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Stack knob or 3 knob VVT?

What version of Fender Jazz bass controls LOOKS the best?

  • Stack knob

    Votes: 97 33.4%
  • 3 knob

    Votes: 142 49.0%
  • Love them equally!

    Votes: 51 17.6%

  • Total voters
    290
May 5, 2001
690
257
I'm considering changing from 3 knob VVT to stack knob config on my 2010 jazz. I think it looks way cooler, and gives me more control (had a '62 AVRI and really liked the stack knob config). What config do you prefer?

fender-jazz-bass-circa-1968-21272282.jpg


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Stack KNOB!!! hands down winner.
The three knob was nothing but a way to save production cost.
There is no comparison...

I use and would recommend the rawsound dual varitone '60s stackknob.
It is kinda heavy but lots of fun.
 
Stack KNOB!!! hands down winner.
The three knob was nothing but a way to save production cost.
There is no comparison...

I use and would recommend the rawsound dual varitone '60s stackknob.
It is kinda heavy but lots of fun.

I don't think the 3-knob was "... nothing but a way save production cost" as much as a way to make it easier for the players. On the stack knob, the tone controls interact unless you have the bridging resistors originally used (and left out of the Vintage Series reissues) which reduce the output and color the tone anyway. If you turn down the tone control for the bridge PUP while both PUPs' volume controls are open, you're bleeding treble off the neck PUP also. No way around how the electrons flow no matter what people say.

Best for me is master volume, blend, tone.

John
 
John, I never thought about it that way.
However, wouldn't the individual volumes serve the same purpose as the bridging resistors when partially backed off?
 
I agree stack knobs look pretty cool, but as far as ease of use, it's really all just personal preference. So I voted "love both equally". Unless you REALLY love the looks, I don't know that it is really worth the effort. But, that's all preference too. And I agree with pacojas. I love vintage frets too.
 
I don't think the 3-knob was "... nothing but a way save production cost" as much as a way to make it easier for the players. On the stack knob, the tone controls interact unless you have the bridging resistors originally used (and left out of the Vintage Series reissues) which reduce the output and color the tone anyway. If you turn down the tone control for the bridge PUP while both PUPs' volume controls are open, you're bleeding treble off the neck PUP also. No way around how the electrons flow no matter what people say.

Best for me is master volume, blend, tone.

John

+1 ;)
 
One tone control only!

With two tones, with both volumes up, the tone controls both act as masters, unless you isolate them with resistors, at the cost of some output.
I don't see the appeal in that. Then again, it appears that you are going on aesthetics alone.
If that's the case, go with stacked knobs, but wire it VVT and leave one pot disconnected.