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The Combo Club

Chapter Two: Guitar Center...Zzzz

As a follow-up to my last posting on our fun trip to the QC last Saturday, I wanted to take you to our local Guitar Center and then back home to another brick 'n mortar, Tegeler Music in Clinton. In a word...

meh.

Okay, onto more fun things. I'm gonna do a little Show and Tell with you all concerning my latest pickup. Alright, let me go back and provide a tad more detail about our afternoon exploits. Though it kept us busy, it surely wasn't like the old days when the anticipation of getting my hands on a Strat or Tele and plugging it into the latest Line 6 (onboard tuner) was all I could think of in the days leading up to the trip south. Yeah, getting old does have its drawbacks but it also gives you keen insight into what's really going on inside of those box stores, and it's apparently not much.

Our local has been recently updated where the strings are now out in the middle of the sales floor instead of behind the counter with the pedals and Fast Fret. No biggie but couldn't they have sent an advanced warning? What wasn't a shock was the fact that there were once again no lefty basses or guitars to mess with. It's like they knew I was coming and hid the good china or something. I did see a nice selection of basses though. They each had a Rogue and Hofner hollow-body, a Gibson SG bass, a nice selection of various Fenders, and an Ibanez seven-stringer that boggled my puny mind to how the heck you'd be able to stretch the fingers across what looked like a clothing washboard. I couldn't decide if you plucked the thing or scratched across it!

Speaking of relics, I did come across the Yorkville Bass Master 200 combo I'd previously mentioned. It was literally buried under two or three other combos in a stacking attempt that would leave anyone with OCD heading for the nearest bridge. I lost all interest in trying to shed the layers to actually audition it, but after a careful inspection of the front I could see the years of wear and tear placed on its chassis. No thanks. They also had a Laney combo which is about as rare around these parts as Doc Intrepid not using VOX equipment, but it didn't ring my bell either. Then, for you nostalgia types, they were selling a Peavey Mark VI head, rat fur at no extra charge. What I can say I was impressed by, and I have no idea of its manufacturing year, was that all its knobs and buttons were intact, including the equalizer in the middle of the panel. Usually, there's always something missing, am I right?

So we walked around the place wondering where our youth had gone when with a turn of a corner we found it front and center. Records! It may have been a tiny section, but GC is selling 180-grain vinyl LPs including titles by Bowie, Led Zep, Pink Floyd, and even Frampton's live album. Nice, I thought to myself until I came across the price. Nothing short of hawking a kidney was going to allow me to purchase an album. Oh yeah, and the fact that I haven't had a turntable for thirty years, but I digress. I mean, $49 for The Wall. Are they kidding? And that wasn't the craziest part of it either. This young lady at that section of the store who was younger than the cereal bowl I eat out of each morning mentioned to me that I could get add a protection plan for the album I wanted that would allow me to return it for a replacement if I scratched or broke it, no questions asked. I politely asked her why she wasn't working at our downtown Woolworth's in 1974 when I grabbed similar albums for $4.99? I really could've used the protection plan then. She looked at me rather puzzled. Seriously though, we now are insuring our records? What'll be next, a combo amp with a built-in computer that can give me the tone of most any world-famous bass amp of the last 60 years? I mean, come on...

As I left GC I bid it a fond farewell with the thought of returning one day to grab whatever's left during their 80% off Going Outta Business Sale. I dunno, maybe it'll hang on, but unless they get themselves a left-handed bass for me to torture innocent ears I'll just shop in town at Tegeler's Music. Scroll down for more.

Before I hit Tegeler's, I do wish to admit we did stop off at Best Buy to look for...get ready...CDs! Not me, it was John looking for aa music disc. Sadly, he'd had better luck finding a $99 version of The Carpenters, Closer to You on vinyl. That store moved into the 21st Century and forgot to tell me. I admit it, I'm one of the reasons it's gotten so depressing to shop outside of your home. Just don't tell my grandchildren because they still look up to me.

We headed north and I said to John that we should see our buddy Don, the owner of Tegeler's, a trusted musical mecca, though he never actually sold a lefty bass either. This was always my last place I stop at when I want to look for that hidden gem sitting on the floor and I was especially excited because upon checking their website the night before I gazed upon a brand new Eden 500-watt Terra Nova head (perfect for the Ampeg cab I just inherited) that was being let go for a few magic beans. Seriously, they had a demo model, of which no one ever demos basses, that was in perfect condition for $429.99! It's like a $600 retail and would've been a legitimately great way to end what had become a depressing day.

