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The Short-Scale Six-String Club—for the original six-string basses!

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My condolences Bassman62. It's a crying shame that you have to part with a musical instrument which has been with you for so long. :-(

Although it would seem that you made good use of it--and that's what really counts.

You've still got your two five-string long-scales, right?

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Which brand of strings were you using on your Burns? I don't recognize their gauges.
I had the strings custom made at this UK company

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Well, they're gaining on it...

Agile Intrepid Pro 8 Nat Maple FB:

# Mahogany Body
# 5 piece maple/walnut neck-thru body design with headstock matching body
# Maple Neck with 15” radius. Width 2 ¼” at the nut
# No inlays on the neck. Position markers on the side of the neck only
# Scale Length: 28.625” 24 Jumbo Frets
# EMG 808 Pickup with master volume. Cavity has been routed large enough to accommodate additional electronics
# Hip Shot Bridge
# String through body
# Die-cast Sealed Tuners with 18-1 ratio
# Graphite Nut
# Satin Polyurethane Finish
# String gauges: .009, .012, .015, .022, .030, .040, .054, .072

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Hmm that thing seems like an extended range baritone guitar with those string gauges and scale length. But it's cool to see some new unusual and interesting instruments in the Rondo lineup...

+1. It'll be a twanger...

Now where's the 30" - 30.5" 6-string boomer--for a LOT less than the price of this 8, or a Hellcat VI, which, as I understand it, does not require replacement pickups or hardware. (Although another switch-pot in the volume position rigged with a capacitor/high-pass filter/'strangle-switch' would be useful for better nailing a baritone tone.)
 
I'm afraid that my Jaguar Baritone Custom/Bass VI is one of those that's ended up being tuned B-B, but only since after I got a real Bass VI, and with some hesitation as I love the way it sounds with stock strings and tuning. Either way, it's a wonderful instrument, even though I didn't find it usable as a bass, because of the mentioned low E-string issues, and because I never got it to intonate properly on that string.
I think that's the story with a lot of them. Fender just didn't get the details right. Mine just barely intonates on the low E but if I slip up even slightly and put side pressure on it it still ends up sharp. I found a 1" bridge for my upcoming VI so hopefully I'll be ready to deal with any intonation issues.
 
Just wanted to say "thanks" to lunarpollen for taking the time to record and post these recordings (both here and in the Hellcat thread). It really helps to be able to hear these instruments beforehand. Thanks, LP.

FWIW, I much prefer the sound of your Barracuda to your Hellcat. It's hard to describe sound with words, but the Barracuda seems to have much more richness, depth and bite in its tone. The Hellcat seems kind of "flat" by comparison.
 
You're very welcome!

The Barracuda has single-coil Burns Tri-Sonic pickups, they are one of the best pickups in the world IMO. They remind me of P90s in that they are single coil but they sound bigger than typical single coils.

I really think that if one were to swap out the stock pickups of the Hellcat with much brighter humbuckers, it would make a world of difference. It's those high frequencies that add the real detail to the tone.

I should do an A/B recording of the Hellcat vs. the Barracuda in the same setting. The recording I posted in this thread was with my band and in a different environment.
 
Short-scale basses with six strings are hardly standard and I doubt they use 6-string Bass pickups.

The Hellcat and the the Burns Barracuda both use guitar pickups as well.

These were the pickups being used in 1962 for the Burns 6 String Bass, just think all this and split sound as well.

coz2r.jpg


Just finished packing this baby then it's off to France on Monday.
 
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