Thanks for posting, kmon. Where do you have the attenuator for the tweeter set?
Mark
bout 50% on both 210s. Honestly, I hadn't even thought about that...you have any thoughts on that?
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Thanks for posting, kmon. Where do you have the attenuator for the tweeter set?
Mark
bout 50% on both 210s. Honestly, I hadn't even thought about that...you have any thoughts on that?
FWIW - I find changing the Semi-Para on the High Mids 2 clicks over (from 800hz to 1K) to be a more usable freq to cut when trying to get a warmer & smoother tone.
I also use Spectracomp at just 1 click in & Tubetone at just 3 clicks in. Just enough to bare their effect, without completely altering your basses natural voice.
Anybody got any luck trying to get a Jaco-like tone? I've been fiddling around a little bit with it -- obviously it is in large part due to fingers, bridge pickup, and fretless sound, but has anybody gotten that amazing bite and punch so characteristic of Jaco with their RH450? I'd love to hear ideas.
I now have a new favorite setting on my 450... it's very simple, it's OFF!
After picking up a Hartke a few weeks ago, I have not even plugged my 450 in... there is no comparision between the two... one sounds great, full and open an the other sounds like it's being run through a dozen cheap compressors... then a blanket is applied to my cabinet!
JMHO. etc...
Fishheadjoe
I may offer an appology as I was under the impression that I was responding in a thread that I had already contributed to... so there may well be more than one 450 settings thread, of which I know I made contributions.
That said, I am not a miserable soul as suggested and frankly I am now much happier than I was a few weeks back.
Fishheadjoe
Revival?
Hey RH people, I'm essentially re-posted from some pages back. Another owner posted what I think is a great find on para-eq setting through a structured, targeted method. While the video isn't on the RH, I think it applies very well. I've recently changed cabinets and revisited this, and I am again impressed with the value it seems to have for me, as one who admittedly has found some challenge in "getting there" by just turning knobs and listening, without this roadmap. I just felt it might bear repeating for anyone who it might help:
The video is by Alvaro Martín Gómez A., of Columbia, SA (in Spanish, subtitled in English)
It's a Markbass demo, but contains a segment on para-eq setup. Alavro was kind enough to post on the thread to elaborate on that segment, and here's the summary.
The process involves boosting the level of the Bass, Lo-Mid, Hi-Mid or Treble to maximum, one at a time, while cutting the other three all the way and then making frequency adjustments to find the ideal point.
Bass
Goal - Find the frequency with the best balance of power and definition, avoiding a boomy/muddy sound from being too low and lack of power from being too high.
Process - Pluck open E while adjusting the bass shelving frequency, listening for the point where the power and definition are maximized.
Lo-Mid
Goal - Find the frequency where the sound is strongest.
Process - Play 5th fret harmonic on the G string while adjusting the Lo-Mid center frequency, listening for the point where the harmonic is most powerful.
Hi-Mid
Goal - Find the frequency where the sound is the most "aggressive."
Process - Pop open G string while adjusting the Hi-Mid center frequency (starting from low) while listening for the point where it sounds as if a blanket has been lifted from the cabinet. Alvaro explains that going too high results in an overly bright, unpleasant quality.
Treble
Goal - Find the frequency where the brightness of the sound is "most pleasant."
Process - Pop open G string or while adjusting while adjusting the treble shelving frequency, listening for the point where the brightness is captured best. The same blanket lifting analogy can be used to find this point/range. (And this can alternatively be done with the sound of rubbing the strings - I don't find that works for me)
After center/shelving frequencies are set, cut/boost to taste/room.
Alvaro uses the method of cutting all and then dialing up each eq control to the point of "adequacy," using the same tests (open E, 5th fret G harmonic, and G pop), starting with bass and moving through to treble.
I started this thread, and over time, I've really come to believe that it was a little misguided. That is, the idea that, without having the exact same gear (which is possible) and substantially similar tastes (which is also possible but unlikely), someone else's "settings" will necessarily provide a result, is off the mark. It suggests the settings are an endpoint or result in and of themselves, rather than illuminating the process to get to that result, which is rather individual.
I've posted this in other threads. The most valuable thing that I've found as an RH owner was a video someone posted a link to in the club thread.
For me, getting this (especially since the guy who made the video stopped by the thread and elaborated) and applying it has made the ultimate difference for me.