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That Didn't Last Long - Stu Hamm goes to Warwick

I understand why famous, successful players endorse basses and gear.[...] the more a high-profile player switches brands, the less I respect their gear choices. There are some who 'seem' to switch brands every year. No need to mention names. Personally, I would never choose a bass brand or model because someone famous was an endorser.

Then no problem. There's no reason to "respect their gear choices" to begin with. Wooten's belief in magic power cables comes readily to mind. Makes it hard to even respect the man. Their needs - gigging, venues and primarily earning a dollar almost any way they can, are different than most of ours so their choices only matter to them as do yours only matter to you.

At least here people share details about their gear choices, and some of them are even helpful and credible. Pros just smile, or frown, in an advert. Couldn't care less.
 
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Is there really that much money in it for people like Stu Hamm?

Let's be honest, outside a certain niche within the bassist community, he's pretty obscure. Would anyone who even knows who Stu Hamm is also be the sort of person to go and buy a certain brand because he plays it? Doubt it. Bass-nerds like us already know what we like.

So I can't imagine Warwick would invest all that much in his endorsement. Discounted custom bass and some free strings, maybe. Even Andy Irvine pays for his gear, and next to big-hitters like Rob Trujillo, has probably done more than most to increase the brand's exposure.
 
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Im pretty sure its all about the Benjamins and not the instrument.
I agree. I think at his level he can make any bass sound the way he needs it to. Everyone has to make a living and maybe he got offered a better deal. From what I hear Warwick treats it's musicians very well, hope he's happy at Warwick. I liked his X Factor sound the best, I think :) He's also a really cool guy.
 
I'm with you and, to be fair to Stu, he has a long way to go to catch up with Mark King ;)
I disagree :) listen to his first cd (Radio Free Albemuth ) it was groundbreaking at the time in a sense- stu was doing monster two handed tapping (a Debussy tune on there ) not to mention harmonics , chords , lead bass with muti- tracked parts , and killer slap licks. Mark king is a slap monster no doubt but stu is technically every bit as good , probably better on the two handed stuff. Stu attended Berklee and played w Steve vai , he's no slouch. :) and yes his Kubicki's sounded killer , his best tones and playing were on the Exfactors IMO
 
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A guy I used to know around here was Stu's roommate at Berkley. He always said good things about Stu, so I have no doubt Stu is a good dude.

And I agree with a number of others, When I think of a bass and Stu, it's always a Kubicki. Radio Free Albumeth was indeed groundbreaking when it came out. Still amazing to listen to now.
 
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. Even Andy Irvine pays for his gear, and next to big-hitters like Rob Trujillo, has probably done more than most to increase the brand's exposure.

I would have to think that Andy Irvine is paid very well by Warwick for all his clinics and videos and such. If it was all about having the best bass possible, he's still be with Spector.
 
A guy I used to know around here was Stu's roommate at Berkley. He always said good things about Stu, so I have no doubt Stu is a good dude.

And I agree with a number of others, When I think of a bass and Stu, it's always a Kubicki. Radio Free Albumeth was indeed groundbreaking when it came out. Still amazing to listen to now.

My one encounter with Stu was NOT good, but that was a long time ago and we were both young.