Cool video! I get an impression that he is combining what he likes about Fender style with Spector style instruments.
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That is a great bass for sure!This bass came to me as a bit of an odd duck.. 33" scale, not quite standard pickup placement, referred to as "Wooten" spacing. Pau Ferro / super light ash, wood combo. The original set of EMGs and EMG pre were replaced with nordy pickups and a Sadowsky preamp. The P seemed to be upside down, with just the B & E using bass side of the P pick up and the A, D & G using the treble side. I slapped on a set of chromes which weren't my favorite strings.
It is pretty magical bass that works so well in a group context. 2 or 3 months after getting it I still shake my head and chuckle about how good it is.
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@Baird6869
The B is great, as is C, D, E & F; I don't think I'd thump away on an A in a rock context, I'm using fairly low tension flat wounds but my experience isn't much different with my 33" scale Pavel, that has a more standard round wound guage. The 33" scale is so comfortable and has no problems providing those thunderous low Bs and Ds but the shorter scale length for obvious reasons shows it's limits as you move up the fretboard. No issues though if I want to play 10ths A on the B string and C# on the D string, or just a passing tone in a jazz context it's totally usable. It's a compromise I am willing to make.
My Fodera is a 4 string 34" scale and in working out what I will want to spec in the future 33" scale is likely where i'd go as well. I did have a small gathering at the house recently Joel brought over his 33" MG which was incredible, but Mitch's 36" AJ is really what you want if the goal is to rock out the B string between the 7th fret and the octave. That's just not a big priority to me. I hope that makes sense.
Also both my 33s are using strings designed for a 34" scale bass, bumping up to a higher tension may lessen the effects of the wolfyness but personally one of the other benefits of the 33 scale is that slightly lower tension which works well under my fingers.
Thanks. Great info.
My only 33" right now is a Fodera Garrison and it is still strung E-G. I generally play the B between the D and F#, so no worries of me really going into 12th fret+ territory on a 33" B very often.
Definitely a keeper!I really love that woman!
Definitely a keeper!![]()






Screw Friday's.... It's a holiday in Canada (and the U.S.)!Dang! I had to go SIXTEEN pages in before I found this thread again!
I'd like to propose doing something similar to what the Spector guys do when it comes to posting pics. Since there aren't any new club threads after 1k posts, they have decreed that the first Friday of the month is post pics of your bass day. This would be super cool for a couple of reasons:
1. It would keep Nino's work more visible, especially to guys who may be considering a custom build and are looking at Sadowskys, Lulls, Nordstrands, Alleva/Coppolos, or M Basses. If they aren't searching through TB, they might miss this thread if it's buried 15 or 20 pages deep. We might actually be able to drum up some business for Nino if the thread stays bumped!
2. For those of us who have Valenti's on order, seeing some of the killer basses you guys own or have owned, might ease the waiting period.
Doesn't need to be as frequent as the Spector club, but if you see the thread starting fall back, post up a pic of your Valenti!![]()

How is the slap tone and how do you dial it in? (If you do)....It's a 33" which I know you like. It is my meat and potatoes bass with chromes on it.
Any sort of cover type situation it's a real grab and go. Can get pretty zingy when neccesary but dials in a great passive P.
All my other basses are situational this really covers a lot of ground.