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Sure, but that’s backwards to the sentiment Steve was commenting on. It’s not a question of extended chord voicings in blues, but rather the use of blues roots in Steely Dan tunes for which there are many examples in terms of form, licks, structure, etc. Similarly there’s plenty of blues played on an electric piano.It’s not the electric piano…it’s what you do with it. I don’t know about you, but the closest thing to a jazz chord I’ve heard in the blues is a 9 chord.
Someone should introduce Steve to Ray Charles’ music."There’s some video where they talk about every song on an album, and each one begins with the not-bald one saying, 'this song is based on my deep love of the blues, just a very bluesy blues. Deep blues.' Then lays his jazz dork hands on the shaging electric piano…"![]()
I like that quote a lot. I hope you don't mind if I use it.Artists and musicians are people whose job is to fiddle while Rome burns. What makes us deserving of respect? We deserve money maybe, if people are using our product, but respect? Nope.
Steve starts with a point of view - he's someone who strives to preserve what a band does in a recording. That point of view drives everything he does. He doesn't play "contrarian", he disagrees with things that don't fit his point of view - things that don't make sense given what he's trying to do. If you understand this about him, his reactions to things make perfect sense - there is a rock solid logic behind how he approaches things, and his reactions are very predictable, if you understand that.
If you have a band and you love what you do, and want THAT on a recording, he IS your guy - there's nobody better at that than him. If you want to sound at all different from what you really are, he's NOT your guy. It really is that simple.
I was at the Pine Tar Extravaganza in Chicago almost 30 years ago and Steve Albini walked up to the urinal next to me dressed in an old school baseball uniform and some drunk dude approached him at that moment and said “OH MY GOD, STEVE ALBINI!!!! SAY SOMETHING COOL!!!”
27217786[/URL], member: 254972"]If he's recording you and you ask him what he thinks of the music he'll likely answer by saying, "I don't know, it's your record."
Perfect example of why I couldn't give a damn what that dude thinks of anything.Young Steve could be quite the prick.
There's was a popular 4/5 am bar a lot of us used to hang out at in Bucktown at Armitage and Hermitage called Marie's Riptide Lounge. I was there, Albini was there... Nirvana might have been there, David Yow, probably Nate Kato and Blackie from Urge Overkill... yeah, actually Ed Roeser was there for sure....
Anyway Mike Mills from REM walks in the front door and Albini was standing nearby. Mills instantly recognized him and in a friendly and earnest way introduced himself to Albini, reaching out to shake his hand. Albini couldn't have seemed less interested or impressed; he shut him off cold.
Santiago Durango on the other hand has always been a nice guy.
Perfect example of why I couldn't give a damn what that dude thinks of anything.
Mills- gentleman, Steve- trash...
Whether you agree with Albini or not, the guy is hilarious.
Steve Albini Explains Why He Hates Steely Dan
I love that comment "hating Steely Dan is like hating a man made waterfall"! So true.I hated the Eagles, mostly because a girl I wanted to sleep with hated them. I never gave a thought to how steely Dan produced their work, I just enjoyed the hell out of most of it. I also liked Black Flag, DK, Frank Zappa, Neil Young and the Monkeys. Like what you like. Hate what you hate, but hating Steely Dan is like hating a man made waterfall. Carefully constructed, artificial work of art, but just a waterfall. Go hate Fascism or something.