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Stoner/Doom Bassists Thread, Part 90: Maxed Out

Sell the CS Jazz, keep the Super J, buy another Precision. After all the different types of cheap ripoff, respectable name brand stock, high end made to order and custom basses I've owned...I like my DIY pine body P bass with the Mighty Mite neck best. Knowing and accepting your gear preferences is pretty difficult when there's so much cool stuff out there to try.

That's the truth! I like trying stuff, but I really could do every gig I have on my P bass and be happy. It's a 2006 AM STD with a Fralin 5% overwound pickup. I've never loved the feel of the neck on this particular bass, but it doesn't suck. The Super J plays like a dream. The Drake is my rock, grindy/growly bass for Prayer Flags. I don't know why more folks don't use TV Jones bass pickups. Those things are just so cool sounding to me. I have two basses, one with TV blade pickups and one with Thundertrons and love em both.
 
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Artwork is pretty close to done and the master disc is on its way to the vinyl pressing plant!
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You let me know when this is done. I got $100 for a copy of this, and the new LSS album if you toss in some digital copies I can rock at work.

That's too generous! The PF record will come with a download card. I do still have some of the latest LSS vinyl too. I can send digital files of that as well if you like :)
 
So here's some photos from the seller of the EB-3

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So, obviously, you can see the rather hideous headstock break. First order of business is confirming what the seller said (stated it was ugly but strong), and eventually getting it refinished so it isn't quite so ugly. Second will be removing the weird-ass buckle rash guard on the back. 3rd will be straightening out the tuners and giving it a deep clean.
 
Jazz basses: I have a love/hate relationship with em. A lot of the time I love Ps. But I always get a taste for the Jazz grind. It usually fades and I'm back to the precision but it never ceases to return. I think this is in part due to my early fixation with Tim Commerford.

Precisions are my favored axes though. I've not been as satisfied with my white fury and the GZR as I was with the black fury and GZR. The white fury just sounds thinner and lacks a little bass, a problem that didn't exist in the black bass. I think I need to get off my arse and throw the GZR back in the black fury and put my model P in the white one. The Model P is just a darker pickup. It was too dark sounding in the black bass.
 
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So here's some photos from the seller of the EB-3

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%2Cc_limit%2Cf_auto%2Cfl_progressive%2Ch_620%2Cq_75%2Cw_620%2Fv1454116580%2Fziilt8tq9ytobfc8kzwd.png

%2Cc_limit%2Cf_auto%2Cfl_progressive%2Ch_620%2Cq_75%2Cw_620%2Fv1454116664%2Fj1nez9dwnneuomvaqoaz.png
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So, obviously, you can see the rather hideous headstock break. First order of business is confirming what the seller said (stated it was ugly but strong), and eventually getting it refinished so it isn't quite so ugly. Second will be removing the weird-ass buckle rash guard on the back. 3rd will be straightening out the tuners and giving it a deep clean.

Definitely looks rough, but it could be solid. A skilled repair guy could reset it with good results.
 
Definitely looks rough, but it could be solid. A skilled repair guy could reset it with good results.

Yeah, it's a pretty fugly repair, but it could be worse, such as going further down into the neck. I've seen some pretty incredible restorations of old Gibsons (Scott Dasson pretty much rebuilt half a Tbird body due to damage), so hopefully it'll be a fairly easy process. Thinking of taking it down to Mike Lull or maybe Emerald City Guitars in Seattle.


Being broke sure sucks hard sometimes.

[Invalid or Expired Link Removed]

Brb, catching a ferry to Seattle.
 
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Yeah, it's a pretty fugly repair, but it could be worse, such as going further down into the neck. I've seen some pretty incredible restorations of old Gibsons (Scott Dasson pretty much rebuilt half a Tbird body due to damage), so hopefully it'll be a fairly easy process. Thinking of taking it down to Mike Lull or maybe Emerald City Guitars in Seattle.




Brb, catching a ferry to Seattle.
[Invalid or Expired Link Removed]
 
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So here's some photos from the seller of the EB-3

%2Cc_limit%2Cf_auto%2Cfl_progressive%2Ch_620%2Cq_75%2Cw_620%2Fv1454116532%2Fce56ibeitfylx8eivun4.png
%2Cc_limit%2Cf_auto%2Cfl_progressive%2Ch_620%2Cq_75%2Cw_620%2Fv1454116580%2Fziilt8tq9ytobfc8kzwd.png

%2Cc_limit%2Cf_auto%2Cfl_progressive%2Ch_620%2Cq_75%2Cw_620%2Fv1454116664%2Fj1nez9dwnneuomvaqoaz.png
%2Cc_limit%2Cf_auto%2Cfl_progressive%2Ch_620%2Cq_75%2Cw_620%2Fv1454116692%2Fs7azal6qh7uxaxsk6r9y.png



So, obviously, you can see the rather hideous headstock break. First order of business is confirming what the seller said (stated it was ugly but strong), and eventually getting it refinished so it isn't quite so ugly. Second will be removing the weird-ass buckle rash guard on the back. 3rd will be straightening out the tuners and giving it a deep clean.
I actually think the headstock repair looks kinda cool like that. Very rock and roll.

