Obviously there's a difference between the iOS editor, and a PC...I can open it on my computer, but it isn't really any use unless the pedal is attached...
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Obviously there's a difference between the iOS editor, and a PC...I can open it on my computer, but it isn't really any use unless the pedal is attached...
Much better. There's a reasonably convincing organ Toneprint for the Sub'n'Up.Hi. Late to the party. I've been using a POG2 for years … and for only one thing, namely some organ-y intros. How's the Subnup doing in that area, since this would save quite a bit of space on my pedalboard.![]()
Much better. There's a reasonably convincing organ Toneprint for the Sub'n'Up.
Nothing is going to produce true bass guitar tones an octave up/down. It's simply not a realistic expectation. Certainly not at $150.
Interested to hear of anyone that has compared this to the POG family for soloed +1 octave fake guitar sounds á la Royal Blood?
From Youtube comparisons it seems the high end is rolled off quite a bit compared to the EHX, but of course that can be adjusted in the Toneprint editor. The adjustable EQ should even be a bonus, to roll off a bit off the harshness, which is possible with the very expensive POG2 but not the Micro/Nano POG. What I'm most interested in is can it produce a clean note that sounds like a guitar without glitching, and how is the latency vs the POG?
Hey all,
For those who have tried both the full sized and mini Sub'n'Up, is the toneprint editor (pc or mobile) the same on both? I'm looking into the mini hoping I could use it as a straight octave up pedal for that royal blood type deal (I'm not chasing that tone, just the effect).
I do this fairly regularly with the Sub 'N Up, but it has a synthy, ringing, quality that keeps it from sounding much like a guitar when clean.wondering if anyone has had a chance to try the Sub n Up in this context yet - using just the polyphonic "octave up" with their bass guitar to cop some fake electric guitar sounds, particularly for fast tremolo picking/chord work. i've used both the EHX Mirco POG in the past, and am currently using the EHX Pitchfork for this in front of a guitar preamp/distortion pedal, and it works pretty good, but am always curious about what else works better. also wondering how if the Nano POG sounds any different than the Micro POG or Pitchfork in this context, or if it would sound the same as those.
thanks for the reply. have you used the micro/nano pog and/or the pitchfork for this use? wondering how they compare.I do this fairly regularly with the Sub 'N Up, but it has a synthy, ringing, quality that keeps it from sounding much like a guitar when clean.
With overdrive, I add enough up octave to add harmonic content, and can adequately substitute for a guitar when there's enough of my band's sound to distract your ears.
I do this fairly regularly with the Sub 'N Up, but it has a synthy, ringing, quality that keeps it from sounding much like a guitar when clean.
With overdrive, I add enough up octave to add harmonic content, and can adequately substitute for a guitar when there's enough of my band's sound to distract your ears.
Used the POG. It's very similar.
I use the octave up & turn down the 2 down octaves & mix in the bass itself when playing at church if I am playing with only one guitar--it fills in the sound--and adds a "keyboardness" that is missing if we don' have a keyboard player that week.I do this fairly regularly with the Sub 'N Up, but it has a synthy, ringing, quality that keeps it from sounding much like a guitar when clean.
With overdrive, I add enough up octave to add harmonic content, and can adequately substitute for a guitar when there's enough of my band's sound to distract your ears.