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The Great Bass Preamp/DI Comparison

Well of course it's subjective. This whole thread is subjective.

How many sales a product has, or how often it is or isn't used by a bass player is not a direct correlation to whether something will sound good or bad.

There are a whole lot less bass players using Oracles than Nobles so the Noble must sound better.
 
Well of course it's subjective. This whole thread is subjective.
lol. Most of the preamps we are discussing though have reviews and demos for buyers to determine for themselves. I'm Just saying it's hard to know how good the Alix is for bass because it's not documented by users using it. I'm sure it's fantastic as it looks to be a professional looking piece of gear.
 
That is Subjectable. Hard to know when there isn't many out there that even use the AliX as a bass preamp. There's a reason why Nobles sale super fast for as much or more than they cost new lol.

I have a hard time understanding why people like Darkglass so much. But then again, I'm not a metal head, so to me...Darkglass doesn't sound very good.

Bass to me will always be Carol Kaye, Duck Dunn, James Jamerson, Joe Osborne, David Hood, Bob Babbit, etc. That's the tone I love. I see the value of other tones such as Flea, Geddy, Vic, and others...but none sound as good as the old school guys to me.

This is my holy grail of tone. David Hood just lays it down on this tune:

 
Pre amp testing board. Broughton P15 is not in the pic. It's not really a pedalboard preamp

IMG_20200424_2018590.jpg
 
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Most of the preamps we are discussing though have reviews and demos for buyers to determine for themselves. I'm Just saying it's hard to know how good the Alix is for bass because it's not documented by users using it.

It is a lesser known company. Also, I'm sure a lot of bass players pass it by when they search "preamp" at Sweetwater and see that the Alix is listed under "Acoustic Guitar Effects." Its byline states, "2-channel Acoustic Instrument/Microphone Preamp."
 
I have a hard time understanding why people like Darkglass so much. But then again, I'm not a metal head, so to me...Darkglass doesn't sound very good.

Bass to me will always be Carol Kaye, Duck Dunn, James Jamerson, Joe Osborne, David Hood, Bob Babbit, etc. That's the tone I love. I see the value of other tones such as Flea, Geddy, Vic, and others...but none sound as good as the old school guys to me.

This is my holy grail of tone. David Hood just lays it down on this tune:



Yeah. David Hood doesn't suck, that's for sure.

I'm also a big fan of Tommy Cogbill. His tone and feel were second to none. IMO one of the best session guys of the Kate 60's-70's.
 

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