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The Combo Club

Morrighan's got it...

This is my angle, made more clear. It sounds like you have the same combo I do, the Combo 300...? This is on my front panel:

20190224_121652.jpg


In this case, use Poweramp In.
 
Let's say that just to annoy the neighbors, I wanted to hook all of this stuff this up.:smug: (R200c/R112>Kasino.)
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What would be the best way(other than a "Y" cable-which I can get)? The Kasino, being ancient, has no effects loop, just instrument input. I'd prefer to not blow anything up.
 
Let's say that just to annoy the neighbors, I wanted to hook all of this stuff this up.:smug: (R200c/R112>Kasino.)View attachment 3334692 What would be the best way(other than a "Y" cable-which I can get)? The Kasino, being ancient, has no effects loop, just instrument input. I'd prefer to not blow anything up.

For science!
 
Let's say that just to annoy the neighbors, I wanted to hook all of this stuff this up.:smug: (R200c/R112>Kasino.)View attachment 3334692 What would be the best way(other than a "Y" cable-which I can get)? The Kasino, being ancient, has no effects loop, just instrument input. I'd prefer to not blow anything up.
Small mixer with inserts (or sends) on every channel... set each amp individually. If you have long instr cables you can set amps up in acoustically strategic places, like windows, or under living rooms of adjoining upstairs apartments.
 
You rang???

I’m limited in the ”Frankensteinian” Method you request, but I’d say the Y-cable is your only way to connect both amps safely. Could you plug into the Rumble rig first and then run a cable from your out to the Kustom’s input? Would there be an advantage/disadvantage doing it that way?
The biggest disadvantage of the Y cable is finding one 10'(+)1/4" ts male to 2 1/4" ts male. It seems they(whoever) have everything but:banghead:. I figure to plug into the 200c/112 and outta effects 'send' to the Kasino(turned Way down) would be the easiest.
 
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The biggest disadvantage of the Y cable is finding one 10'(+)1/4" ts male to 2 1/4" ts male. It seems they(whoever) have everything but:banghead:. I figure to plug into the 200c/112 and outta effects 'send' to the Kasino(turned Way down) would be the easiest.

Agreed, which is what my second thought was. My question though is how much effect will you get from the Kasino being hooked up that way? If you were actually trying for fun, would you hear enough of the big combo to be worth it? I’m not saying don’t try it, but don’t be surprised you’re not impressed overall. Still, it’s slways fun to plug cables into jacks! :headphone:
 
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Morrighan's got it...

This is my angle, made more clear. It sounds like you have the same combo I do, the Combo 300...? This is on my front panel:

View attachment 3334672

In this case, use Poweramp In.

My front panel has the FX in and out but it also has the Power amp in and out.

Should I use the power amp in that way I just use the volume on pedal?
 
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Agreed, which is what my second thought was. My question though is how much effect will you get from the Kasino being hooked up that way? If you were actually trying for fun, would you hear enough of the big combo to be worth it? I’m not saying don’t try it, but don’t be surprised you’re not impressed overall. Still, it’s slways fun to plug cables into jacks! :headphone:
Well, I gots a lotta time on my hands.:whistle:
 
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My front panel has the FX in and out but it also has the Power amp in and out.

Should I use the power amp in that way I just use the volume on pedal?

Run the Sansamp into the effects return (in). Set the pedal to Unity - Unity is when the line level out is the same as your line level in when the pedal is either engaged or disengaged.

Or go straight through your Peavey's input. That will provide you with both gain and master controls. There will be some tone shaping that is the Peavey sound even with all EQ set flat. How much the Peavey's preamp actually effects the end result depends on what is "flat". Likely some Peavey experts who are able to provide those settings, depending on model and year.
 
Run the Sansamp into the effects return (in). Set the pedal to Unity - Unity is when the line level out is the same as your line level in when the pedal is either engaged or disengaged.

Or go straight through your Peavey's input. That will provide you with both gain and master controls. There will be some tone shaping that is the Peavey sound even with all EQ set flat. How much the Peavey's preamp actually effects the end result depends on what is "flat". Likely some Peavey experts who are able to provide those settings, depending on model and year.

So not through the power amp in?
 
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OK. So I hooked it all up: 5 string EpiBird>Rumble 200c/R112> Kasino. Gain and volume on 200c @ 9,tones flat, volume on Kasino also @ 9(same configuration-8ish is off). :help: OMG! If I ever need stupidly loud and bass-y......View attachment 3334902

In a Fender Rumble Talk an unnamed Fender insider is quoted saying, "Technically you can run the SEND to the second amp INPUT (there is no risk of damage), but the line level signal at the SEND may overdrive the input stage so you will need to reduce the GAIN on the second amp. And re-amping the signal this way will allow one to use the second preamp controls, but may not produce the desired results so it is up to the individual."
 
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Well, I gots a lotta time on my hands.:whistle:

Ya really know how to rub it in, don't ya? :rolleyes: And I'm sure it's well-deserved time too. I can't imagine what it must be like to actually plan the events of your own day instead of planning the events of other people. Three years and change to go...

Let us know how it turns out, GP. I'm kind of curious now to see if you hear anything unique out of the experiment. One thing I can predict is that there'll be a lot of bass frequency in the room!
 
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