Really dumb question to save me from opening and closing my pedal several times: which way do I turn the internal trim pots to make it louder? The XLR out on my Venus needs some extra gas.
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Clockwise for louder.Really dumb question to save me from opening and closing my pedal several times: which way do I turn the internal trim pots to make it louder? The XLR out on my Venus needs some extra gas.
Thank you, them being labeled "ATTEN" made me think turning them up might make loud go down. Make loud sound now.Clockwise for louder.
One Nathan... Indivithible... With patience for all.I still get a kick out of emails where people say things like "I was talking to Nathan and he said this, so you can check with him". Yeah I'll drop by his office in the engineering department and see what he says.
It's just me, my dude. I am the Nathan.
I got one of the new More's. I noticed I can program the switch if I want it to be on when it's powered, or off (bypassed) .With the soft switching in the latest revisions do the pedals retain the switch state when powered off?
We still remember the off the roof video you promised.Another quick note (now that I'm mostly caught up on emails), of the 64 pedals we made this past weekend, 49 of them are Tarantula Fuzz. I know there are a handful that dive into things without needing to hear them, but I'm forcing myself to do a video for Tarantula before I make it available for sale. I'm planning to do a handful of different tonal combinations so people can get an idea of what this pedal can do. I'm using the following basses:
And I'm planning to use the following amps:
- partscaster Jazz, Nordstrand NPJ4SE pickups, half-round strings
- Ibanez SR900FM, Dingstrand Nordwall pickups, round strings
- Ampeg SVT-CL, Eden 6x10 cabinet
- GK Backline 600, Peavey 2x10 cabinet
- Finally v2 D.I. (no amp)
I'm telling you all this because it's probably the only way to make sure I actually do it. I'm really excited about the Tarantula Fuzz and I'm excited to get it out into the world, but I want to do it right.
And it's still going to happen, but I need to get Tarantula released for October, so that's getting priority for now.We still remember the off the roof video you promised.
Dude you've just written it!They do not retain their state when powered off, by default they are "active" when power is applied. However, you can change the default state to "bypassed" if you want:
If you change your mind and want to go back to "active" at power up, just follow the steps again and it will switch it back.
- remove power from the pedal
- press and hold the footswitch
- without releasing the footswitch, plug power back into the pedal
- wait for the LED to flash
- release the footswitch
If I were responsible, I would write a user manual for everything and include stuff like this.
I'm all over this!I feel like this wouldn't be super hard to build? But what's really cool about this idea is, once again, modularity. Imagine if Nathan completes the Firebox - you could basically have a full tube amp in a pedal board and just go direct into whatever, and you'd get the saturation from a tube pre, the transformers, and power amp saturation from the Firebox. That'd be super cool.
So the firebox isn't a tube amp. It's a tube power amp emulator (that uses a tube), so doesn't require a lump of a transformer.The biggest problem for a tube amp in a pedal is the output transformer, you need big iron to give nice bass sound and that size transformer will not fit in a pedal.
If you are going for a 1--2 watt amp for guitar you might get away with it all inside a pedal but for bass it would be hard to do.
Now can someone please prove me wrong and find a nice small output transformer with a big frequency range that can handle 5-10 watts please ???
This could also be in the manual!!Clockwise for louder.
Or, keep playing!Alright, the good news is I finished all of the recordings for both basses through both amps, all that's left was going to be through a D.I.
The bad news is I've apparently played bass more in the past two days than I have in the last couple months, and my fingers are starting to blister. I guess it might be time to switch to a pick.
I still think the best way to demo amps/pedals is using a looper, so you have both hands free to rotate knobs....Alright, the good news is I finished all of the recordings for both basses through both amps, all that's left was going to be through a D.I.
The bad news is I've apparently played bass more in the past two days than I have in the last couple months, and my fingers are starting to blister. I guess it might be time to switch to a pick.
After those blisters heal, I recommend flatwounds. Y'know, like they use on uprights.Alright, the good news is I finished all of the recordings for both basses through both amps, all that's left was going to be through a D.I.
The bad news is I've apparently played bass more in the past two days than I have in the last couple months, and my fingers are starting to blister. I guess it might be time to switch to a pick.
Cobalt flats changed my life.After those blisters heal, I recommend flatwounds. Y'know, like they use on uprights.
Frankly what I should have been doing regularly all this time, that would have prevented this problem from happening.Or, keep playing!
And you're not wrong, but for this fuzz I wanted to do something with a little more pizzazzI still think the best way to demo amps/pedals is using a looper, so you have both hands free to rotate knobs....![]()

I had been playing tapewounds for years and they were nice and gentle, but my demo bass (Ibanez Mikro) has rounds on it and I found myself enjoying the bite I was getting with them, so when I put these nice modern pickups (Dingstrand Nordwalls) in my new Ibanez I knew I wanted to keep rounds on it.After those blisters heal, I recommend flatwounds. Y'know, like they use on uprights.