I opened the front door, immediately looked over in the amp corner, and turned a happy smile into a frown when I didn't see any silver-colored amp heads around. The one amp I maybe wanted and it was gone. The kid salesman, Don's son, couldn't even tell me whether it was sold or not but thought maybe it was. Here's what I missed: "This is a new Eden TN501 bass amp head on display in the store. It has been used a couple of times for demo purposes but is still in excellent condition and sounds great. It may not have the original box anymore but it still comes with."

Of course, there was an Eden E300 display model for $259.99, but I wasn't interested. At that point, I was ready to go home and contemplate my life. Should I have chosen taxidermy as a career? Should I have spent more time learning how to crochet? Should I send in the next Publisher's Clearinghouse sweepstakes ticket?

Then it hit me like a ton of bricks. I knew what to do. Exhibit A is below for your approval. Pics coming.

The End

Superbeetle Rig Birthday!.JPG
 
Chapter Two: Guitar Center...Zzzz

As a follow-up to my last posting on our fun trip to the QC last Saturday, I wanted to take you to our local Guitar Center and then back home to another brick 'n mortar, Tegeler Music in Clinton. In a word...

meh.

Okay, onto more fun things. I'm gonna do a little Show and Tell with you all concerning my latest pickup. Alright, let me go back and provide a tad more detail about our afternoon exploits. Though it kept us busy, it surely wasn't like the old days when the anticipation of getting my hands on a Strat or Tele and plugging it into the latest Line 6 (onboard tuner) was all I could think of in the days leading up to the trip south. Yeah, getting old does have its drawbacks but it also gives you keen insight into what's really going on inside of those box stores, and it's apparently not much.

Our local has been recently updated where the strings are now out in the middle of the sales floor instead of behind the counter with the pedals and Fast Fret. No biggie but couldn't they have sent an advanced warning? What wasn't a shock was the fact that there were once again no lefty basses or guitars to mess with. It's like they knew I was coming and hid the good china or something. I did see a nice selection of basses though. They each had a Rogue and Hofner hollow-body, a Gibson SG bass, a nice selection of various Fenders, and an Ibanez seven-stringer that boggled my puny mind to how the heck you'd be able to stretch the fingers across what looked like a clothing washboard. I couldn't decide if you plucked the thing or scratched across it!

Speaking of relics, I did come across the Yorkville Bass Master 200 combo I'd previously mentioned. It was literally buried under two or three other combos in a stacking attempt that would leave anyone with OCD heading for the nearest bridge. I lost all interest in trying to shed the layers to actually audition it, but after a careful inspection of the front I could see the years of wear and tear placed on its chassis. No thanks. They also had a Laney combo which is about as rare around these parts as Doc Intrepid not using VOX equipment, but it didn't ring my bell either. Then, for you nostalgia types, they were selling a Peavey Mark VI head, rat fur at no extra charge. What I can say I was impressed by, and I have no idea of its manufacturing year, was that all its knobs and buttons were intact, including the equalizer in the middle of the panel. Usually, there's always something missing, am I right?

So we walked around the place wondering where our youth had gone when with a turn of a corner we found it front and center. Records! It may have been a tiny section, but GC is selling 180-grain vinyl LPs including titles by Bowie, Led Zep, Pink Floyd, and even Frampton's live album. Nice, I thought to myself until I came across the price. Nothing short of hawking a kidney was going to allow me to purchase an album. Oh yeah, and the fact that I haven't had a turntable for thirty years, but I digress. I mean, $49 for The Wall. Are they kidding? And that wasn't the craziest part of it either. This young lady at that section of the store who was younger than the cereal bowl I eat out of each morning mentioned to me that I could get add a protection plan for the album I wanted that would allow me to return it for a replacement if I scratched or broke it, no questions asked. I politely asked her why she wasn't working at our downtown Woolworth's in 1974 when I grabbed similar albums for $4.99? I really could've used the protection plan then. She looked at me rather puzzled. Seriously though, we now are insuring our records? What'll be next, a combo amp with a built-in computer that can give me the tone of most any world-famous bass amp of the last 60 years? I mean, come on...

