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The dreaded 7 tuplet

They can also be counted as 3+4 depending on what the composer wanted.
Yea, that's very common - or they can be mathematically even divisions of 7 where every note is equal length (super hard to do, but doable)... depends on when it was composed, the style, and I guess really, just wahtever the composer wanted and/or whatever the performer likes.

I mean, I tend to do things in the most computationally accurate way, first... even though it's more challenging. Most folks don't do that, I've found... which makes me a little odd I guess LoL - but it's the software engineer in me I guess maybe.

Possibly also some personality oddities in me....
 
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It’s called Konnakol. I really think it’s a great way to do sub divisions.

Takadimi is a little different than Konnakol.

Excerpts from the article from which I learned about Takadimi:

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Imo, learning a time signature with a base of whatever tuplet is the best way to internalize that tuplet. Getting comfortable with 3/4 internalizes triplets, getting comfortable with 5/4 internalizes pentuplets, and most importantly for the OP, getting comfortable with 7/4 internalizes septuplets.
I'm reasonably comfortable playing in 7/4 or 7/8, but I can't play septuplets. A groove with seven beats in a bar is quite different to dividing one beat into seven. (I'm not arguing about the maths, I'm talking about how it feels.)
 
So to be clear, this is DIFFERENT than 7/8
So thinking 3+4 ( or my goto is 2+2+3 grouping) isn’t really appropriate for an actual ‘tuplet. It seems like splitting hairs but I can immediately think of some handfuls of contexts where it matters, or at least is practical enough to be philosophically different

tl:dr
septuplet =\= 7/8 so it shouldn’t really be 3+4 etc
 
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