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Supro Huntington Basses

I've just purchased the Huntington II Mahogany. While I like the sound and the versatility of the three pickups (including the piezzo) I'm disappointed by the setup quality of the instrument. I had to tune the bridge quite a lot and lower the very high action. The nut is also high and there is more space between the E string and the edge of the neck than on the G side. I feel the bass needs a good deal of work to feel properly... Is this just my experience?

The instrument is wonderful, but I’m experiencing similar issues with my H3 Sunburst — E and A strings produce loud bridge buzz; same strings also produce fret noise due to high action in higher frets; there are intonation problems (stretching the strings helped somewhat).

I’m having a tech do a setup. If I’m not happy after that I will send it back.
 
I've just purchased the Huntington II Mahogany. While I like the sound and the versatility of the three pickups (including the piezzo) I'm disappointed by the setup quality of the instrument. I had to tune the bridge quite a lot and lower the very high action. The nut is also high and there is more space between the E string and the edge of the neck than on the G side. I feel the bass needs a good deal of work to feel properly... Is this just my experience?

Mine was set up pretty nicely out of the box. It needed some tweaking just like any new bass would. But I haven't noticed any string/neck alignment issues on mine. I agree that the nut on mine looks high, but it seems to function just fine for my tastes.
 
I've just purchased the Huntington II Mahogany. While I like the sound and the versatility of the three pickups (including the piezzo) I'm disappointed by the setup quality of the instrument. I had to tune the bridge quite a lot and lower the very high action. The nut is also high and there is more space between the E string and the edge of the neck than on the G side. I feel the bass needs a good deal of work to feel properly... Is this just my experience?

Hi Jaromir,
Sorry to hear about this. Can you please send me a PM with info on where you purchased the bass? Did you buy it online?
Best, Peter
 
Well, I've logged a little more time in with my Huntington I and my impressions are generally favorable except for one caveat which may or may not be a dealbreaker for some players...

While the single pickup in the sweet spot sounds terrific, it's somewhat limited as the bass is currently configured. Tonally, the H1 is a fairly one sound bass IMO. The passive piezo, despite it's clever integration with the mag pup, doesn't really bring much to the party in my book because it's overly bright and has a very limited range of tonal adjustment. So it's best to think of and approach it as a texture feature rather than a pickup option. It works best when you use it to add a little hair into the mix to play against the very creamy mag pup. I found it works best thinking about it the way the email Supro sent me (which I quoted in an earlier post here) suggested. Which is to say as a solo setting. Cutting in the piezo doesn't add much in the way of tonal variety. But it definitely adds an edge (a little harsh at times IMO) to the mag pup. And the tone knob in the 'mag only' switch position doesn't give much variety compared to most I've heard.

The good news is that the sound it does have is exceptionally good if paired with a good amp and a decent cab. It would work great for classic 60s rock, psychedelic rock, and blues. If it's retro sounding, the H1 will be right at home. But of you want more tonal variety, you'd probably be best off looking at the H2 or H3 for starters. Or something else entirely.

As it stands, I'm thinking of trying different strings than the flats mine came with, and which I think are D'Addarios. Possible choices would be: GHS Pressurewounds, LaBella Copper White Nylons, or TI Jazz Flats.

I'm also not sure if I want to leave the electronics stock. I don't know what the pot or capacitor values are since I haven't unbuttoned mine yet. But I'll definitely want to take a closer look at what's in there with an eye to making some changes.

As far as the piezo goes (which I'll admit was what piqued my initial interest after hearing some demos) I'm mildly conflicted. I don't really care for the way it works. At least as shipped. So I'm not sure if I'll ultimately just end up ignoring the switch and basically forget it's in there -or- do something more radical, like installing an active preamp for it. Because in it's current configuration I've decided it's fairly unworkable for me. And to be perfectly blunt, I don't really care at all for the way it sounds. Hardly surprising since I've never once heard a piezo sans preamp that I liked the sound of. But hope springs eternal. And I was hoping with the H1. But about all I can say is I'll need to continue hoping, and do it elsewhere.

So...bottom line: I think it's a fine bass with a really good look and a sound all it's own that would be perfect paired with the right musical genres. It does not appear to have a huge range of tones under the hood, either when fiddling with the controls, or by varying your technique. It is what it is. Which is to say: a very nice short-scale bass with a neat retro look and rather pretty sound. But it is definitely not a utility infielder type short-scale like my G2002 Grestsch Junior Jet is. At least in my book. YMMV.

The H1 is (to me) a niche sort of instrument. As long as you want it for what it is, you should be perfectly happy owning one.

Am I disappointed? Not at all. It really is a very nice bass. I just wish it were a little more than what it is. If I didn't have so much tonal overlap with some other short-scales I own (I currently have a: Gibson SB-300, Gretsch Junior Jet, Epi Viola, and a Chowny SWB-1 to compare it with) I'd probably not even give it a second thought.

Had I personally auditioned one first, I likely wouldn't have bought one. The Guitar Interactive video deserves props for skirting around the limited tonal range this instrument has, although they did (sort of) allude to it. Unfortunately that was something I only picked up on after a second watching. But such are the risks inherent in buying an instrument sight unseen. And for which I'll take full responsibility since I'm always the first to say "try before you buy."

