- Apr 3, 2003
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- Editor-in-Chief, Bass Gear Magazine
Juneau said:I think too some peoples "muddy" experiences with Mahogany could also be contributed to fingerboard choices too. Ive noticed a pretty different tone from the Mahogany bodied Skjolds with different fingerboards. Ebony has that Ebony sort of compression added to it - crisp but focused high end. Morado adds brightness to the upper end, but is more open sounding than Ebony to me. Wenge is darker sounding, almost like you rolled the tone off a bit - cuts out the high highs I think is what I hear there - awesome for finger funk or heavy metal slapping maybe. Im sure maple would brighten the tone right up in the upper end - might make for someone's perfect slap tone.
True, but I think that if you are playing an instrument that is not so skewed by its pickups, etc. so as to keep you from hearing the tonal impact of the fingerboard, then I think that you'd hear those same types of differences no matter what the body wood (or at least with a remotely "neutral" bodywood, like mahogany, ash, alder).