As I left GC I bid it a fond farewell with the thought of returning one day to grab whatever's left during their 80% off Going Outta Business Sale. I dunno, maybe it'll hang on, but unless they get themselves a left-handed bass for me to torture innocent ears I'll just shop in town at Tegeler's Music. Scroll down for more.

Before I hit Tegeler's, I do wish to admit we did stop off at Best Buy to look for...get ready...CDs! Not me, it was John looking for aa music disc. Sadly, he'd had better luck finding a $99 version of The Carpenters, Closer to You on vinyl. That store moved into the 21st Century and forgot to tell me. I admit it, I'm one of the reasons it's gotten so depressing to shop outside of your home. Just don't tell my grandchildren because they still look up to me.

We headed north and I said to John that we should see our buddy Don, the owner of Tegeler's, a trusted musical mecca, though he never actually sold a lefty bass either. This was always my last place I stop at when I want to look for that hidden gem sitting on the floor and I was especially excited because upon checking their website the night before I gazed upon a brand new Eden 500-watt Terra Nova head (perfect for the Ampeg cab I just inherited) that was being let go for a few magic beans. Seriously, they had a demo model, of which no one ever demos basses, that was in perfect condition for $429.99! It's like a $600 retail and would've been a legitimately great way to end what had become a depressing day.

I opened the front door, immediately looked over in the amp corner, and turned a happy smile into a frown when I didn't see any silver-colored amp heads around. The one amp I maybe wanted and it was gone. The kid salesman, Don's son, couldn't even tell me whether it was sold or not but thought maybe it was. Here's what I missed: "This is a new Eden TN501 bass amp head on display in the store. It has been used a couple of times for demo purposes but is still in excellent condition and sounds great. It may not have the original box anymore but it still comes with."

Of course, there was an Eden E300 display model for $259.99, but I wasn't interested. At that point, I was ready to go home and contemplate my life. Should I have chosen taxidermy as a career? Should I have spent more time learning how to crochet? Should I send in the next Publisher's Clearinghouse sweepstakes ticket?

Then it hit me like a ton of bricks. I knew what to do. Exhibit A is below for your approval. Pics coming.

The End

View attachment 3590575
Oh my!
 
Chapter Two: [Fear and Loathing at ...] Guitar Center...Zzzz ... ... (zzZzziiip) ... ... At that point, I was ready to go home and contemplate my life. Should I have chosen taxidermy as a career? Should I have spent more time learning how to crochet? Should I send in the next Publisher's Clearinghouse sweepstakes ticket?

Then it hit me like a ton of bricks. I knew what to do. Exhibit A is below for your approval. Pics coming. ... ...

View attachment 3590575


Aaaccck!!! It's the VX50BA's flashy little brother! Still "stuck n the 60s". Semi-approved. While I wanna read your review, I don't think you should encourage them to slight the bass amp while making such an obviously more competent guitar amp.
:thumbsup: :banghead:
.
 
Chapter Two: Guitar Center...Zzzz

As a follow-up to my last posting on our fun trip to the QC last Saturday, I wanted to take you to our local Guitar Center and then back home to another brick 'n mortar, Tegeler Music in Clinton. In a word...

meh.

Okay, onto more fun things. I'm gonna do a little Show and Tell with you all concerning my latest pickup. Alright, let me go back and provide a tad more detail;) about our afternoon exploits. Though it kept us busy, it surely wasn't like the old days when the anticipation of getting my hands on a Strat or Tele and plugging it into the latest Line 6 (onboard tuner) was all I could think of in the days leading up to the trip south. Yeah, getting old does have its drawbacks but it also gives you keen insight into what's really going on inside of those box stores, and it's apparently not much.

Our local has been recently updated where the strings are now out in the middle of the sales floor instead of behind the counter with the pedals and Fast Fret. No biggie but couldn't they have sent an advanced warning? What wasn't a shock was the fact that there were once again no lefty basses or guitars to mess with. It's like they knew I was coming and hid the good china or something. I did see a nice selection of basses though. They each had a Rogue and Hofner hollow-body, a Gibson SG bass, a nice selection of various Fenders, and an Ibanez seven-stringer that boggled my puny mind to how the heck you'd be able to stretch the fingers across what looked like a clothing washboard. I couldn't decide if you plucked the thing or scratched across it!

