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The official "Show your basses" thread part 19!

This was a fully loaded Duff body from stratosphere I just got. I had the neck for a couple years on and off different bodies and kinda wanted to get this back to a proper J special . I tracked it just now to hear it . It has many nice tones and the TBX control is different but I like it alot . Here are the 3 basic tones , the Neck" P" , P& bridge "J" and the J for "lead"
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Just got done modding my SBMM SUB Ray4; the body (including the pickguard and control plate) and neck are stock--I've changed out the electronics, bridge, and tuners.
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(More about it here: MBD: the KiloRayOneThousand, or, why I love capacitors)

And my much-beloved Hofner HCT 500/1. Because I can't leave well enough alone, the electronics are also modded in this one. Basically, the switches switch in various tone capacitors; they no longer turn pickups on or off (the volume controls handle that). Sounds like a Hofner should, but it's more versatile.
Hofner 2.jpg
 
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Just got done modding my SBMM SUB Ray4; the body (including the pickguard and control plate) and neck are stock--I've changed out the electronics, bridge, and tuners.
View attachment 1037844
(More about it here: MBD: the KiloRayOneThousand, or, why I love capacitors)

And my much-beloved Hofner HCT 500/1. Because I can't leave well enough alone, the electronics are also modded in this one. Basically, the switches switch in various tone capacitors; they no longer turn pickups on or off (the volume controls handle that). Sounds like a Hofner should, but it's more versatile.
View attachment 1037847

I'd love to hear more about this modification to the Hofners electronics! Do you have any sound clips running through the different settings?
 
I'd love to hear more about this modification to the Hofners electronics! Do you have any sound clips running through the different settings?

Not my clips, but these illustrate the basic idea:



After quite a bit of experimentation, I've reached what I consider an ideal wiring scheme for my Hofner. Basically, it's wired like a Jazz Bass: V-V-T (switches), plus a special variation for the bridge pickup.

The Rhythm/Solo and Bass On switches work together to offer four positions that affect both pickups: no cap, .015uF, .03uF, and .047uF (one could leave the stock .1uF cap and resistor in that position and thus preserve all the stock settings while adding others; I just happen to prefer the .047uF cap for my darkest setting).

The Treble On switch affects only the neck pickup: a .01uF cap wired in series can be switched in and out of the circuit. Stock wiring does this, too, but when switching in the cap, the neck pickup gets switched off, which negates the benefit of the inline capacitor: it dramatically improves the pickup blending. I can run both pickups full up, and there's no comb filtering, mid-scoop, etc., just rich, full sound. But if I want to solo or favor the neck pickup (especially with one of the treble cut caps engaged), the sound is much better without the inline cap.

This diagram shows the basic idea, although it differs a bit from my final wiring. I think the pickups sound best when they share the same tone caps, so my wiring no longer has the 22nF cap connected to the Treble On switch. (That allows me to simply switch the .01uF cap in or out. Also, there's no need for the yellow wire running from input bridge PU to the switch.) The other two switches are now wired in parallel to the output, like a Jazz Bass (the red wire connects to the yellow and green wires), which makes the tone capacitors affect both pickups. Also, the capacitor values are the ones listed above, not the ones shown.

HOfner.jpeg


Hope this helps. It really expands the instrument's tonal palette, while in the end still sounding just like a Hofner should. And sorry for the thread derail!
 
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How do you like the geddy

Love it, Matty! Actually, I love them all! Actually, got the GL Sig from a fellow TB'er... sounds great, well balanced, very playable... I don't have pics for my 2006 Fender Highway One (Midnight Wine), nor the build I'm currently working on, which is a Saga MB-10 (EBMM Stingray Classic 5, in Copper Tone Metallic)... Take care, Matty!
 
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