You meant five steps, unless I misunderstand you completely.
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Stoner/Doom Bassists Thread, Part 90: Maxed Out
- Thread starter Korladis
- Start date
D
you can do anything you set your mind to.
Also, all my basses (well, 2, the double basses don't count) have flatwounds.
I've used plenty of 5 string sets for drop C. I usually make sure it's the light set with the .125
Or just get a set of exactly what you want from here. Premium, Extended Range, Bass Guitar Strings | Kalium Music
Also, I have a bass or two with flatwounds.
Or just get a set of exactly what you want from here. Premium, Extended Range, Bass Guitar Strings | Kalium Music
Also, I have a bass or two with flatwounds.
I haven't been playing for very long and have tried several things, but right now I really like standard tuning but dropped a whole step. So, I have my Dingwall five-string in A standard and my Ibanez headless multiscale five-string in D standard. I've tried drop tunings and found I didn't like getting away from the shapes and patterns that are pretty intuitive in standard tunings.
I also have my Mikro five-string in fifths, but I don't play that one very often. I sometimes think that if I'm not going to play a six-string (I've tried a few in shops and I think six strings is maybe one more string than I can realistically wrangle), the be-all-end-all for me is probably a five-string in fifths but I haven't had the stones to go all in on it yet. And still being relatively new to the instrument, I feel like I'd be best off sticking to either standard or fifths rather than trying to switch back and forth.
Oh and to another question, I have Chromes on my headless and love them on it. I think they complement the Nordstrand pickups on that perfectly. I'd love to try Chromes on my Dingwall but they're not long enough for it.
I also have my Mikro five-string in fifths, but I don't play that one very often. I sometimes think that if I'm not going to play a six-string (I've tried a few in shops and I think six strings is maybe one more string than I can realistically wrangle), the be-all-end-all for me is probably a five-string in fifths but I haven't had the stones to go all in on it yet. And still being relatively new to the instrument, I feel like I'd be best off sticking to either standard or fifths rather than trying to switch back and forth.
Oh and to another question, I have Chromes on my headless and love them on it. I think they complement the Nordstrand pickups on that perfectly. I'd love to try Chromes on my Dingwall but they're not long enough for it.
Which flatwounds are you partial to? Been thinking about stringing my P Bass up with them in Bb.
I have Chromes on half my basses, generic rounds on the other 5 string (purchased a few months ago) and DR Black Beauties (mostly for aesthetics but I have no tone complaints) on my 2nd 4 string. I definitely feel the flats do better for stoner\doom than rounds. I prefer flats for almost everything, except for some speedier stuff (and flats are still preferred for some of that!) and slap. Of course, I have no need to slap, but I pretend I'm capable sometimes.
Realistically, I think I'd go with some sort of C tuning. Likely whatever either Dismember\Amon Amarth\(old)In Flames uses. Suggestions on gauge for a 4 string (and complementary 6 string guitar)?
Realistically, I think I'd go with some sort of C tuning. Likely whatever either Dismember\Amon Amarth\(old)In Flames uses. Suggestions on gauge for a 4 string (and complementary 6 string guitar)?
Chromes, Sadowsky Flats, and Fender Flats are all similar too me. Mellow with a touch of brightness, super smooth. Roto 77 Flats are pretty bright for flats, a little rougher to the touch than those previously mentioned. The Steve Harris Rotos are 50 - 110. I used those in drop C for a year. Crazy tension on those. He plays those in standard E, crazy.
I kind of want to check GHS and Ernie Ball Flats some day.
I'm finally going to try some Roto Swing 66 stainless steel rounds on my Squier P. I'm taking it back to standard tuning from Drop A. Going to solder in a Dimarzio PAF Model P I bought years ago. Excited to get that set up as soon as my nut comes in.
I kind of want to check GHS and Ernie Ball Flats some day.
I'm finally going to try some Roto Swing 66 stainless steel rounds on my Squier P. I'm taking it back to standard tuning from Drop A. Going to solder in a Dimarzio PAF Model P I bought years ago. Excited to get that set up as soon as my nut comes in.
Yes, I'm leaning towards Fender flats. Relatively affordable too.
Everyone, many thanks for the useful responses!
I revisited this one:
Cool.
