TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
My new P5 (Alder/IR, Shoreline, Mint pg, roasted neck, 1.75 nut, 7.8 lbs, and Dunlop flats)…
A Lull PJ5 comes standard with a precision body passive electronics. Of course, you can pay the shop an upcharge to make it active. A Lull M5V has a slightly undersized jazz body and it comes standard as active. I'm not sure if that helps answer your question.Hey Lullers, I'm interested in a 5 string PJ Lull with 18mm spacing at the bridge. I see a couple in the classifieds. They are passive and a bit older. Would buying one of these and then later adding a preamp be equivalent to getting one of the new MV5 type instruments? Does that seem like a reasonable way to get into a Lull?
I bought a passive Lull P/J five from Rocket music and they added a preamp, and it worked out great. I also have a passive P/J just like the one in the classifieds and it is a very fine bass.Hey Lullers, I'm interested in a 5 string PJ Lull with 18mm spacing at the bridge. I see a couple in the classifieds. They are passive and a bit older. Would buying one of these and then later adding a preamp be equivalent to getting one of the new MV5 type instruments? Does that seem like a reasonable way to get into a Lull?
I'm sure that's true! Are they good for genres other than rock? Can the do a good slap or finger funk tone?PTs are fantastic rock basses. hard to find a 5er, but they are out there. pricey for sure.
Spencer is a very well spoken young man!
You have nice taste…Good morning Lullians-
I got back into playing about 2 months ago, and have been searching for 'my' main bass, after about a decade hiatus. I foolishly sold my late 90's Lakland 55-94 which was perfect as it was 35" scale, 24 frets, and had a J/HH Bartolini + pre setup that just those thick, solid lows which fit perfectly for my original hard rock act of about 4 years, being a 3-piece most of that time. Really filled in the space.
I currently am testing out some new stuff (like the MM Stingray Special 5), but the longer I'm with it, the longer I realize why I never kept one in the past tbh... lol. I'm spoiled, coming from MTD USA, Modulus, Spector USA, Warwick Germany, Dingwall CAN, numerous Wals, aforementioned Lakland, etc.
I'm intrigued by the Lull MV5 as it has things that check my list- 35" scale, 24 frets, and knowing Brian Beller uses these for all of his crazy rock/metal/trio stuff, and being a longtime fan of his, I'm curious if anyone can really spot the differences in the 'traditional' MV5 vs. the BBM5 signature? Latter of which is a recreation of his late 90's MV5 that was unfortunately stolen. I'd read, maybe wrongly, that the neck on his model is asymmetrical, which is how the MTD USA ones are made, and IMO my favorite bass I've ever played. Including the one and only Ritter I got to try out, and that's a close second!
My current needs are for a hard rock outfit, not venturing really into anything metal, although we play in drop C, so the 35" scale will sound nice, hopefully, on the lower B and E strings. I love the B string thru-body design as well.
I have someone bringing by a 2022 MV5 that's pretty decked out, but I'd reached out to Lull themselves about the specific differences in the MV5/BBM5, as the neck makes all the difference on these 'turbo Jazz" style instruments, and why I've never kept a Sadowsky for more than a week lol.
Any input on that from those that use the M5 in a more rock/semi-metalish setting, would be appreciated! Also something that plays nice with pedals, as I like different drive/fuzz/modulation stuff, but nothing too insane, say on the level of Mr. Doug Wimbish or anything!![]()
Thanks, and I'll be scouring the Club thread, which took me a while to find as I kept searching for "Group" and nothing came up!
You have nice taste…
Every condsider a TP5
Good morning Lullians-
I got back into playing about 2 months ago, and have been searching for 'my' main bass, after about a decade hiatus. I foolishly sold my late 90's Lakland 55-94 which was perfect as it was 35" scale, 24 frets, and had a J/HH Bartolini + pre setup that just those thick, solid lows which fit perfectly for my original hard rock act of about 4 years, being a 3-piece most of that time. Really filled in the space.
I currently am testing out some new stuff (like the MM Stingray Special 5), but the longer I'm with it, the longer I realize why I never kept one in the past tbh... lol. I'm spoiled, coming from MTD USA, Modulus, Spector USA, Warwick Germany, Dingwall CAN, numerous Wals, aforementioned Lakland, etc.
I'm intrigued by the Lull M5 as it has things that check my list- 35" scale, 24 frets, and knowing Brian Beller uses these for all of his crazy rock/metal/trio stuff, and being a longtime fan of his, I'm curious if anyone can really spot the differences in the 'traditional' M5 vs. the BBM5 signature? Latter of which is a recreation of his late 90's M5 that was unfortunately stolen. I'd read, maybe wrongly, that the neck on his model is asymmetrical, which is how the MTD USA ones are made, and IMO my favorite bass I've ever played. Including the one and only Ritter I got to try out, and that's a close second!
My current needs are for a hard rock outfit, not venturing really into anything metal, although we play in drop C, so the 35" scale will sound nice, hopefully, on the lower B and E strings. I love the B string thru-body design as well.
I have someone bringing by a 2022 M5 that's pretty decked out, but I'd reached out to Lull themselves about the specific differences in the M5/BBM5, as the neck makes all the difference on these 'turbo Jazz" style instruments, and why I've never kept a Sadowsky for more than a week lol.
Any input on that from those that use the M5 in a more rock/semi-metalish setting, would be appreciated! Also something that plays nice with pedals, as I like different drive/fuzz/modulation stuff, but nothing too insane, say on the level of Mr. Doug Wimbish or anything!
Thanks, and I'll be scouring the Club thread, which took me a while to find as I kept searching for "Group" and nothing came up!
I have a '98 M5, and that bass works for everything. Bearing in mind that it doesn't have the string-thru B string, nor does it have the Duncan pickups (mine has Bartolinis) but that bass is a beast and will do everything you need it to do. The neck profile is awesome, very comfortable, and that's coming from playing 4 string Jazz basses for years. And 35" scale to boot!
Having said that, I haven't tried more recent M5 basses, so I can't compare them.
I have not, but will check it out! Is the neck profile along the lines of a P-bass though? I do see the 5 sting is 35" scale which is a plus, but only 21 frets, which is possibly doable. The neck is the breaking point for me, as even the new Laklands don't have the same profile as my 90s model.
The neck profile is the same as current M5 and the TP5 is a 24Fret instrument.
What I find about 24 frets nice is that runs around the 15-18 fret area are easier on 24 fret then a 21z
Thanks for the vote of confidence! As I mentioned, it really does check all my boxes for basses of this nature, which is why I'm so intrigued. FWIW, here is the bass I'm considering. Not sure if that's a reasonable price, as I know new they can get into the 7-8k range all day.
Mike Lull M5 Custom 2022 - AAAAA Quilt top | Reverb