No such thing as too much to know what to do with - saving money intelligently is important, too! (After your first MTD!)
Dan K.
Oh, that's a given. I already have it planned out.
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No such thing as too much to know what to do with - saving money intelligently is important, too! (After your first MTD!)
Dan K.
Wow, if that was only an hour away from me, I'd be driving there right now!The Body is all Zebrawood
Too funny!
I've played both, and there is truly no comparison - IMO, YMMV, yada yada.Spend a few minutes with both side-by-each, and you'll know. No argument against the non-USA models - they're terrific. They're just not the USA models.
That said, the first MTD I've ever seriously considered is sitting in my gig bag as I type. I've loved the look, admired the construction, and respected the man his ownself for forever and a day (my first 'premium' instrument was a Tobias Classic), but I never played an MTD that sounded like "me" until this one.
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Ash + walnut + maple = MUCH HAPPINESS
However, what really sold me - my local shop took one in just like it on consignment. One year older, but same exact woods. It sounded nothing like the one I've got. Which told me, even as I stood at the counter and wrote a check for more than I've ever spent on any instrument, that I had something pretty special.
Yes you do!!
BTW, I had a shot at that topwood initially about a year ago, and let me tell you, the finished product looks way better than I thought it would from the raw wood pic (which is typical, but especially the case here!).
For example, here's your topwood before it was made into a bass... great lookin' chunk, but NOwhere near as beautiful as your bass is.
Just delivered today...
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I have a wonderful fretless 635-24, unchambered, with flamed redwood on mahogany, #1423. The main goal behind this new one is to keep the great voicing of the mahogany body while adding more authority in the low end. And of course, the surprise how a chambered body will work out ... read so much about them.
Sounds identical to my fretless, #1323! Just curious why you would go with just one pickup, rather than having the versatility of two? Seems a shame to veer off the majesty of what Mr. T has wrought. Also, why did you decide against the laminated neck? Adjustability? I had stiff necked basses before, and while you may gain in sounds a little bit, you lose in ease of adjustments. My MTD's have very flexible necks which are so easy to correct.
Congrats, man, must be nice to be rich... what's it like?
Cheers,
Cameron
+1...The maple/bubinga laminated neck would have been sounding more compressed - I like that too but hope that the walnut top will provide this authority together with a big dynamic range...
LOL! That's ok, I'm not counting on anyone in particular, or, even it selling right now with the economy the way it is, but I'll bump the thread a few more times and see what happens.Sorry I can't swing that MTD at the moment Vic.
I'd seriously put mine up just to get that one, but then my gf would kill me.She picked the Rodman out for me.
What do you feel is wrong with it?
Is it a functional issue or strictly cosmetic?
Nope.Well it just seems really flimsy to me... As of now it's strictly cosmetic, but it feels like it could eventually become a functional issue.
Nope.
Unless you're doing some serious string bending at the first fret (I'd think unlikely), or changing your strings every 10 minutes, that thing won't show any wear for many years... if ever. Remember, that's not a nut. It's only a string guide. I doesn't bear ANY load at all... it's sole purpose in life is to just space the strings. The zero fret does all the "work".
So if the aesthetic issue is a big enough deal to you, that's of course your prerogative, but it'll never be a functional issue.
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