So is this a negative review? The answer is NO. It's a positive review with the caveat you know what you're getting with this particular model. If you want something more than basically one really good sound with a minor variation available, try a different model.

Addendum: Some people here have reported setup or build issues. I had none with mine. My H1 had impeccable build quality and arrived beautifully set up. This is one of the few basses I ever bought that I needed to do absolutely nothing with when it arrived other than to tune it and play it. So kudos to Supro for doing mine up so nicely.
 
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Got this beautiful bass about two weeks ago. Loved the construction, the factory setup and the sound, although I'm more a flatwound guy and this one came with rounds. But no problem: La Bella flats is coming :cool:

Anyone know if the Huntington bass fits into a Mono Guitar Sleeve case? I have read that it fits on the M80, but the Sleeve is much cheaper here in Brazil and its ok for my needs (I have the Bass Sleeve too, but I want to go short in all aspects with this bass).

Thanks
 
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Got this beautiful bass about two weeks ago. Loved the construction, the factory setup and the sound, although I'm more a flatwound guy and this one came with rounds. But no problem: La Bella flats is coming :cool:

Anyone know if the Huntington bass fits into a Mono Guitar Sleeve case? I have read that it fits on the M80, but the Sleeve is much cheaper here in Brazil and its ok for my needs (I have the Bass Sleeve too, but I want to go short in all aspects with this bass).

Thanks
I would guess yes. I don't have a mono bag but my Huntington fits easily in a standard elec. guitar case. and I am fairly certain the M80, vertigo and Sleeve all hold the same size average guitar.
 
Very unusual - I don't get any sound on my H3 with when I turn the volume knobs all the way down.
Thanks for your response! This only makes me believe that the quality of these basses is not consistent. I've bought mine online (call me an optimist) at one of the biggest shops in Europe, Thomann in Germany, and I was not happy with the setup etc. so I sent it back. It's a pity, because I love the concept of the bass...
 
This only makes me believe that the quality of these basses is not consistent. I've bought mine online (call me an optimist) at one of the biggest shops in Europe, Thomann in Germany, and I was not happy with the setup etc. so I sent it back.

I had several issues with the setup of my H3, which I bought online in the US. After having it setup by a local technician, I have only one nit now: intermittent noise in the bridge. I love the instrument, but the noise is unacceptable. I arranged for an exchange, but I'm having second thoughts because I was able to get rid of the noise by tightening the bridge saddles.
 
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Sorry to hear about some of your less-than-excellent experiences. I had to adjust the action, intonation & pickups on my H3 too. I changed the strings, and I’m sure that affected my initial setup. But I’m loving this bass now! I’m playing it pretty much exclusively, while the others sit in their cases. (BTW, check out my profile.)
 
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Sorry to hear about some of your less-than-excellent experiences. I had to adjust the action, intonation & pickups on my H3 too. I changed the strings, and I’m sure that affected my initial setup. But I’m loving this bass now! I’m playing it pretty much exclusively, while the others sit in their cases. (BTW, check out my profile.)

Yeah, if you ask me this is all common/expected stuff when buying any new instrument. Given that everyone’s “perfect” setup is different, Expecting absolute perfection out of the box is unrealistic.

I’d say My factory setup was good... adequate. It was playable out of the box and I could have used it at a gig that day with no changes. I tweaked the bridge saddles to raise the action slightly to where I wanted it, and voila.

When I changed strings I had to adjust the truss rod and raise the bridge saddles further to prevent buzzing. Again, expected and common stuff.

I did find that the nuts on the tuners were a bit loose, so I snugged those up while the strings were off.
 
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Hey Peter Murray!

I’m thinking that my Huntington III is definitely worthy of a tuner upgrade. Can you recommend a better tuner? I’m thinking Grover Mini’s or something from Gotoh, but I’d like to get Supro’s recommendation before proceeding. Any thoughts?

Thanks!
Greg
 
Hey Peter Murray!

I’m thinking that my Huntington III is definitely worthy of a tuner upgrade. Can you recommend a better tuner? I’m thinking Grover Mini’s or something from Gotoh, but I’d like to get Supro’s recommendation before proceeding. Any thoughts?

Thanks!
Greg

Hi Greg,
I'm not personally very knowledgeable about all the tuner options. I know there are many different brands and models.
I will check in with our head office to see if they have any thoughts. If you don't hear back from me in a few days, feel free to PM me a nudge.
Best,
Peter
 
Hey Peter Murray!

I’m thinking that my Huntington III is definitely worthy of a tuner upgrade. Can you recommend a better tuner? I’m thinking Grover Mini’s or something from Gotoh, but I’d like to get Supro’s recommendation before proceeding. Any thoughts?

Thanks!
Greg

Our head tech at the shop says: "Hipshot, Schaller, Grover, Gotoh. IMHO, in that order."
For what it's worth!
I'm sure others will have different preferences.
 
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Our head tech at the shop says: "Hipshot, Schaller, Grover, Gotoh. IMHO, in that order."
For what it's worth!
I'm sure others will have different preferences.
Thanks Peter! Can you ask the tech what size the "peg-holes" are in the headstock? That should keep me from ordering the wrong replacements.
Thanks again for all your help!
 
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