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Supro Huntington Basses

Has anyone else noticed any issues with the E string being picked up properly? I've found that, particularly when playing with a pick, if I hit the E string with a strong up-stroke (away from the floor), the attack of the note seems to drop WAY out, then come back up to normal levels on the sustain, if that makes sense. I do not notice the same thing when playing with a down-stroke (towards the floor). This leads me to believe that the sensing window of the pickup is not wide enough and the string excursion is not being picked up properly. I haven't tested to see if it's better or worse on one pickup or the other.

It's not a huge deal, but I have definitely needed to adjust my technique (which admittedly is not perfect) in order to get a consistent sound out of the E string. I've ordered a new set of GHS Pressure Wound strings to try, so we'll see if that changes anything.



On the plus side, I used my Huntington II at two gigs last week and really enjoyed playing it. My left hand is still adjusting to the shorter scale and at the first gig I often found myself sliding too far up the neck, etc. Second gig was much more comfortable though and I played much better.

Both were very quiet lounge-type gigs, so I didn't really get to crank anything up, but the overall tone was very nice. With both pickups on it's phat as hell, but still articulate. The piezo is neat for adding a little bit of a different character to the tone. Played finger style with the piezo engaged brings a bit of an upright vibe if you pluck up near the neck. Played with a pick the piezo almost comes across as a bit of overdrive.

I'm happy so far. Three more gigs in February with that band, and I'm thinking at this point that I'll be using the H-II on all of them.
 
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Has anyone else noticed any issues with the E string being picked up properly? I've found that, particularly when playing with a pick, if I hit the E string with a strong up-stroke (away from the floor), the attack of the note seems to drop WAY out, then come back up to normal levels on the sustain, if that makes sense. I do not notice the same thing when playing with a down-stroke (towards the floor). This leads me to believe that the sensing window of the pickup is not wide enough and the string excursion is not being picked up properly. I haven't tested to see if it's better or worse on one pickup or the other.

It's not a huge deal, but I have definitely needed to adjust my technique (which admittedly is not perfect) in order to get a consistent sound out of the E string. I've ordered a new set of GHS Pressure Wound strings to try, so we'll see if that changes anything.



On the plus side, I used my Huntington II at two gigs last week and really enjoyed playing it. My left hand is still adjusting to the shorter scale and at the first gig I often found myself sliding too far up the neck, etc. Second gig was much more comfortable though and I played much better.

Both were very quiet lounge-type gigs, so I didn't really get to crank anything up, but the overall tone was very nice. With both pickups on it's phat as hell, but still articulate. The piezo is neat for adding a little bit of a different character to the tone. Played finger style with the piezo engaged brings a bit of an upright vibe if you pluck up near the neck. Played with a pick the piezo almost comes across as a bit of overdrive.

I'm happy so far. Three more gigs in February with that band, and I'm thinking at this point that I'll be using the H-II on all of them.
I have noticed a lower output on the E string too. It’s most noticeable at the neck pickup. Bridge pickup seems fine. I’ve been able to mitigate it somewhat by using a bigger E (more mass, less excursion) and tweaking pickup height. I’m also boosting bass at 40Hz and using my B|Amp’s variable filter to tame the A string response. And I’m hitting the E a little harder!
 
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I have noticed a lower output on the E string too. It’s most noticeable at the neck pickup. Bridge pickup seems fine. I’ve been able to mitigate it somewhat by using a bigger E (more mass, less excursion) and tweaking pickup height. I’m also boosting bass at 40Hz and using my B|Amp’s variable filter to tame the A string response. And I’m hitting the E a little harder!

Thanks Greg. For what it's worth I'm glad to know it's not just mine.
I raised the both pickups a bit on the E side, and I've started paying more attention to my right hand technique, and making sure to play down-strokes whenever I can. Seems to work for me for now, what with not having a fancy-pants B|Amp at my disposal :) :p .
 
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I have noticed a lower output on the E string too. It’s most noticeable at the neck pickup. Bridge pickup seems fine. I’ve been able to mitigate it somewhat by using a bigger E (more mass, less excursion) and tweaking pickup height. I’m also boosting bass at 40Hz and using my B|Amp’s variable filter to tame the A string response. And I’m hitting the E a little harder!
I’ve just installed some Ken Smith short scale round wounds (.106 / .084 / .058 / .044. They sound good and they may help a little with the output balance.
 
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Dig it!! The sound is VERY bright even with tape wounds. Excellent fit and finish. Love the neck!
supro_edited.jpg
 
Has anyone else noticed any issues with the E string being picked up properly? I've found that, particularly when playing with a pick, if I hit the E string with a strong up-stroke (away from the floor), the attack of the note seems to drop WAY out, then come back up to normal levels on the sustain, if that makes sense. I do not notice the same thing when playing with a down-stroke (towards the floor). This leads me to believe that the sensing window of the pickup is not wide enough and the string excursion is not being picked up properly. I haven't tested to see if it's better or worse on one pickup or the other.

It's not a huge deal, but I have definitely needed to adjust my technique (which admittedly is not perfect) in order to get a consistent sound out of the E string. I've ordered a new set of GHS Pressure Wound strings to try, so we'll see if that changes anything.
When you put on the new strings, make sure you “set” the witness points, particularly on the E string. I did that a second time using greater force at the bridge than I usually do. It significantly increased the E string volume.
 
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When you put on the new strings, make sure you “set” the witness points, particularly on the E string. I did that a second time using greater force at the bridge than I usually do. It significantly increased the E string volume.

Can you go into more detail? I lost you after "make sure you... " :) :p

New strings are en route. Should be here soon, but not before my double-header of gigs this weekend.
 
Can you go into more detail? I lost you after "make sure you... " :) :p

New strings are en route. Should be here soon, but not before my double-header of gigs this weekend.
The goal is for the strings to be “perfectly straight” throughout their speaking length. So press down kinda hard on the fretboard side of each string at the nut and bridge saddle. It took me a couple of times with the E at the bridge to really get the witness point set.
Hope this helps!
 
The goal is for the strings to be “perfectly straight” throughout their speaking length. So press down kinda hard on the fretboard side of each string at the nut and bridge saddle. It took me a couple of times with the E at the bridge to really get the witness point set.
Hope this helps!

Yep, thanks. I'll be sure to do this when my new strings get here.
 
I have a crazy proposition... Would anyone be interested in trading me their Huntington I for my Electric Blue Huntington II? I know it sounds ridiculous, but I play 90% pickstyle and I am used to playing right where the bridge pickup is located. I tend to bang into it and make a bunch of noise! The Pickup on the I would be in the perfect location for me, ergonomically and tonally, I think. Im used to a Mustang and a P-Bass. I can probably adjust my technique, but figured I would see if anyone is interested.

Thanks!
Marc

IMG_1388.JPG
 
I've just purchased the Huntington II Mahogany. While I like the sound and the versatility of the three pickups (including the piezzo) I'm disappointed by the setup quality of the instrument. I had to tune the bridge quite a lot and lower the very high action. The nut is also high and there is more space between the E string and the edge of the neck than on the G side. I feel the bass needs a good deal of work to feel properly... Is this just my experience?
 
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I've just purchased the Huntington II Mahogany. While I like the sound and the versatility of the three pickups (including the piezzo) I'm disappointed by the setup quality of the instrument. I had to tune the bridge quite a lot and lower the very high action. The nut is also high and there is more space between the E string and the edge of the neck than on the G side. I feel the bass needs a good deal of work to feel properly... Is this just my experience?
You should email Supro about this issue. Unacceptable. If they won’t help, return it. I’m thinking about selling my H3.