I am a tone snob. I’ve been spoiled by an incredible Sadowsky. What turned me onto the NJS4 was the Darric Bennet vids on YouTube. I really dig his staccato sound from that Elrick. Well, these Cort versions are excellent sounding. The Pre is the same one used in the US Models ( BONUS) and the pickups are noiseless single coils designed for this model. They’re nice and punchy. And the output is hot, even in passive mode. The pre gives you way more adjustment than you need, and the mid control is very present when you adjust it. And there’s 2 different mid frequencies to choose from if you lift the mid control knob. Im very pleased with the tone.
Roger Sadowsky states a bass that sounds good acoustically will always sound better amplified. This Elrick has a solid, clear tone unplugged. Crisp. Snappy. Cort did a good job on this one.
Now, if you’re thinkin this is a jazz bass, its only somewhat similar. The sound is definitely close, but the ergos are very different. Neck is a little thicker front to back, but gets very flat down by the body. Despite the deep cutaway, you still need to pivot your wrist to get to those “soloing” frets. The 24 frets are nice for chord work up top. The bridge is an ABM style that does not align to strings with the pickup poles. This is not the first bass Ive seen this on, and I prefer the strings pass thru the pickups aligned between the poles, so I installed a different bridge on the Elrick. Also, when I put the Elixirs on it that I use, the nut just fell off. I glued it. The neck set up easily, and it holds well. There’s so much fingerboard you’d think your playing a 35’ scale bass. But the 1st position is an easy reach. And the weight!! Fantastic.
So the short answer is….Tone is excellent, highly adjustable. Clean. Clear. Snappy. Not “Hi Fi” like an MTD or other boutique brand. Similar to Jazz Bass as you’d imagine, but very tweakable. I think most folks will like it.