Speaking of relics, I did come across the Yorkville Bass Master 200 combo I'd previously mentioned. It was literally buried under two or three other combos in a stacking attempt that would leave anyone with OCD heading for the nearest bridge. I lost all interest in trying to shed the layers to actually audition it, but after a careful inspection of the front I could see the years of wear and tear placed on its chassis. No thanks. They also had a Laney combo which is about as rare around these parts as Doc Intrepid not using VOX equipment, but it didn't ring my bell either. Then, for you nostalgia types, they were selling a Peavey Mark VI head, rat fur at no extra charge. What I can say I was impressed by, and I have no idea of its manufacturing year, was that all its knobs and buttons were intact, including the equalizer in the middle of the panel. Usually, there's always something missing, am I right?

So we walked around the place wondering where our youth had gone when with a turn of a corner we found it front and center. Records! It may have been a tiny section, but GC is selling 180-grain vinyl LPs including titles by Bowie, Led Zep, Pink Floyd, and even Frampton's live album. Nice, I thought to myself until I came across the price. Nothing short of hawking a kidney was going to allow me to purchase an album. Oh yeah, and the fact that I haven't had a turntable for thirty years, but I digress. I mean, $49 for The Wall. Are they kidding? And that wasn't the craziest part of it either. This young lady at that section of the store who was younger than the cereal bowl I eat out of each morning mentioned to me that I could get add a protection plan for the album I wanted that would allow me to return it for a replacement if I scratched or broke it, no questions asked. I politely asked her why she wasn't working at our downtown Woolworth's in 1974 when I grabbed similar albums for $4.99? I really could've used the protection plan then. She looked at me rather puzzled. Seriously though, we now are insuring our records? What'll be next, a combo amp with a built-in computer that can give me the tone of most any world-famous bass amp of the last 60 years? I mean, come on...

As I left GC I bid it a fond farewell with the thought of returning one day to grab whatever's left during their 80% off Going Outta Business Sale. I dunno, maybe it'll hang on, but unless they get themselves a left-handed bass for me to torture innocent ears I'll just shop in town at Tegeler's Music. Scroll down for more.

Before I hit Tegeler's, I do wish to admit we did stop off at Best Buy to look for...get ready...CDs! Not me, it was John looking for aa music disc. Sadly, he'd had better luck finding a $99 version of The Carpenters, Closer to You on vinyl. That store moved into the 21st Century and forgot to tell me. I admit it, I'm one of the reasons it's gotten so depressing to shop outside of your home. Just don't tell my grandchildren because they still look up to me.

We headed north and I said to John that we should see our buddy Don, the owner of Tegeler's, a trusted musical mecca, though he never actually sold a lefty bass either. This was always my last place I stop at when I want to look for that hidden gem sitting on the floor and I was especially excited because upon checking their website the night before I gazed upon a brand new Eden 500-watt Terra Nova head (perfect for the Ampeg cab I just inherited) that was being let go for a few magic beans. Seriously, they had a demo model, of which no one ever demos basses, that was in perfect condition for $429.99! It's like a $600 retail and would've been a legitimately great way to end what had become a depressing day.

I opened the front door, immediately looked over in the amp corner, and turned a happy smile into a frown when I didn't see any silver-colored amp heads around. The one amp I maybe wanted and it was gone. The kid salesman, Don's son, couldn't even tell me whether it was sold or not but thought maybe it was. Here's what I missed: "This is a new Eden TN501 bass amp head on display in the store. It has been used a couple of times for demo purposes but is still in excellent condition and sounds great. It may not have the original box anymore but it still comes with."

Of course, there was an Eden E300 display model for $259.99, but I wasn't interested. At that point, I was ready to go home and contemplate my life. Should I have chosen taxidermy as a career? Should I have spent more time learning how to crochet? Should I send in the next Publisher's Clearinghouse sweepstakes ticket?

Then it hit me like a ton of bricks. I knew what to do. Exhibit A is below for your approval. Pics coming.

