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So were mine before I got my Status (which was quickly followed by my first 535). Again, I think the design of the bass in other respects will have more to do with your comfort level than an extra inch of scale length. Fenders don't just feel the way they do because they're 34" - they feel "short" in the neck largely because of the body design. But if you're really bothered by the idea of a 35" then talk to Mike. One other thing to consider (and I'm not suggesting this should be at the top of your list of reasons to buy a bass) is this: should you ever want/need to sell your MTD it might be easier for you to sell a 535 than a 534.Its just that all my basses are 34 inch.
So were mine before I got my Status (which was quickly followed by my first 535). Again, I think the design of the bass in other respects will have more to do with your comfort level than an extra inch of scale length. Fenders don't just feel the way they do because they're 34" - they feel "short" in the neck largely because of the body design. But if you're really bothered by the idea of a 35" then talk to Mike. One other thing to consider (and I'm not suggesting this should be at the top of your list of reasons to buy a bass) is this: should you ever want/need to sell your MTD it might be easier for you to sell a 535 than a 534.
Edit: you live in NYC. Go out and try some 35" basses (strapped on, not just sitting) and see how they feel to you. You may even be able to find a 535 to try out. Another option (if you have wheels) is to drive up to Mike's shop and try a couple of things out.
If you're going up specifically to try something, I'd call first. Depending where he is in the building process, he might not have anything playable.
Given iwearpumas questions regarding the alder/maple/maple/rosewood combo I'm posting a link to a recently recorded demo. The bass is my MTD 535 (the same wood combo as just mentioned) and the strings are dead MTD steels (I specifically wanted a dead-ish tone for the recording). All onboard EQ is flat and the song has yet to receive its final mix.
https://soundcloud.com/dkkmusic/mtd-alder-rosewood-dead-steel
Thanks, Virgil. I love this bass and my acquisition of it is a funny (kind of) story. I'd seen another TBer raving about how it was his favourite of the MTDs he'd played (it had been owned by a friend of his) when the subject of MTDs came up on a thread. The bass came up for sale here on TB and I was second in line as a potential buyer. The first guy in line bought the bass and I ended up making a trade for something else instead. Turns out that MTD got lost in shipping and the deal fell through (on friendly terms) between the buyer and seller. It then was sold to another TBer. I ended up putting the bass from my former trade (the trade which would have landed me this MTD in the first place) up for sale on TB. I was contacted by a member who offered up his MTD as a trade. Turns out it was the same MTD I'd missed out on a year back. I don't believe in fate, per se, but I like to think there was a little destiny involved.![]()
That sounds very nice and creamy! Now you made me want a alder/maple/rosewood MTD :scowl:![]()
Great story. and great end result. My MTD also has an alder body, maple neck but has a purpleheart fingerboard. I love its tone, but I don't know whether it sounds like yours when recorded.
Hey guys what do you think is the main sonic differences between the Pre Gib Tobias Basses and MTDs? Old Tobias basses are 34 inch scale, and tighter spacing, but overall (despite all the different wood combos that are possible with MTDs) what would you say are their inherent differences in character?
Great question...I have had both (pre Gibson Classic 6 and an MTD 535-24) and I can't think of much of a difference other than what's been stated...
Finish
Scale Length
Neck Thru vs Bolt On
Looking forward to hearing other answers
Just received pic from dealer and love it....
and soundwise? what do they have in common, what is different?