dude who filmed it decided to put it on mediafire, (the link I posted earlier) so here they are on youtube.
Arts Barn Jam 1 - YouTube
theres 2 different jams and 2 reel big fish covers. I'm not particularly thrilled with my solos though... but then again, I never am. lol.
I haven't used my channel in forever, like, all those other videos are from eighth grade. lol. It is kinda cool to look back and see how I've improved since then though. anyway, i hope you guys enjoy these.
 
Haha... That is true...but I would have to be a lot.

I was offered a gig to play pop country(no offense to any country players....) music... The band did rodeos and in town casino gigs.. Would work about 3 hours a night about 2 weeks a month and I would be making a bit more then I make now... Getting paid to play music over an office job i had a t the time sounded great..

However after a few meetings and sitting in on a couple gigs with the current line up... I just could not get in to it... I would of had the worse stage presence ever and likely would have not been able to keep the gig lol

I could get away with being unhappy in an office... But performing is different.

Getting paid to play is definitely better then a 9-5 however playing music(for me at least) needs to have some enjoyment or it'll be just like a 9-5 I hate waking up for... Now for nickelback money... I could do a tour like that lol

That makes a lot of sense Chris. I have to agree!
 
Its a fine line for sure.... I've played gigs with a lot of different groups and have played a lot of genres. For fill in work I'll play almost anything because it broadens my skillset.

agreed. A friend of mine does some pop music as a solo project and asked me to record some bass for him. It's not really my kind of music, but he payed me 20 bucks and gave me freedom with the bass line (I made it a point to use restraint and keep it solid). I also really agree with the playing anything bit. I've played jazz, ska, funk, various forms of rock, and the occasional attempted progressive metal project. I want to be as versatile as I can be, and part of that is being comfortable in multiple styles of music. the coolest part about playing all these styles? My legend sounds good in all of them.
 
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