It takes a lot of patience, and then the ability to spot brief moments, "flashes in the pan" as it were, but that video does indeed confirm that, under duress (apparently) Stanley Clarke can indeed
blow over changes. I just wish he did more of it!
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If you ever want to hear what Alembics are capable of, I can think of no one better to follow.
I'm gonna quibble with that point.
If you ever want to hear
one particular thing that Alembics are capable of, then sure, Stan's The Man.
But Alembic basses are capable of SO MUCH MORE than Stanley Clarke has
ever eeked out of any of their instruments, that it would be a disservice to point to him as the This Is What Our Basses Do poster child.
To wit: Stanley has always gone for a nasal, bandpassed, twangy tone ...which certainly lends itself to the type of parts he plays on
his music, but which would be so horrifically inappropriate on so many other types of music that it would be almost embarassing to cite his work as exemplary of what an Alembic is capable of.
They can do so much more!
I'd be tempted to point to Jimmy Johnson as a more representative figure in the What Alembic Basses Are Capable Of pantheon. Or maybe we need a spectrum, from John McVie at one end and Stanley Clarke at the other?
In any case, Alembic definitely allowed Stan to develop his own voice, and so the two names are inextricably intertwined...and that makes for some great listening for all of us!