• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Thunderbird Club

Still Thursday on the West Coast......

Thunderbird dreams.

ieR0yJI.jpg
 
While it’s still Thunderbird Thursday, still enjoying the latest addition…
View attachment 5052685
…one thing I’ve come to figure out on a Dingwall - if you hit the wrong note EVERYBODY knows, no hiding in the background with the sound this thing puts out. I guess it isn’t easy being green.

Why Dingwall puts the pickups next to each other? In two pickup models too.
It is the fanned fret thing?
 
View attachment 5052558

Did these VP’ come with Wilkinson branded tuners?

View attachment 5052559

Hoping this is just a surface crack… I think @KaraQ had this on a white one too?
My $399 VP has something of that as well on both sides (this was the worst). Strings keep it tight and and it's never been an issue or changed over the years. Don't worry about it unless/until you need to, it should be just fine.
 
Why Dingwall puts the pickups next to each other? In two pickup models too.
It is the fanned fret thing?
They have it that way in a bunch of their models. I’m pretty new to Dingwall, but as best I can tell, the DBird and D-Roc were designed that way specifically to cut completely through a super thick mix of screaming guitars with Marshall stacks and heavy hitting drummers in a typical heavy metal setting.

They worked closely with a specific bass guitar player (name escapes me right now) in a top metal band to get the sound that would cut through. And that it does, in spades! Regardless of which pickup configuration you have it set on its very very mid focused with plenty of thick grit in the tone. I haven’t had a chance to try it with any distortion, fuzz or overdrive pedals yet but I’d imagine it’ll tear your face off at stage volumes. It wouldn’t be my first choice for swing, big band, most classic rock or anything that calls for a smooth and creamy tone. But 1980’s stuff, prog rock, metal, grunge, etc is its strong suit. It’s fun to play, but demands a good left hand technique and accuracy in notes, like I said, any missed note will clearly be heard, no “close enough” technique for this one.
 
While it’s still Thunderbird Thursday, still enjoying the latest addition…
View attachment 5052685
…one thing I’ve come to figure out on a Dingwall - if you hit the wrong note EVERYBODY knows, no hiding in the background with the sound this thing puts out. I guess it isn’t easy being green.

I think that can be said about bass in general. That's why an expressive passing phrase from the brown-note (jazz) is imperative. :) That and smiling like you just played a awesome passage!