Turns out it’s 4mm.IIRC the BaCH uses an Allen wrench. Unfortunately I don’t know off hand what size.
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Turns out it’s 4mm.IIRC the BaCH uses an Allen wrench. Unfortunately I don’t know off hand what size.
Yep!Local 'character' from the trailer park across US1. Came for the free beer/food.
That's a cool looking bass. Low 'A'... Going all Geezer!...I co-designed (with Chris) a short-scale 5'r with a Hipshot Drop D on the B-string. Chris Kuffner is a pro-touring musician who has played with 'Ingrid Michelson' and 'A Great Big World'.
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Jaysis. Sounds like someone needs a hobby...Thanks! 34" scale, very ergonomic/no neck-dive, John East 9v pre, Delano bucker, 24 fret ebony fb, rock-wood reinforced maple set-back neck, Sperzel locking tuners, 1 piece alder body, individual string-thru bridge units, and rock-wood/brass nut. (the gilded one) Wenge laminate pg is attached with tiny rare-earth magnets imbedded in the body & pg, and easily access the 9v battery underneath.

That was an $80 bass through Sears in 1970. According to inflation calculator, that is $570 in today’s money. At $450 it’s a bargain. Dave needs that bass.That's a fair price. You need to determine why you'd want it. It won't go up in value dramatically so it's not much of an 'investment' potential. I only get interested these days if something is special. I have a few I'm on the lookout for - but they are ones that are more rare and pricey.
Me too.I still love that song. I’ve been working on it off and on.
All I can do is find a seat and shake my head.That was an $80 bass through Sears in 1970. According to inflation calculator, that is $570 in today’s money. At $450 it’s a bargain. Dave needs that bass.
Awesome! Congratulations.Here is mine, Epiphone Vintage Pro, brought it used, had this a few days and love it so far, have owned loads of P basses but always really liked the tone of Thunderbird basses (whereas P basses I have always felt a bit lukewarm about tonewise)
And bring cash. A fair amount of cash.It just took a little while for a Thunderbird to choose you. That's all.
Thank you, but no need for me. PhR75 may be interested since he asked.I have one of the original Embassy basses with the poorly located bridge. If you’d like I can measure the distance on it vs my early run VP.
Nice color!I co-designed (with Chris) a short-scale 5'r with a Hipshot Drop D on the B-string. Chris Kuffner is a pro-touring musician who has played with 'Ingrid Michelson' and 'A Great Big World'.
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Epi partsTurns out it’s 4mm.

I'll see if I can beat him up a bit on price. It's been in the case for years and not played. I'm a bit concerned about the truss rod not being adjusted in a long time and why the National script logo is missing off the headstock. The logo would tell me more about the date of production. Late 60s it was along the edge and in the 70s it was moved to under the strings.That was an $80 bass through Sears in 1970. According to inflation calculator, that is $570 in today’s money. At $450 it’s a bargain. Dave needs that bass.
When you figure it out do a vid, please. I've got one on a bass and have yet to discover I need it or how best to use it.My newest learning curve.
Welcome to ME, O Hipshot Bass Extender...
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I've just never quite been comfortable with these, but it's my mission now. It really opens up some doors for new approaches to patterns and melodies, and ways to get them done.
Got one on the Classic Pro too- both of my regular players. Time to master it.
IMO it’s not worth that. I like those MIJ basses, but wouldn’t pay 450 USD for one.Asking $450 and says not a single flaw anywhere on the finish.
I have one of the original Embassy basses with the poorly located bridge. If you’d like I can measure the distance on it vs my early run VP.
Been a long time since I read that book. I’ll look that part up and reread it.
That was a main reason why I got rid of my 5er. Just didn't "need" as much as another bass I would enjoy having. I used the B some every time I used it (not open), and it was cool once in a while, but it wasn't worth "once in a while" to keep it. And no one ever said, "Man, we sure miss the lows from that 5er." I'm not ragging them, just wasn't for me.I don't have a five string, finally, for that reason. I like my two regular players, so they both got Hipshots. Low D is plenty of subterranean vibe for my taste.
Sometimes I'll hear a dude with low B and he gets stuck down there. It's like, "Hey look at me- dig my low-B string!..." and meanwhile I'm contracting a major case of Ear Fatigue (pronounced 'Annoyance').
Going that low, for me, has to be a novelty you might hear once a night. Ok twice.
Here is mine, Epiphone Vintage Pro, brought it used, had this a few days and love it so far, have owned loads of P basses but always really liked the tone of Thunderbird basses (whereas P basses I have always felt a bit lukewarm about tonewise)