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SPECTOR® Club - Part 55

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Yeah, I admit, I know zero about live sound but did think to myself "where does that amp come into this whole thing?" Does that mean he doesn't have the thing on at all or is he probably just using it for sound on the stage? Sorry for the dumb questions but I am just a bedroom bass player pretty much.

I guess he will EQ through the head once he gets to tryout the sounds more but it seems like it was being bypassed. I have to say though, that Aguilar rig is really cool looking though.

I think he said somewhere in there that he was just using it for stage monitoring at this point, and that he was planning on playing with the head a little bit when he has time to see whether or not he wants to use the DI on there to make the amp part of the FOH sound. I watched it last night, so I don't remember what he said exactly.
 
Yeah, I admit, I know zero about live sound but did think to myself "where does that amp come into this whole thing?" Does that mean he doesn't have the thing on at all or is he probably just using it for sound on the stage? Sorry for the dumb questions but I am just a bedroom bass player pretty much.

I guess he will EQ through the head once he gets to tryout the sounds more but it seems like it was being bypassed. I have to say though, that Aguilar rig is really cool looking though.

I would think his rig on stage would just be a monitor for on the stage, but playing the venues they play I'm sure he gets all of the PA support he needs..

I also really like the look of that Aguilar stuff. What was he using before?
 
for me personally, my stage rig is all personal monitor and to feel some air move. My tone is pure bass into pedal board.... I usually send a DI signal to FOH BEFORE my amp. This includes some EQ from my pedal board, but the character of my amp is purely for stage.

That being said, about 20% of the venues I play will mic my cab. I don't hear much difference when I go out in the room during soundcheck, but I've tried really hard to get it that way.

Heh, beaten to the punch! I've started to go this route myself- I've been using the MXR as a clean DI and the hartke for adding a little bit of grit before it if I want it. I'm hoping to start experimenting with more pedals soon...
 
mike, are you saying a db750 doesn't put out much bottom end? :eek:

I'm just used to Mesa gear. In comparison to my taste and A/B'ing the 750 and 500 to the M6 and M9 series thru a 2/15 cab. I think that they lack a bit in comparison. Though like Donny stated running direct live most of the time I have gone to using the Jule Monique to FOH and try to get my tone from the bass.
 
NS-2A
https://soundcloud.com/christovsk/ns-2a-dimarzio-acrophobia-test

NS20004
https://soundcloud.com/christovsk/ns20004-neo3-acrophobia-test

NS20005
https://soundcloud.com/christovsk/ns20005-emg-hz-18v-acrophobia

With the Dimarzios, the NS-2A gets the growliest, while the NS20005 with the EMG pre wired at 18v gets the most articulate, and the best B-string I have ever played (possibly also due to 35" scale)

My pick playing's a bit rough in these clips, mostly due to the riffs not being written to be played with a pick so I wasn't used to it, but they covered a lot of range so I used them.

Basstovsky, great clips. I love sound comparisons :bassist:
 
Just as I said I love Sound Comparisons. I spoke with Lee before and we discussed adding my verison of Omer's track with my basses.
Note: Omer's Original Youtube version is at the bottom. And remember he is playing Guitar and Drums on this track too.

Lee's
Forte - solid flamed maple with USA9V, Spector nickels 45-105
NS-2 Buckeye - Buckeye burl top, walnut back, ebony board, Spector nickels 45-105
NS-2 Ultra Amber - figured maple, maple board, Spector nickels 45-105

[Invalid or Expired Link Removed]

Mine
NS-2 Blk Cherry NS-2- Gloss figured maple, pau ferro board, Rotosound Steels 45-105
Forte-w/USA9V Matte flamed maple, pau ferro board, Rotosound Steels 45-105
NS-2 J/J redwood top, walnut back, ebony board, Rotosound Steels 45-105

[Invalid or Expired Link Removed]

Omer's Youtube clip.

I am 99.9% sure he uses DR Nickel LoRiders

http://youtu.be/HEwrJwwRBhc

Actual meaning of this Post; All Spectors sound great no matter who, how or which strings or where they are being played :bassist: :D :bassist:
 
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I'm just used to Mesa gear. In comparison to my taste and A/B'ing the 750 and 500 to the M6 and M9 series thru a 2/15 cab. I think that they lack a bit in comparison. Though like Donny stated running direct live most of the time I have gone to using the Jule Monique to FOH and try to get my tone from the bass.

"Tone from my bass" that is why I play Spectors
 
With all the posting of sound clips I got to wondering...

What if Stevie Wonders bass player Nathan Watts was a 35 year old white guy from South Carolina with mediocre rhythm, sloppy right hand technique, two teenage kids, high blood pressure, a Spector NS2 and a winning personality?

I present to you today, the answer, Sir Dukey! One take!

 
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With all the posting of sound clips I got to wondering...

What if Stevie Wonders bass player Nathan Watts was a 35 year old white guy from South Carolina with mediocre rhythm, sloppy right hand technique, two teenage kids, high blood pressure, a Spector NS2 and a winning personality?

I present to you today, the answer, Sir Dukey! One take!



Sounds good to me.:bassist:
 
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I'm just used to Mesa gear. In comparison to my taste and A/B'ing the 750 and 500 to the M6 and M9 series thru a 2/15 cab. I think that they lack a bit in comparison. Though like Donny stated running direct live most of the time I have gone to using the Jule Monique to FOH and try to get my tone from the bass.

fair enough... I'm a huge amp guy, I love them almost as much as basses. I thought the M6 was awesome, very fast, and accurate. The DB750 was all about a wall of big bottom and mids with smooth but "slow" highs. I did have it matched to a DB810 though which was voiced for that amp so my experience may have bene different from yours. The Mesa 400+ ended up being my "just right" mix of both. :)
 
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