You whaaaat?!!!


















It's OK, I just need to stop using my "Time Traveling Machine"

and "licking" from the distant future music.
(P.S. Sorry for my sarcasm.

)
Now.
I'm a very strong advocate of a uniquely-recognized CHARACTERISTIC voice timbre that could be easily discerned among millions of other voices. The singer's Voice as the messenger of the song's Mood, Character, Style, etc...
Let's say, your voice timbre has a lot of UNIQUELY-interesting qualities. It's a big PLUS.
I tend to separate into two groups the SINGING MUSICIANS who write their own songs and sing it,
and the SUPERB but just SINGERS with beautiful voices.
Another important to me detail in a songwriting process.
It's the song's MOOD, FEEL, character that is a must for me.
Your song has IT. Your band has IT.
By listening to your songs I felt like as went back in time to those melodiously- prolific "a la Beatlesque" years with all those songs' chord progression/harmony and melodic contour.
Now, with all those time accumulated "musical influences/additives", it's sounds really "fresh" and unique.
You are so right. The regular listeners they don't put under the microscope the song's rhythm pattern, chord progression, chord substitutes, etc...
They just take the final product and either enjoy it or no.
P.S. If you want to be noticed as a bass player, become a "flashy

extravaganza

" like Flea

.
Anyway, I sense a lot of potential in your songs. Don't let your creativity get "rusty".