Ive had a lack of ROI feeding more than two tube effects into amplification. I don’t see where the Edison could improve what you’re doing. In fact, id recommend stripping that board to the tuner, Subsonic, Superstack, Omnicomp and Finally, and eliminate the SVPre and Slampegg. KISS and work on whatever you’re doing with your right hand. Do you ever take a break and plug straight in?
It's cool, and I was mostly responding to the other guy upthread.
As I have the Finally I have no use for an Edison. The More, dunno, people rave about it so want to try it at some point, maybe someone can weigh in about the combination of it with the Finally.
That picture is one of many iterations of 3 boards, I use preamps to get certain sounds for certain songs as I most often play in cover bands, and rarely if ever stack them, especially tube pedals.
Except the Finally, like the Omnicomp, it's an always-on if I'm using one of my Class D amps, but if I'm using my WT-400 I usually bypass the Finally.
For example if I need an Entwistle sound for some Who or "There's Never Been Any Reason" etc. it's the SV Pre, for Motown or Soul or some Little Feat or Allman Bros it might be the SS, if I need some Rock grit like Hendrix or Deep Purple or Led Zep it might be the Slampegg, if I need something else it might be the Fliptop. That way I don't have to faff aound with amp setting changes.
Some songs it's straight no pre at all, depending on the room and amp.
In some gigs it's not inconceivable I would use any of those Pres in different songs across a 3-set night.
My little open mic board is just a tuner, comp, Finally, and the Studio 1 or other Pre. Backlines can be a crapshoot.