Incredible! You went with a killer spec.It's finally here! Pretty phenomenal in every way. 100% happy with it. Now I just need to get used to 16.5mm spacing
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Incredible! You went with a killer spec.It's finally here! Pretty phenomenal in every way. 100% happy with it. Now I just need to get used to 16.5mm spacing
Hi current and future Swanners,
Just thought I'd share here a video of my recently acquired Swan - demonstrates just one sound that the Pope pre is capable of, this is lo mid boost and slight hi mid cut. Pickups in the middle with both tap switches down. Vintage tone about half way.
Still dealing with an issue in the upper register of the the B and E strings (warbling/phasing tone) but overall I love the instrument ! Love to hear what you all are creating with them too.
Desmond
Thanks man !
Have tried a few different strings now - hex core made it marginally better but issue still there. Christian initially suggested it could be the pickup height - but that's not it, I removed the pickups and issue was still audible acoustically. Have read that it can be a characteristic of short-scale/headless basses, but at least on mine the notes above 12 fret on the E and especially the B are basically unusable ... is this on a newer swan or older that you're noticing it ?
The B string is 118 compared to 125 on the Magma, although both Es are 100. I'll let you know once it arrives!oh wow just saw the photos on the thread - looks amazing, congrats !
yeah that's about where it's most obvious on mine - let me know if the labella make a difference, haven't tried those yet !
yes please do !
Any update on strings? @Des White or @Just Wrong Any thoughts on what strings I should use for a 7 string?Thanks man !
Have tried a few different strings now - hex core made it marginally better but issue still there. Christian initially suggested it could be the pickup height - but that's not it, I removed the pickups and issue was still audible acoustically. Have read that it can be a characteristic of short-scale/headless basses, but at least on mine the notes above 12 fret on the E and especially the B are basically unusable ... is this on a newer swan or older that you're noticing it ?
Also, how do you find the bass' semi-hollow tone vs a solid body? I initially selected chambered.... but yours looks so awesome!!I feel like the thinner strings have helped a bit, but the issue is still there. (Although I'll take it over the usual dead spot on the G string of full-scale basses). I have a set up scheduled with a technician in a couple of months. I'll ask him about it then.
I’m looking forward to seeing the 7! That should be really cool.Nothing yet I heard mine should be started towards the end of this month.
Anyone happen to know what size truss rod wrench Swan typically uses? I have an RHO needing an adjustment
Meant to come back with an interesting update - i tried my friend's matt garrison fodera 5 the other day, short scale headless circa $10k or whatever they go for - and it had the same issue ! Perhaps it's just a trademark of these short scale basses, though you'd think there'd be a way to mitigate it somehow ... of course we aren't playing up there all the time but it'd be nice to just get one note instead of two from anything above 12 fret on B or E.
Let us know if your tech can shed any light !