The End

View attachment 3590575

I do believe there will be some earth-rumblings out your way today...:thumbsup:
 
I do believe there will be some earth-rumblings out your way today...:thumbsup:

Yes, my friend, and I just finished up this weekend’s schoolwork. It’s cloudy, clammy, and ready to snow buckets this evening. Perfect tone to do some playing and recording. Look for something later tonight, perhaps. I’m running the Stage 800/PF210 HE rig right now and it’s full-sounding, to say the least.
 
Aaaccck!!! It's the VX50BA's flashy little brother! Still "stuck n the 60s". Semi-approved. While I wanna read your review, I don't think you should encourage them to slight the bass amp while making such an obviously more competent guitar amp.
:thumbsup: :banghead:
.

Respect your point of view, Canine, but I’ve read a number of reviews that say this bass rig can bring it. I think it was Premiere Guitar with latest positive review. They said there’s more bass than was expected. I’ll see if I can find the article.

The looks is to die for, though I wish it was a tad bigger. It’s not a Mini to me but more of a micro. The cab is where all the weight is, while the head weighs next to nothing.

My plan is to use it with the Ampeg cab and see if it’ll offer up enough volume even for jamming.

I know the guitar amp is highly respected but maybe with a few more sales this one will garner the same respect. And with that, maybe VOX will finally begin building actual gigging models. I’d take a 150-200 watt combo or head with either a single 15 or dual 10s in a nice cabinet. I’ll bet Doc Intrepid would too!
 
Respect your point of view, Canine, but I’ve read a number of reviews that say this bass rig can bring it. I think it was Premiere Guitar with latest positive review. They said there’s more bass than was expected. I’ll see if I can find the article.

The looks is to die for, though I wish it was a tad bigger. It’s not a Mini to me but more of a micro. The cab is where all the weight is, while the head weighs next to nothing.

My plan is to use it with the Ampeg cab and see if it’ll offer up enough volume even for jamming.

I know the guitar amp is highly respected but maybe with a few more sales this one will garner the same respect. And with that, maybe VOX will finally begin building actual gigging models. I’d take a 150-200 watt combo or head with either a single 15 or dual 10s in a nice cabinet. I’ll bet Doc Intrepid would too!
If it was me, after playing with the Superbeatle a bit I'd run both of your Vox amps together. You could plug into VoxBA and then run its line out to the Superbeatle. You would then have a nifty 208 with a lot of style!
 
Respect your point of view, Canine, but I’ve read a number of reviews that say this bass rig can bring it. ... ...


Yer preachin' tuh thuh choir here, iago! As I keep tellin' TB, my li'l foxy Voxy has done brung it on several occasions. The same guts in a bigger cab has got to be even better. That's the comparison I look forward to reading about.
.
... ... The looks is to die for, though I wish it was a tad bigger. It’s not a Mini to me but more of a micro. The cab is where all the weight is, while the head weighs next to nothing. ... ...


Yep, the looks are obviously a big huge selling point. In fact, that's the only part of it that can possibly live up to the memories evoked. But, if it can "punch above it's weight" (and some of us know first-hand that the li'l VX50BA certainly does that), then it can be more than just a pretty face. :D
.
... ... My plan is to use it with the Ampeg cab and see if it’ll offer up enough volume even for jamming. ... ...


That'll be very interesting to find out! While it could be useful if the Beetlehead gets more volume out of a really good cab, it would also be kind of a shame if that's the case. Ya know?
.
... ... I know the guitar amp is highly respected but maybe with a few more sales this one will garner the same respect. And with that, maybe VOX will finally begin building actual gigging models. I’d take a 150-200 watt combo or head with either a single 15 or dual 10s in a nice cabinet. I’ll bet Doc Intrepid would too!


?? The Mini Beetle guitar amp is highly respected? Is that in the review? Of course it'll garner Beatles fans, but actual respect? Well, 25 watts alone, 50 with extension cab, is much more respectable in the guitar realm than for bass. (BTW, is the Beetle guitar cab available separately anywhere, yet?) I know I'd be more tempted by the Mini Beetle guitar amp, with extension cab, especially if closing up the backs could make it a viable bass rig!!! (Effects notwithstanding.) Just my current 2¢. :thumbsup:
.
 
