So several months ago, Sam put me onto this SSD posted on Craigslist that he was interested in b/c he was on the hunt for a Czech SSD. I drove out met this guy from Dallas, GA who was selling a Czech SSD for $600. I show up wanting to know whether it has the rare Czech 9v preamp copy or not. So it does, which is awesome, and it's blue, which is great, and he even had the hardshell case, which was sweet. Then I see the headstock and there's a chip out of the top. No biggie. Then I sight the neck and you could launch arrows off it. Why? Because all of the relief had been taken out to accommodate the place where the fretboard had completely separated from the neck at the first fret when the headstock chip happened!!!!
So I'm completely disappointed because it's a hair away from being parted out and thrown away. Someone had tried to repair it, but had used Gorilla Glue (which expands when it dries) so it was... gross. Basically you could look inside this giant hole between the fretboard and the neck where all of this glue, dirt, and other shmutz had piled up.
But I knew I was holding something rare (not Brooklyn NS-1 rare, but rare enough for what it is) and that if I could get the NS-2A that I started with restored, I could probably get this restored.
So I talk him down in price by about $100, and walk off with the bass. I let Sam know I got it, but that it's gonna take time, money and a lot of skill to get it back to playability, never mind restored, and that I may have to part it out if my guy couldn't do it.
But he could. And did. Meticulously. Over I don't know how long it's been, but probably close to 4-5 months (Sam, please correct me on this if I'm off).
I got it back today and it is beautiful. He left the "love taps" like a small dent at the bottom if the body and the burnishing on the bridge, but the headstock and fret board and neck have been completely and totally restored. It's a weird blueburst color that fades to a dark, dark almost black shade of blue, so it was a tough color to match. He maintained the SSD logo perfectly. There is no way to tell unless you know exactly where to look that anything had ever happened to this bass. And the Czech copy of the US 9v circuit? Well he restored that as well - totally cleaned out all of the rusted solder joints and ends, replaced all of the wiring and cleaned and re-soldered the entire preamp (which is V-V-B-T, by the way). The EMGs are the originals and the logos are still in great shape as well. It sounds absolutely phenomenal. Somewhere between a trim pot Tone Pump that's dialed in perfectly (which I am never quite capable of doing, unfortunately) and the USA 9v circuit. The only "buts" that he advised were not putting anything heavier than a .110 on the E because the truss rod is just about out of room in terms of rotation and as long as it has been setting (months) the glue and wood are still in the process of bonding together/curing, so going anything lower than drop D would potentially compromise the repairs. Not a problem for me as I don't ever tune lower than that (that's what the 5 is for, for me). But otherwise, this rescue puppy Czech SSD is back to how it looked when it first went to whomever it went to. No serial# anywhere which is apparently common, but it's the real deal. He even did a fret job on it just to get it perfect. It's awesome. All original everything (yes, I do have the Schalller strap buttons but have Dunlops on it for now so I can use a regular strap).
I'm still waiting to get the "before" pictures from him so you guys can see it as it was, but you won't believe it when you do. Barrett Culpepper. He's the guy who owns Southeast Guitar Repair who does all of my bass stuff that I can't do on my own. He's an extraordinary talent. I couldn't afford the labor cost on it so we worked out some barter (me doing a lot of computer work, basically) deal for it, but he mostly wanted to tackle it to see if he could do it. For him, it was about the challenge, which I thought was pretty neat. And he did it. Patrick has always emphasized that with Spectors, it's important that you have a luthier that's familiar with the brand or is at least non-egotistical enough to go ask questions and research before tackling major repairs because the design dictates that every part be exactly where it is supposed to be or the instrument just will not play true (or at least, not for very long). Fortunately, Barrett is one of those luthiers.
I know I won't end up keeping this bass. It should really go to someone who is a collector or just a bigger Spector-head than me. Someone who will play it, but not take it on tour/rough it up. Oh and it's light! Can't be more than 9.5# if that much.
We never see these on the board very often, and especially not with the Czech 9v copy.
So I'm lucky enough to have a friend who is a genius luthier (and Sam! Cannot over-emphasize the awesomeness of Sam), otherwise this bass would have ended up as trash. It was that bad, and the owner/guy I bought it off of knew absolutely nothing about it. Zero.
Anyway, "after" pics are below, but as soon as I get the "before" ones, I'll throw them up. You won't believe it. And please forgive the photo quality; everyone in the world (including people who don't have cameras) takes better photos than I do.