I revisited this one:
Now I see! You meant ten steps, ten semitones, between the lowest string and the next one. And seven semitones between that one and the next. So now the standard power chord shape (e.g. 1st fret on the lowest string, 3rd fret on the next two strings) becomes the Big Power Chord.
Cool.
I've used 55-110 Ernie Ball Purples 4 string set for dropped C tuning for years now. Feel great
55-75-90-110 gauges
55-75-90-110 gauges
D
I have now Chromes and TI Flats on my basses. The TI haven't convinced me yet, but I do love the Chromes.
EB cobalt flats are about the only flat I've spent time with. Love em for all the harmonics and highs they bring. Almost like worn in rounds. Been meaning to try other flats, the Steve Harris ones just moved high on the list if the tension is really that high.
The two I've been messing with have been an EQD Spires and a Ron Swanson super fuzz. The spires goes all over the place in tone, splatter and tightness. There's more than a few settings where you don't lose any lows and some where you boost em.
@br1qbat turned me on to the super fuzz. Real bad ass all around, can't wait to try with a blender.
The new hotness may be the Bliss Factory or Boss tone bender. Maybe not for bass, but those two seem to be getting tons of hype lately. The boss one I'm interested in, but will probably wait for used. I think the run will be big enough to keep scalpers from inflating price. Otherwise both may be a bit rich for my blood.
The two I've been messing with have been an EQD Spires and a Ron Swanson super fuzz. The spires goes all over the place in tone, splatter and tightness. There's more than a few settings where you don't lose any lows and some where you boost em.
@br1qbat turned me on to the super fuzz. Real bad ass all around, can't wait to try with a blender.
The new hotness may be the Bliss Factory or Boss tone bender. Maybe not for bass, but those two seem to be getting tons of hype lately. The boss one I'm interested in, but will probably wait for used. I think the run will be big enough to keep scalpers from inflating price. Otherwise both may be a bit rich for my blood.
Those Steve Harris flats sound great for my "C" needs (whatever type of C tuning I go with). I definitely like the higher tension of flats in general, and if these are really that much more tense, than I think that would work well to down tune so much. Thank you!
How do you like the TIs? They are round core and the largest string only goes to 100. Can they even handle E standard with a heavy hand?
Ahh, the Spires. Looks like it's out of production now. Looks like all the fuzz pedals of theirs I wanted are out of production now. Guess I wont ever get to try them. I knew I should have bought them when they were 90 bucks used.
Yeah, that Swanson fuzz looked cool. I've had an FZ-2 for a long time, the boost on that sucker pushing a tube amp is pretty great too.
Never heard of the Bliss Factory. Boss makes a Tone Bender? I'll have to look into these! I've always wanted a Tone Bender. I think I have a few silicone circuits based off of it from Basic Audio.
Edit: oof $350 for the Boss. The blues lawyer/classic rock dads will kill the used market. I don't think you'll see it lower than that. Sola name attached, high price, and limited. I don't see a lower second hand price happening.
double edit: Ohhh Chase Bliss.... yeah, never owned a pedal of theirs. Most of my basses cost less than their pedals. hahahaha
I hope they work out for you. They are pretty stiff. I don't think I would have gone any lower than C. I had them on a 34" scale Fender.
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I used TIs tuned a half step down. they are a bit too loose for me but they are nice for just noodling around at home. i prefer la bella 760fx or fl.
also note that the TIs are very middy. they have a slight nasal quality to them that you may or may not like. if course if you're willing to turn some dials you can EQ it out.
also note that the TIs are very middy. they have a slight nasal quality to them that you may or may not like. if course if you're willing to turn some dials you can EQ it out.
I have the TI Jazz Flats on my fiver, tuned standard. I'm a hard hitter and they respond nicely, but I've never played that bass with a heavy band.
For reference: 43-56-70-100-136
D
I haven't been able to try them in a band setting. But they sound too mellow and are a bit to floppy for me to wanna even try that.
I like the Chromes more : -)
Thanks for the info on the TIs. Maybe one day. I have some Sadowsky flats on an Electra P bass, so I'm probably covered for a while. That thing balances like crap so it's an at home bass. Maybe if I use a leather strap and lose some weight it would hang better. haha
D
