Don't hold out on us Ken. How does it sound with the LPF raised? That alone would make the RH the perfect amp.
I'll mess with it a bit tomorrow. My very quick testing resulted in a bit more open top end, but still a very warm, organic top end. Not sure if that is just inherent in the very nice, organic coax tweeter in the RS210, or just the voicing of the pre, regardless of the lo pass filter setting. It is already at 5K, which is well into the sparkle region.
I'll obviously be focusing on this, and will use a few different cabs to really flesh it out over the next couple of days.
There's so much power in this software. The compressor settings take up a full screen. I am clueless on that (don't really use compression live), so hopefully one of the other guys can really dig into that.
I'll focus on the Q settings for the mids and the upper treble voicing
The varying of the center points and volume/gain settings is pretty uninteresting to me, since there is so much range there already. However, if you raise the range of the treble with the lo pass filter, of course, it might make sense to move the entire range of the treble control up a bit (like what was done with the Staccato).
Anyway, fun stuff.... stay tuned!