- Jun 30, 2010
- 49,588
- 221,965
- Disclosures
- musician/artist/owner - Gildaxe
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Thunderbird Club
- Thread starter TBird1958
- Start date
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- Tags
- club thunderbird
Gaolee
Official leathers tester and crash dummy
There is nothing special about my Pro IV. It was a factory second. I don't know why, but the factory obliterated the serial and stamped "used" on the headstock. It is now fretless, has Alumitone pickups, and no preamp. Refinishing in a bright color to get rid of the murky dark burst is a logical next step.
Gaolee
Official leathers tester and crash dummy
The bridge sure isn't original.
Gaolee
Official leathers tester and crash dummy
They are long throw cabs but you can hear them onstage. They're really good at outside gigs. I've only used them twice, once inside and once outside and they sounded good up close too both times. I'm curious too I haven't played through one since I was a kid.
Edit, they do not have a lot of top end.
Once upon a time, bass meant bass.
There are early ‘70’s V4/V4B and these have no master volume. Just channels 1 & 2 volume. I think the later “curved line” V4/V4B had some sort of master volume. I think it was labeled “distortion” on the V4?
You wear lipstick quite well, Syd!
I've done a little editing on the Wikipedia Gibson Thunderbird page. If someone wants to help, I'd be happy to not just expand on that, but start one or more Non-Gibson Thunderbird pages. If nothing else, get me data and good photos, and as I have time, I'll do the wiki part and write/edit as necessary. But we can't just go "Here's a 1972 DOHC turbo Ford NR Thunderbird". Well, we can, but hopefully there'd be at least a little history like "Ford manufactured Thunderbirds from 1969 to November 1973 when sales got high enough Gibson bombed the Ford bass factory. Ford retaliated by sending Special Forces teams in to ravage the Gibson race car track. Things quickly escalated, but in the spring of 1974, Georgia Governor Jimmy Carter brokered a peace between the warring companies in which each agreed to stay in their lane." Cites wherever possible would be extremely helpful. Revisionists abound and would take umbrage at unfiltered history such as shown here.
While I had fun with that paragraph, I'm serious about the idea.
The only difference I can see between them is the V4-BH has a five position mid switch and the new V4-B reissue has a 3 position switch like the old ones and both have gain and master volume controls and none of the 70's heads did. If you really want to know the definitive difference though try @ beans-on-toast, he's in the B-15 thread all the time, he knows the differences if any from the 70's heads and the new ones and probably the two different V4-B reissues, I think they tried to emulate the tone from the old ones the best they could.
I had no problem with the tone of my V4-B just the headroom, it sounded very similar to an SVT, I would imagine the new ones do too, SVT's can sound big and creamy also, mine do if I want them to.
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In the early 2000’s I very briefly considered building basses for sale and profit but after a few minutes with a calculator realized I’d need to make and sell about 10 basses a week to quit my day job. Needless to say, I kept my day job. No regrets.
I have no idea although it doesn't sound like a Fender or a Rick, must be some kind of Gibson, EB-0, EB-3, nope too modern sounding, how about an SG, yes, that's what I'm going with, it does sound like an SG to me, and really nice stuff.
