peledog said:Depends on the style you play, do you dig in with your fingers, or do you have a lighter touch in general? The P/J set up is great, and the more you dig in the better the EMG PUPs respond, depending on your preamp.
That being said, I used my NS-2A today to go through a bunch of songs that require a vast array of tones.
Led Zeppelin - Ramble On - warm but aggressive tone
Santana - Black Magic Woman - thick and warm tone
Guns N' Roses - Sweet Child O' Mine - more modern and punchy tone
Brown Eyed Girl - warm, rounded tone
Some tunes I would favor the P pickup, some were a blend of P/J and also where on the bass I played - closer to the neck, fatter, warmer tone - closer to the bridge - punchier. This is true of all basses, but with the Spector you get the extra oomph and growl
I used my Rebop for songs like
Maroon 5 - Moves Like Jagger - modern, low punch
Black Keys - Lonely Boy - low end boost, not too articulated
Ben Harper - Steal My Kisses - warm, rounded with a touch of brightness
Green Day - Holiday - edgy, punchy
The Rebop is a different animal - but it still cuts through like a knife if you want it to.
The thing is, the notes sound so much clearer to me - and as one of my friends put it, after hearing the Spector - he said he could hear 'the outside edges of the notes' - there is a certain definition to the Spector tone, no matter what setting, it's there. I don't know how else to describe it, you just have to play one and see if it speaks to you.
This +100000
If I might add, for me , rolling the blend knob slightly toward the p or j a bit (say 25%) , and either boosting or cutting the treb, combined with hand position will get me whatever I need for any situation. The "edge of the notes" thing is spot on.

lol