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Wound up ordering the 41.5 rifle case. Figure, what the heck - let the TSA open it.
Wound up ordering the 41.5 rifle case. Figure, what the heck - let the TSA open it.
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Wound up ordering the 41.5 rifle case. Figure, what the heck - let the TSA open it.

Nice one dude, there's really nothin like a Steinberger, not even close.
Poor F- and Elrick freaks searching for perfection... here it is!
SlowCode,
Welcome from another UL owner - though mine's a Newburgh XL. I haven't been able to play anything else since I got into this one. I really like LaBella black nylon tapewounds on it, by the way, although be warned that people will think you don't have any strings.
Welcome to the club!
Some folks here would really appreciate it if you share your experience with the Radius bass in as much detail as possible, as it's a very new model, and apparently no one here has tried it yet.
I purchased the fretted version of the Radius Bass about three weeks ago and LOVE IT so far! In fact, it has been tough to put it down long enough to get some good photos.
Here is a link to a page that includes the photos and some videos demonstrating the tonal qualities of the instrument (all of the various pickup combinations).
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Just picked up a CR5 Radius yesterday
Finally got some flats for my L2 and while the strings were off took some images of the neck. Which someone played the blues on, over and over apparently, with round wound strings on it. I wanted to post this to once and for all maybe end the controversy over whether rounds damage necks. Yes. They do. The gouges are enhanced here via PShop, but are actually fairly pronounced. I will be sending it off to Don to be repaired. The images aren't loading. Stay tuned...
Ah, but do those visible marks actually represent something that's going to affect tone or playability in a negative way? I mean, it *could*, if the grooves were deep enough. But if I look at the neck of my fretless (a Music Man Sabre with an ebony fingerboard), it's clear that strings have rubbed in some places more than others, a lot like those photos, but it's not as if they're deep enough to affect the vibration of a string. There's no audible difference between playing more and less worn areas. To me, that's a cosmetic sign of use, like a yellowed finish, not necessarily damage.
And there are those who would argue that that sort of scarring and scalloping isn't directly due to round-wounds, though they're much worse about it, but due to applying lateral vibrato, as one would do on a fretted bass, on a fretless neck, where the vibrato should be vertical, as one would do on a double bass.
Ah, but do those visible marks actually represent something that's going to affect tone or playability in a negative way? I mean, it *could*, if the grooves were deep enough. But if I look at the neck of my fretless (a Music Man Sabre with an ebony fingerboard), it's clear that strings have rubbed in some places more than others, a lot like those photos, but it's not as if they're deep enough to affect the vibration of a string. There's no audible difference between playing more and less worn areas. To me, that's a cosmetic sign of use, like a yellowed finish, not necessarily damage.
And there are those who would argue that that sort of scarring and scalloping isn't directly due to round-wounds, though they're much worse about it, but due to applying lateral vibrato, as one would do on a fretted bass, on a fretless neck, where the vibrato should be vertical, as one would do on a double bass.