Scathing 2 minute review. Anybody play one ?
My music teacher has a Markbass bass amp combo. It's finicky as hell and heavier than a boulder but it sounds good. Personally, I'd never buy one, but so far it's been working good in class...
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Scathing 2 minute review. Anybody play one ?
Doesn't Reverb do that too?Wow. Pretty brutal. I know GC is the main dealer here so unless he bought the extended Warranty, he’s SOL. That’s one reason I use Sweetwater (they don’t carry Markbass). They give you a two year warranty on gear.
Who is Pat?Pat is about 20 minutes south of my house. If you time it right I might even have a bass body to drop off with him for finishing. Would be neat to treat him to lunch that day as a thanks for all the great work he’s done. He’s a bass player in a local band here and has a couple of nice amps and cabs in his shop. I’ve not heard his band play but he’s such a modest guy, I’d imagine he’s a very good player.
I think Markbass sounds like plastic. That's my from-the-gut impression. No sir, I don't like 'em.
Who is Pat?
Pat Wilkins - IMHO, one of the top three Guitar finishers in the country.Who is Pat?
I always knew if I played bass I'd start with a Thunderbird. I just wish someone had talked to me early on about playing bass instead of guitar.
Yeah, I ruled them out on price, too. If I were making a good living at music, sure. But it's just a side thing for me.
Pat Wilkins - IMHO, one of the top three Guitar finishers in the country.
Pat is about 20 minutes south of my house. If you time it right I might even have a bass body to drop off with him for finishing. Would be neat to treat him to lunch that day as a thanks for all the great work he’s done. He’s a bass player in a local band here and has a couple of nice amps and cabs in his shop. I’ve not heard his band play but he’s such a modest guy, I’d imagine he’s a very good player.
Centerfold bass. There is something of a dirty feeling while looking that tends to linger a while.I’m certainly lovin mine…
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I find that the dedicated tone and volume control for each individual pickup is the secret sauce. Maybe not the fastest bass to adjust on the fly when gigging, but then again I rarely ever messed with my tone settings on stage past the sound check anyway. The tonal flexibility of three independently controlled pickups does make for a fantastic studio bass.

See.... Further proving my point. I'm going to call it the Naughty North Bass. A little something sheer draped across the middle pickup would complete the image.I made it about a year ago....
Here’s what the rest of the bass looks like…
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hate those…..sorry..Two gigs in two nights. Hadda use substitutes(both our regular guitarists outta town). Was not fun. A lotta "what song/what key" raggidiness. At least one venue was a bit disappointed that we were unable to do some of our 'normal' [stuff]. Plus the guitar man was too loud. Very good player, but... If it had been up to me(it wasn't), I'd have cancelled both gigs rather than-potentially-pi$$ing off the one venue. Oh, well.
Used two different basses, same amp-see pic. Couldn't seem to get the tone I wanted out of either set up.
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The Queen gave me an idea in another thread here, I think it's time we have an official theme, whaddya think?
The bird is the word!
They're not very warm sounding to me. The thing that impressed me about the amp at the club was that it could really punch out the low notes, it's a 300 watt single 15" combo. Everytime I use a house amp out here I miss my Ampegs.
I like that idea. A lot. As long as he doesn't want California prices.I replied to your post with tongue planted firmly in cheek. George is one of the Club members here. But maybe he should start doing builds for us…
Wow! Who ever said “Resistance is Futile”
That’s a boat load of resistors on that little board.![]()