If it was me, after playing with the Superbeatle a bit I'd run both of your Vox amps together. You could plug into VoxBA and then run its line out to the Superbeatle. You would then have a nifty 208 with a lot of style!

Interesting idea, Doc. A question I have, bring I’ve never done the dual-combo Lambada before, is the Superbeetle head doing all of the preamp lifting? I ask because the line our dishes up nothing in the way of Tubey goodness; it’s a straight shot from input to the out. Will that affect its overall sound? I’ll give it a try if I’m assured it’ll produce a pleasing tone. Thanks for the idea!
 
Yer preachin' tuh thuh choir here, iago! As I keep tellin' TB, my li'l foxy Voxy has done brung it on several occasions. The same guts in a bigger cab has got to be even better. That's the comparison I look forward to reading about.
.
Yep, the looks are obviously a big huge selling point. In fact, that's the only part of it that can possibly live up to the memories evoked. But, if it can "punch above it's weight" (and some of us know first-hand that the li'l VX50BA certainly does that), then it can be more than just a pretty face. :D
.
That'll be very interesting to find out! While it could be useful if the Beetlehead gets more volume out of a really good cab, it would also be kind of a shame if that's the case. Ya know?
.
?? The Mini Beetle guitar amp is highly respected? Is that in the review? Of course it'll garner Beatles fans, but actual respect? Well, 25 watts alone, 50 with extension cab, is much more respectable in the guitar realm than for bass. (BTW, is the Beetle guitar cab available separately anywhere, yet?) I know I'd be more tempted by the Mini Beetle guitar amp, with extension cab, especially if closing up the backs could make it a viable bass rig!!! (Effects notwithstanding.) Just my current 2¢. :thumbsup:
.

As much as I’d have liked a ten, I figured VOX must’ve experimented enough to properly decide on using the eight instead of a ten. Or the bean counters got to everyone first...Grr!

I recognize it’s half the power into 8 ohms, but so is my new Ampeg speaker and I honestly can’t tell the difference. I keep turning the volume up and it never strains. That said, the VOX may be a totally different beast, but then that’s half the fun.

As far as I know, there’s no closed-back cab for the bass rig yet. Maybe it’s in the works, I dunno. It’d have to be made to daisy-chain since there’s only one output on the back of the head. It also takes a special kind of speaker cable that must be used or else the oceans will split. I can’t remember exactly, I’ll have to look it up.

I haven’t played it yet because I haven’t played anything else yet except for my current setup, the Stage/Ampeg rig. It’s my Christmas gift and I feel like I have to wait at least until Thanksgiving vacation, but I can always be swayed.

It’s right now in the dining room.

6FB5DBCA-186B-460B-B45D-EC686983524D.jpeg
 
If it was me, after playing with the Superbeatle a bit I'd run both of your Vox amps together. You could plug into VoxBA and then run its line out to the Superbeatle. You would then have a nifty 208 with a lot of style!

Interesting idea, Doc. A question I have, bring I’ve never done the dual-combo Lambada before, is the Superbeetle head doing all of the preamp lifting? I ask because the line our dishes up nothing in the way of Tubey goodness; it’s a straight shot from input to the out. Will that affect its overall sound? I’ll give it a try if I’m assured it’ll produce a pleasing tone. Thanks for the idea!


This is a special case of amp chaining, since you use the VX50BA's "true DI" which has none of the foxy's EQ. The Beetle will behave as if you plugged your bass in directly. Each amp will still use it's own EQ settings. Could be some interesting wet/dry EQing!

The chaining method I use most connects a preamp signal from one amp's FX Send to the FX Return of another amp, which often bypasses that amp's preamp and goes straight to it's power amp. That way, the first amp controls the EQ of both amps.

Assurance: Given.
.
 
Interesting idea, Doc. A question I have, bring I’ve never done the dual-combo Lambada before, is the Superbeetle head doing all of the preamp lifting? I ask because the line our dishes up nothing in the way of Tubey goodness; it’s a straight shot from input to the out. Will that affect its overall sound? I’ll give it a try if I’m assured it’ll produce a pleasing tone. Thanks for the idea!
I'm not sure how pleasing the tone will be, but recall that the line out for the VX50BA is preEQ. So the line out to the Superbeatle will contribute no colour. All of the EQ will come from the Superbeatle itself. The tone you will get will then depend on the individual tones of each amp and how you decide to combine them. Will they attempt to do the same thing? Will one run treble and the other bass? Is one scooped and the other mid-heavy? This could take awhile to figure out!
 
