Crappy cell phone picture. You can't see the grain/quilt, which is plentiful and beautiful. Getting close though.
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Cool! I've got a 02 Euro 4 that I'm slowly stripping the finish off. Tough work! Are you just sanding yours down? Or something else?
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Crappy cell phone picture. You can't see the grain/quilt, which is plentiful and beautiful. Getting close though.
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Boy, does that color look familiar....![]()
Check out Doug Wimbish in this ad from 1986.
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I remember that add. Whatever happened to Kenny Aaronson?
What's so great about the TH500? Gig much? I'm curious.
I'm gonna be 50 on Saturday, so most of my experience is in the old days. I played with full time mostly cover bands in clubs and ballrooms from 1981 to 1988. That was 4- 6 nights a week 50 weeks a year. You could make a living (kinda) doing that back then. I'm not sure anyone knows what a ballroom is anymore....and then part time ever since
Any way now I play about once a month, and we get together weekly to rehearse and learn new stuff etc. strictly for fun and string money.
I like the TH 500 for several reasons. It s a warm sounding amp, but can go to really aggressive too. All the controls seem to have an effect on the others so there are a lot of subtle nuances available. It has a thick sound that Christian described as "weight" once when i was discusussing buying it from him. I play it through two GK mbe cabs which are cheap cabs , but it sounds great, is louder than I could ever need for stage volume, and light! My whole stack weighs 64 lbs. I can carry it and my double mono bag in in one trip if I want.
Are you trying to say something Adam?![]()
What the heck. Might as well give it a try.
Anybody? Bueller, Anybody?![]()

I was going to let this lay and let others with more variety experience chime in but since nobody has...okay, I've played thru the Ampeg PF-500 for a couple of years with an Ampeg PR-410HLF and the "Fridge" SVT-810...worked great with either one or together. Sorry about no help on other makes.![]()
That's the great thing about the NS-4. It's got the 18v battery compartment routed into the body. So it's very simple for the workshop to wire the OBP-2 or OBP-3 (or EMG BQC) into the NS-4 body.
Great input! We are not too different. I'm 57 and made my living as a musician from '80 - '94. Playing the same amount as you now, just for fun.
I'm torn between the Tone Hammer 500 and the Shuttle 9.2. The one wild card here is that I already have the Tone Hammer pedal and wonder how it would sound when added into the mix. Would adding the pedal to the Shuttle give me the best of both worlds? Don't know. I'm running through two TCE cabs (see previous post) that I really like. Would the TH pedal and the TH500 be redundant. Not sure. I'm not in a position to try these out so I need all the info I can get before I order.
Thanks for any more thoughts on this.

The only thing you're missing with the pedal is the drive control, but I think that's an integral part of the experience. I've never had a GB amp, but my understanding is that theyre a clean transparent sounding amp.
I suppose with the pedal and GB you may have a wider variety of tone available, but if you really like th tone hammer I'd consider trying the TH500 so you can play with the drive. I don't use it for distortion, but you can add in an edge of grit that to my ear, really makes the sound full AND aggressive, giving it that "weight". If you can find a used TH, you could probably recover your full investment if you didn't like it, they dont seem to come up often, but when they do they go pretty fast.
By the way, I'm not an Aguilar salesman- I just really like them that much!![]()


Just ironed out a trade deal on a white NS-2JA-R! Now I can't wait for next week!! Just had to tell someone! Woo-Hoo![]()



Just ironed out a trade deal on a white NS-2JA-R! Now I can't wait for next week!! Just had to tell someone! Woo-Hoo![]()
I'm torn between the Tone Hammer 500 and the Shuttle 9.2. The one wild card here is that I already have the Tone Hammer pedal and wonder how it would sound when added into the mix. Would adding the pedal to the Shuttle give me the best of both worlds?
It's a good bass. I have one in black. I hope you got a good deal because if it's the one here on TB he was asking too much.
I'm a Genz Benz expert... IF you already have a Tone hammer pedal you can use the 9.2 as JUST a power amp & you now have a 900w Tone hammer bypassing the Genz Benz circuit completely by plugging in the poweramp in on the back OR you can add the tone hammer & genz pre together if you want for that unique combo OR the Genz alone... there you have 3 options as opposed to only 1 with the tone hammer 500 & only 500w
DEFINITELY go with the Genz
The only thing you're missing with the pedal is the drive control, but I think that's an integral part of the experience. I've never had a GB amp, but my understanding is that theyre a clean transparent sounding amp.
I suppose with the pedal and GB you may have a wider variety of tone available, but if you really like th tone hammer I'd consider trying the TH500 so you can play with the drive. I don't use it for distortion, but you can add in an edge of grit that to my ear, really makes the sound full AND aggressive, giving it that "weight". If you can find a used TH, you could probably recover your full investment if you didn't like it, they dont seem to come up often, but when they do they go pretty fast.
By the way, I'm not an Aguilar salesman- I just really like them that much!![]()
This is a logic that keeps coming back to me. I just seem to have more options this way.