The buckle rash guard looks shaging stupid, though.

Confession time: Never listened to Live Evil critically(read:sober) before.
Damn Iommi just sounds great. Killer tone.
I love both his and Geezer's tones on that record. Some of my favorite guitar and bass sound. Absolutely gigantic sounding.
 
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But it is broke, it came with no power tubes, no handles, no metal corners, looks like it was taken apart at some point because the quick connects weren't put back together. Guy I got it from said he saw it power up when he went and bought it but that guy kept the tubes, and apparently it blows fuses. Sooooo I will fix it...and thats why Im looking for the right guy to do it, the place I just dropped the MACE off at or the main amp tech in the area aren't the right guys for the job, they probably wouldn't even touch it. There is a couple guys I'm talking with, one guy I know here in MKE made custom amps under Space Race Amps, and even made an amp for Matt Pike at one point. And 2 guys in Madison, one being Bongzillas go to amp tech and the other being none other that our very own @Satyrnine.

Do you know who Bongzilla's tech is? The guy that taught me everything I know has definitely worked on their gear: Joe Frantzen. He part-time tech's at Greg's Guitar Shop for fun really. He's the brains behind my new behemoth Bass Amp as well. Smartest and most thorough guy I know, hands down. Decades of experience. Only caveat is he doesn't always work on gear if it's not up to snuff. As in, if you bring him a Behringer amp, he might just tell you to throw it out and buy something decent. haha.

Also, most non-overbuilt amps will blow fuses if you don't have power tubes installed. B+ skyrockets without the tubes pulling it down. Not sure if that's the case, but if it's already been opened up and looked at, I fear that someone may have realized it has a bad/shorted Output or Power transformer and deemed it not worth the repair. I've seen that often with such amps. Someone starts to fix it, tells owner it will be $400 to repair, they say "no way, give it back" and tech just gives it to them as is, in pieces to limit time costs. Then that person sells it for cheap to recoup some cost, and the new owner is left screwed. I hate seeing that. Certain issues can be a serious PITA to diagnose, that's for sure. Had a Laney AOR with an intermittent OT, took me many attempts to figure out *** was wrong with it. Finally the OT finally gave up the ghost fully, and then it was obvious.

Last, Mace's have a surprising amount of poopie in them. Lots of boards, lots of IC's lots of connectors to disconnect, etc etc. I've worked on a couple, but they are definitely time-sinks if you have to pull the boards. That's why lots of guys don't like taking them. One of the worst are SVT's though.
 
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Do you know who Bongzilla's tech is? The guy that taught me everything I know has definitely worked on their gear: Joe Frantzen. He part-time tech's at Greg's Guitar Shop for fun really. He's the brains behind my new behemoth Bass Amp as well. Smartest and most thorough guy I know, hands down. Decades of experience. Only caveat is he doesn't always work on gear if it's not up to snuff. As in, if you bring him a Behringer amp, he might just tell you to throw it out and buy something decent. haha.

Also, most non-overbuilt amps will blow fuses if you don't have power tubes installed. B+ skyrockets without the tubes pulling it down. Not sure if that's the case, but if it's already been opened up and looked at, I fear that someone may have realized it has a bad/shorted Output or Power transformer and deemed it not worth the repair. I've seen that often with such amps. Someone starts to fix it, tells owner it will be $400 to repair, they say "no way, give it back" and tech just gives it to them as is, in pieces to limit time costs. Then that person sells it for cheap to recoup some cost, and the new owner is left screwed. I hate seeing that. Certain issues can be a serious PITA to diagnose, that's for sure. Had a Laney AOR with an intermittent OT, took me many attempts to figure out *** was wrong with it. Finally the OT finally gave up the ghost fully, and then it was obvious.

Last, Mace's have a surprising amount of poopie in them. Lots of boards, lots of IC's lots of connectors to disconnect, etc etc. I've worked on a couple, but they are definitely time-sinks if you have to pull the boards. That's why lots of guys don't like taking them. One of the worst are SVT's though.

Haha, yeah I watched a breakdown/take-apart video of the 2PRO a while back - unbelievable how much stuff they cram into the 4RU chassis.
 
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