Just spent the morning tweaking knobs. Here's what I've got:I have not. I'll try that today. My gut says it will add lows, but not "heft". That probably doesn't make sense. I guess what I'm really saying is that the lows don't get as distorted on the BBD as they do the other pedals. Which many people would prefer! But I like a little distortion on the lows to help glue it all together. Neither approach is bad, but I feel that when the lows are mostly clean it works better for faster and more articulate stuff (like the BBD) and when they're more distorted it's better for slower, doomier stuff (like the Tremond or Bass Mountain). The Volt Thrower is the closest I've found to having the ideal tone for both situations without having to change settings. I could likely get perfection for both situations from the VT by changing settings.
Anyway, I'm going to keep testing pedals and enjoying my day off. Have fun, all!
The BBD at the extreme ends of the low knob is definitely closer to what I want, but still not quite there. It seemed to saturate the lows a bit more, as well as cover up some of the harsh top end that I try to avoid. So now, I can have plenty of lows and added back in high for more definition. I find it very close to my tones on the MBD2 and B3K that I have in my arsenal - perhaps a tiny bit brighter/punchier and nastier. It's basically halfway between the Rat and "modern metal" tones I already have. I could get those pedals nastier if needed, but the BBD could certainly do double duty without having to change settings. Definitely a keeper if it can do Rat/MBD2/B3K tones all in one pedal and identical settings! Honestly, the one thing I would like to change about the BBD is that it has a side power jack but top in/out jacks. I know that it's likely a necessity for the PCB, but it's just my least favorite combo. A minor nitpick, for sure, and if it takes up two pedals of tones, well worth just over 1 "standard-sized" pedal of space.
I still absolutely LOVE my Volt Thrower, but I wish the internal knobs were on the outside. I swear - I tweak those more than anything else. Right now I've got the internal "lows" at 10:30 and "other" at about 10:00. Plenty of dirt, but also plenty of cleans and definition. Bass knob at noon, treble and gain at about 1:30ish give or take. Crushing tones, heft, and clarity. Everything I could want in a Rat! Nothing new there, and there are plenty of fans of the VT and Dunwich in general, and I don't really think I can add anything else to the discussion except to say that patience is rewarded. Minor adjustments can do wonders.
The biggest surprise this time was my Tremond. I re-watched the video that had originally sold me on the pedal, and had forgotten that it ALSO has internal options that I'd never used. So I opened it up. It's got a gain control for the clean channel. Mine was at about 1:30, but I ended up maxing it out. This gave me a bit brighter tone overall, which helped since the Tremond sometimes lost a little clarity on the highs at gain when I had to blend back in clean lows via the HPF Boost. It also had a "Brittle Mode" switch. I was hesitant to try it, but figured the pedal was open so why not? I can tell you "Brittle Mode" is misnomer. It did not make my tone brittle at all. It appears to be an attack boost. So with those tweaks, I now have a nice cutting distortion with plenty of high end clarity AND excellent bass retention, with saturation throughout the range of my signal. At the same time, it's incredibly punchy and articulate. It's an amazing tone.
Now it's time for yardwork... And then hopefully more bass!