Well, I mean the Lull can't sound good at all anyway because it is just a parts bass.![]()
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Well, I mean the Lull can't sound good at all anyway because it is just a parts bass.![]()
TURN IN YOUR MEMBERSHIP CARD!!!!!!!!!!!!![]()

Oh, like what, sand off the Warmoth branding?...Mike does all the important stuff...

Hey, we're just kiddin' around here of course, but seriously, it just depends on how you represent your work. Roger refuses to be called a luthier, and prefers to be called a "builder" for reasons like this.Lol, well played Vic. I guess CNC is cheating these days. In all seriousness, Mike makes a killer bass!
Hey, we're just kiddin' around here of course, but seriously, it just depends on how you represent your work. Roger refuses to be called a luthier, and prefers to be called a "builder" for reasons like this.
Personally, I don't care if the body is cut/shaped by a machine, because that doesn't affect the musical quality or playability. What DOES matter is the stuff machines can't do... wood selection and matching, and some design aspects that can't be calculated with some kind of formula, but were matured and developed over many years through personal expertise and feedback from top professionals. THAT's what we're paying for with these high end instruments. Sure, there are some basses where the actual carving, shaping, etc, are part of the artistic component, but that's not critical to create a musically great instrument.
The devil is in the details, and high end builders like Mike have that absolutely figured out.![]()

I think Lull basses are 1/2 price ($125).
Give Mike a call.
1/1000 of a millimeter tolerances along with the human skill of a Mike Lull setup... I can't imagine a better playing bass, period. I won't come as news to Jay, but FWIW to others, in particular, Mike Lull is KNOWN for his impeccable fret levels... I say that do say this; Noting Mike's demanding standards for quality on this topic, you KNOW the PLEK machine would have to at least meet, if not exceed those standards or he wouldn't use the machine and risk compromising this strong reputation.
That should lend some weight/impact to things.![]()
) has owned a PLEK machine since they arrived and came up to teach his staff for about a week, and commented on just how good Mike's fretwork was... but now would be improving even more! Anyone else notice the Mike Lull/Bryan Beller new CD add in the new BP magazine? This is the first Mike Lull add I think I have ever seen in BP.
(Lull fretlessBryan Beller has one. He talks about it on his gear page at: http://www.bryanbeller.com/music/instrumentsandstrings.html#mikelullcustom
His fretless is just breathtaking, and he is a great player.
Finally posted my review of the PLEK process:
http://www.talkbass.com/forum/showthread.php?p=6246432#post6246432
Niiiiiiiiiiiiiiiiiiiice!!!$1,501 for this mint beauty.
http://cgi.ebay.com/Mike-Lull-PJ4-S...oryZ4713QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
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$1,501 for this mint beauty.
http://cgi.ebay.com/Mike-Lull-PJ4-S...oryZ4713QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
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So do I....It's nice but I think I prefer the older M5 body style with the longer lower horn.
