You have breakfast at Popeye's?
I also always get the spicy chicken, or what they consider spicy.
We're often eating non-traditional stuff for breakfast. This was today's:
carne asada fajitas & torta
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You have breakfast at Popeye's?
I also always get the spicy chicken, or what they consider spicy.
We're often eating non-traditional stuff for breakfast. This was today's:
View attachment 3188909
carne asada fajitas & torta
At least I got out of the house. Had breakfast at Popeye's, tested the amp at the store, took it home (30 miles South). I do wish the issue had presented itself at the store, would have saved me an hour of driving & $5 in gasoline. . . . .
Wait, what? You have breakfast at Popeye's? My stomach hurts a little to read this.... eating dal palak as I read this so probably no room to speak.
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Sincerely this isn't the male equivalent of pole dancing.
I might still liquidate some of my head & cab components* soon and replace those higher powered rigs with a Rumble Stage 800. That’s the next horizon.
update on the VOX VX50BA
received it this morning, returned it for a RA this afternoon
I wasn't completely blown away by it, but it does sound better than my Rumble.
Got it home & it started having a blip, as if one of the caps in the power supply filter might have failed.
Made in Vietnam, BTW, but the power supply is from China. Korg owns VOX now.
It can get really loud for 50 Watts, and even with the gain cranked it's clean, until you turn on Drive. The O/D is skanky! (in a good way)
not missing low end IMHO, it even has a blurb on the card insert that says it's specially designed for bass reflex:
power supply has a strange plug, not IEC
Last time I saw or used a plug like this was from my IBM ThinkPad that I got on a corporate discount before departing my I.T. manager's job in Chiang Mai, Thailand (over a decade ago):
While driving back up to the Fender / VOX / Ibanez / PRS / D'Addario dealer I was considering just returning this amp & going for a Rumble Studio 40...
There were some things TB members had inquired about the DI, but I didn't check those. I threw it in my automobile & hit the road, to hopefully get back there while the owner was still in the shop.
Got there & of course it didn't show the same symptoms it had at home
Owner came over & fiddled with the Gain knob until that blip came back, only it sounded fuzzy now & not nearly as loud. He says I can return it, but I ask to warm it up a little with a comparison to the Rumble 40 they have there, and hopefully the full-blown problem I had at home will come back.
So, put them side-by-side, like I should have at home, and compared them with a SR505 with Bartolini MK1 pickups. The issue didn't return.
The VOX has more stank on it, for lack of a better term. It's just got a grungy tubey feel & sound. Not all-tube goodness, but more so than the 100% SS Rumble.
I had been concerned that the VOX wouldn't be bright enough, but that doesn't seem to be a problem.
Left it there for a return, which they'll get to on Monday morning.
Gallien Krueger MB108. Best bang for the buck. Sorry I sent mine back, looking for another one on Amazon...
Yeahhhh I'm over Ampeg and back to GK. Something about the tone I love especially with my Ibanez basses....alaska, haven't crossed your path since summer. So you have seller's remorse over the MB108, huh? Has the Ampeg-love dried up or are you still digging your combo? While I never disliked my GK combo, I haven't missed it as much as I thought I would've. I really like the Acoustic B50C I'm currently running right now. Sounded great when jamming last week, though it's not a major powerhouse. Sounded good though. The one I was not impressed with as much, my Markbass Micromark 801, may be facing the chopping block by the holidays. Clean, lifeless tone when running against the Acoustic. No pedals were being used and I know the Markbass sounds better with a little help, but my days with single 8" speakers is about done, especially if I'm not playing alone.
That's pretty amazing. I've always compared the GK sound to the 80's American made "silver fin" Peaveys! A quick story. When I was touring in the 80's I loved using Peavey stuff. Loved as you say the "edgy" rock sound it got. I used my Peavey's through the 90's. Somehow in the early 00's I switched and tried various amps. When I came upon the GK sound in around 2007 I realized that was the tone I'd been missing!Likely faulty tone memory informs me the GK tone is more rock n' roll than the Ampeg. If that's possible? Sort of an edge like an early 80s Peavey rig. TBH I've not played an Ibby. The brick and mortar has several including a black Mikro that looks really interesting. They carry Blackstar and not sure what else. The brick and mortar on the other side of the river carries Fender.
Amps are a very personal taste in things. One man's crap is another man's gold. I've used my GK's for many shows over the years and they are rugged, reliable, and sound great through my Edens. I usually run my tone controls nearly flat on my amp, and slight mid boost on the active basses. I hardly use overdrive, I play classic rock and standards. Not much need for distortion for me.I'm not going to crap all over G-K like I want to, but try your G-K in overdrive with the mids turned up.
It's eye-opening, or at least it was for me.
You know, I'm not entirely sure what "scooping" is on an amp. When I play my Ibanez through my GK, it sounds like a 1985 Peavey Mark IV with 215's, cranked up. I really love the tone. Do I play with a sharp slap tone? Absolutely not. I'm an old school player but my style keeps me working all the time. I can get close to a classic Peavey cranked sound out of my GK. Maybe I lied. Maybe I've tweaked my settings. I'll have to go back and look. All I know is that the GK's sound the most like my old Peaveys from the glory days when we all had cranked amps and 215's or more.Flat isn't actually flat on a G-K, but Fenders suffer from the same inherent scooping (or similar).
Aguilar is probably the only amp I've used that didn't scoop a little, or possibly the Quilter "Tone" Block.
I really love the tone.