This is a special case of amp chaining, since you use the VX50BA's "true DI" which has none of the foxy's EQ. The Beetle will behave as if you plugged your bass in directly. Each amp will still use it's own EQ settings. Could be some interesting wet/dry EQing!

The chaining method I use most connects a preamp signal from one amp's FX Send to the FX Return of another amp, which often bypasses that amp's preamp and goes straight to it's power amp. That way, the first amp controls the EQ of both amps.

Assurance: Given.
.
What he said ...
 
... ... I recognize it’s half the power into 8 ohms, ... ... As far as I know, there’s no closed-back cab for the bass rig ... ... It also takes a special kind of speaker cable that must be used or else the oceans will split ... ...

View attachment 3591264


Wait!! What??? Did you actually get the [Spit] guitar [/Spit] Mini Beetle?!?!?

I didn't find manuals to confirm, but It's my understanding that the Bass Mini Beetle is the full 50 watts into it's 8" speaker, and that it does have a (ported) closed back with no 2nd connector to chain another cab. And that the "other one" is just 25 watts into it's accompanying, open backed cab and the head does allow for connecting two cabs. Am I wrong? It wouldn't be the first time, or even that unusual, but I don't think so.

And what's this "special cable" stuff? All the photos look like regular ¼" speaker cable jacks to me. Yeah, that's "special" compared to ¼" instrument cables, but really nothing unusual. Heck, some 2 conductor zip cord would suffice with ¼" plugs on each end, no?
.
.
 
Wait!! What??? Did you actually get the [Spit] guitar [/Spit] Mini Beetle?!?!?

I didn't find manuals to confirm, but It's my understanding that the Bass Mini Beetle is the full 50 watts into it's 8" speaker, and that it does have a (ported) closed back with no 2nd connector to chain another cab. And that the "other one" is just 25 watts into it's accompanying, open backed cab and the head does allow for connecting two cabs. Am I wrong? It wouldn't be the first time, or even that unusual, but I don't think so.

And what's this "special cable" stuff? All the photos look like regular ¼" speaker cable jacks to me. Yeah, that's "special" compared to ¼" instrument cables, but really nothing unusual. Heck, some 2 conductor zip cord would suffice with ¼" plugs on each end, no?
.
.

You are correct in that it’s 50 watts into 4 ohms which is the partner cab’s impedance. When I run it through the ‘Peg it’ll drop to 25 watts, but I could run two of those cabinets, whereas I can only run the single VOX cabinet. I apologize if I caused confusion in the last post, but then that’s probably not the first time.

“This is BTL (Bridge-Tied-Load) output. This means both tip and sleeve is the signal line, and sleeve is not grounded. Only use this jack for connecting speakers to the amp. Connecting anything else may result in damages to the amp.”

Above I’d from the owner’s manual from both the guitar and bass rigs. What do you make of it? Will I be able to hook up other cabs? It sounds more like a different kind of grounding.
 
You are correct in that it’s 50 watts into 4 ohms which is the partner cab’s impedance. When I run it through the ‘Peg it’ll drop to 25 watts, but I could run two of those cabinets, whereas I can only run the single VOX cabinet. I apologize if I caused confusion in the last post, but then that’s probably not the first time.

“This is BTL (Bridge-Tied-Load) output. This means both tip and sleeve is the signal line, and sleeve is not grounded. Only use this jack for connecting speakers to the amp. Connecting anything else may result in damages to the amp.”

Above I’d from the owner’s manual from both the guitar and bass rigs. What do you make of it? Will I be able to hook up other cabs? It sounds more like a different kind of grounding.
I don't know what it means exactly. It sound like you can only plug that particular jack into the amp. I'm not sure if that then rules out situation where that cord is plugged into one cab and then you run another cab off of that one (in series?). You may have to get the 85 lbs Traynor cab I'm getting with 210 and 115! I was supposed to get that cab today, but it didn't happen.

Nonetheless, if you line out the VX50BA to the Mini-SB you'll get 2 x 50 watts 208!