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Squier Classic Vibe 60s Precision or Sterling SUB Ray4....decisions

I'd recommend playing both, with the goal of figuring out which neck you prefer.

I just bought a SUB ray4, and I love the crap out of it, in an almost silly way. I have a MIA P, and a parts P with a jazz neck, so I have that sound covered. I was missing the more articulate sound of a stingray style bass, and this sub does just what I want.

Had to play a few of them to find a great one, but I'm very happy with my choice... See details in my NBD post below.

NBD - Sterling SUB Ray4


Either way, enjoy your new bass!
 
My friend swears by the TI flats but they're way too expensive. I liked the d'addario chromes that I once had. Never tried EB though. Their rounds die quicker than Rotosounds but never tried the flats
I have a CV Pbass also but it was a special run for Long and McQuad, I have it stringed with SIT powerflats and for the price they are amazing, I have ordered them from Bass strings online. Just sayin...
 
I have a CV Pbass also but it was a special run for Long and McQuad, I have it stringed with SIT powerflats and for the price they are amazing, I have ordered them from Bass strings online. Just sayin...

I really like the DTs by LaBellas. Sort of affordable. TIs are just...way out of my price range at the moment. Perhaps I can find some online.

But yes essentially, my plan is to have two Ps. One strung with flats and one with rounds b
 
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The Sterling SUBs are very nice--I'm hooked on mine. In the store, I didn't see or hear a big difference between it and basses costing twice as much. That said, they're not hard to come by, and the CV seems to be, so that alone might tip the scales.

Also, it sounds like the CV is good to go out of the box, while the Sterling really benefits from the volume mod. (If you go from flat or cut settings to treble and/or bass boost, the signal gets louder, so it's nice to be able to even out levels on the bass, rather than reaching for the amp. The stock volume can't really do this.) I'll also say that if you prefer a warm/organic passive sound, that's not the built-in sound of the stock Sterling (although it is achievable with a couple of mods).

In theory, I also prefer passive basses to active, but I really like the Ray. It's truly designed to be active, as opposed to some other inexpensive basses that seem to have preamps installed as an afterthought (or to artificially 'improve' the sound).

A few inexpensive mods got my Ray4 even more to my liking: I put a GFS alnico pickup in it (with a series/parallel switch) and did the volume mod, and it sounds a lot more more organic.

In my case, it seems like the legendary Ray4 hot output came from the pickup, not the preamp. (Unboosted, the preamp level is the same as passive, and distortion was never an issue--output was hot but clean). I put the original ceramic pickup in a cigarbox-type build, and it sounds excellent wired passive and placed close to the neck. (That pickup passive is hotter than my modded Ray4!) I didn't get to A-B the two pickups with the preamp, so I'm not sure quite how much to attribute to the new pickup and how much to the volume mod, but the preamp sounds better now--smoother, warmer, and generally more useful at a variety settings (the treble boost in particular is much more usable).

As for strings, I'm using GHS Pressurewounds--they sort of split the difference between flats and rounds, and they feel great.
 
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As usual it depends on the individual bass. I had a Squier James Johnson Jazz bass that was a really good bass. We also have a Precision CV 50's at our practice space. That bass is not nearly as good as the JJ Jazz, in my opinion. Nothing wrong with Squier basses but they can vary from bass to bass.
Haven't played a Sterling Sub Ray so I can't comment on that.
I hope you get a bass that you really like.
 
The SUB 4 does have a questionable preamp and pickup, some people here have said it's not that good in real-world situation...playing in a band. Of course, you can spend another $100 or so and mod it.
You won't have to do that with the Squier.

By the way, the Squier looks great, and as you know, you don't see them in that color that often. If it plays and sounds as good as it looks...

Those "some people" don't know how to use an eq then. If you use the eq subtly...only small boosts or cuts, it is quite versatile. And my Sub4 sounds great in a band mix. That being said, I am a p guy, I like Squiers, and I love sonic blue. If it's in good shape and at a decent price, I'd sure take a look at it first.
 
Those "some people" don't know how to use an eq then. If you use the eq subtly...only small boosts or cuts, it is quite versatile. And my Sub4 sounds great in a band mix. That being said, I am a p guy, I like Squiers, and I love sonic blue. If it's in good shape and at a decent price, I'd sure take a look at it first.
The Sterling SUBs are very nice--I'm hooked on mine. In the store, I didn't see or hear a big difference between it and basses costing twice as much. That said, they're not hard to come by, and the CV seems to be, so that alone might tip the scales.

Also, it sounds like the CV is good to go out of the box, while the Sterling really benefits from the volume mod. (If you go from flat or cut settings to treble and/or bass boost, the signal gets louder, so it's nice to be able to even out levels on the bass, rather than reaching for the amp. The stock volume can't really do this.) I'll also say that if you prefer a warm/organic passive sound, that's not the built-in sound of the stock Sterling (although it is achievable with a couple of mods).

In theory, I also prefer passive basses to active, but I really like the Ray. It's truly designed to be active, as opposed to some other inexpensive basses that seem to have preamps installed as an afterthought (or to artificially 'improve' the sound).

A few inexpensive mods got my Ray4 even more to my liking: I put a GFS alnico pickup in it (with a series/parallel switch) and did the volume mod, and it sounds a lot more more organic.

In my case, it seems like the legendary Ray4 hot output came from the pickup, not the preamp. (Unboosted, the preamp level is the same as passive, and distortion was never an issue--output was hot but clean). I put the original ceramic pickup in a cigarbox-type build, and it sounds excellent wired passive and placed close to the neck. (That pickup passive is hotter than my modded Ray4!) I didn't get to A-B the two pickups with the preamp, so I'm not sure quite how much to attribute to the new pickup and how much to the volume mod, but the preamp sounds better now--smoother, warmer, and generally more useful at a variety settings (the treble boost in particular is much more usable).

As for strings, I'm using GHS Pressurewounds--they sort of split the difference between flats and rounds, and they feel great.

-I got good results with mine just by lowering the pickup and running the volume at about 3/4. And I tend to dig in hard sometimes. If I play with a light touch. I can run it with the volume up on full.
 

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