Here are the WFL's of # 108 that waill be heading to Japan:
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NOW!! can see the pics.... WOW!!!!me want another one !!!

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Here are the WFL's of # 108 that waill be heading to Japan:
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I thought I'd post an excerpt from some comments I made over in the Alleva thread on various wood combinations. Representing Valenti over there! Despite being able to use some extra cash right now, there is nooooo way I can get rid of this bass. I've tried... even my wife said, "Don't sell it!" Listing a digital SLR plus accessories here pretty soon, in case anyone's interested.
Anyhow, enjoy. . .



Personally, for me, I'd like to see chrome mounting screws on the p/g, control plate, and maybe the bridge...I like the contrast that provides.
Different strokes, YMMV, and it look like another great piece of work!





I'm curious about how Ken responded to that. As far as I can see, he has not taken the bait at all on Valenti love.
Yeah well...........it's hard to argue with something that sounds good. Regardless what's on the headstock.
Sometimes brand loyalty can get in the way. I've been guilty of in the past and might even be in the future as well.
But if it sounds good it sounds good.
My shocking moment was when I bought a Hartke 2.5XL cab while I was waiting for some other cabs to come in.
I ended up buying a second one it sounded so good.
Sometimes you have to actually use you ears and not your eyes. Crazy huh!
This is NOT a knock on Ken. Ken's a good friend. WJ's comment just sparked a little thought in me.
I'm curious about how Ken responded to that. As far as I can see, he has not taken the bait at all on Valenti love.
Sometimes you have to actually use you ears and not your eyes. Crazy huh!
Certainly true - my intention was not to disparage Ken in any way at all. I meant that he is a guy who seems to be willing to give just about any piece of gear a try, and from what I've seen he hasn't had a turn with Valenti. I really, really like his AC, by the way.I think Ken's deal is simply that he's found his voice in the AC's. Nothing wrong with that - they do that "if Leo had made a 5 string" thing very well.
+1. I've got a Berg AE410 and some Avatar cabinets. I sold an Avatar 410 to buy the Berg. The Berg is better - but I bet nobody but me notices the difference, and even I think it's incremental at most. They are actually pretty similar sounding cabinets (I did upgrade the tweeter on my Avatar). I could not, in good conscience, advocate that anyone spend $1200 on an AE410 instead of $400 on the Avatar. There's simply not enough difference IMO.I'd have to agree. I did the same thing with an Avatar cab.
...and I've really fallen back in love with #51. I had it on the block for a while, but decided to sell my SR5 instead in order to fund a new Skjold (which is a Lion's Pride but really different animal tonally). #51 is the kind of bass that I can take anywhere, to any gig, in any musical situation, and it fits in perfectly. It's light, all the parts are obviously of very high quality, and it records very well. The neck profile is just what I like. It is not going anywhere.That's sweet Nino!
#48 continues to be a real sweetheart for me, thanks!
Another one up and coming:
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Funny, though - Nino's pictures have the parchment pickguard on. Of the three he made for me (clear, tort being the other 2), the parchment is my least favorite. I've never had that one on the bass. The clear one has been on the most. It's cool to be able to change them out, though - although Nino made them all for me a little begrudgingly. Evidently pickguards are a pain in the ass.WJ: went to the Valenti page and looked at yours: yessir, that'd work![]()
That is beautiful. I went through a series of blue basses and told myself I would stop - but that is very nice.I would think so.
I think I'd prefer tort on yours, but I'm pretty traditional like that.
48 is alder/pao ferro, sadowsky single coils and preamp:
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Another one up and coming:
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