Yeah the big chrome percolator in the church basement. Or smaller home ones, usually 70's green or harvest gold.
And we (along with many others) still use the pig percs at group functions. Most caterers around here have them.
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Yeah the big chrome percolator in the church basement. Or smaller home ones, usually 70's green or harvest gold.
The back even looks great. Nicely done, as always.
The Italians?
Well, all of you better stay on the porch unless you want to go home smellin' like some burnt caps and transistors, from a bad bass whoopin'. I'm telling you, I've got the worst bass player thing covered, so if you were thinking about it, just have a seat. I wouldn't lie about something that important.![]()
My sister found one of those when she was cleaning out my parents house. We used it last time I was there. Works fine but makes pretty strong coffee, but thta could be that we weren't used to using it and used too much coffee grounds.
We kept using a percolator off and on until it sprung a leak. Then we got a French press as the alternate to the drip. When the power is out in a winter storm, it’s cowboy coffee at the fireplace.
Quantity and time both matter. OTOH, I always go for strong coffee.
The one thing I do know...is how not good I am. I've lived with it for years.You can’t know what you don’t know.
So I know the Beatles are geniuses. I tried playing some of their songs years ago when I was a mediocre guitar player and eventually gave up. So I never considered playing bass lines for their songs. Last night I decided to punish myself and try to learn a line. I chose “Help”, and was reminded why Paul was a genius[1]. At the same time, I realized this is a song I can learn. And that makes me happy.
[1] He also didn’t get the memo about the “money frets”. Just like Jack Casady, Jack Bruce, John Entwhistle, Leon Wilkeson, Nikki Monninger, and most of my favorite bass players. I’m really glad for all the times I ignored “conventional wisdom” unless it was proven true, but wish I’d ignored it even more.
My misteak, it's a SuperTone.They made a Tru-Tone bass bridge? I thought that was just a guitar bridge.
The one thing I do know...is how not good I am. I've lived with it for years.

Ats'a nice.Oh this is my part
you need an EB-3
They are SO different. When I had my 66Gibby EB-3, I used the Mudbucker(1)except for occasional solos, then bridge(2). Never mixed except for initial testing.I don’t need two shaging pickups but that one is tempting me….
"A boat is a hole in the water lined with wood, fiberglas, or metal into which one pours lotsa money."Very nice. I came very close to buying a boat that looked a lot like that from a neighbor who got transferred to Qatar in ‘09. He was practically giving it away because the economy was horrible then. Storing it was the issue for me though. My son still talks about how we should have bought it.
Kinda funny: drove 23 years; never in snow.I'm at home atm, it's Friday evening for me![]()
If I got one, it'd hafta be a little one. A 'baby sitar'.I think I want to get a sitar.

Not me. I had an EpiBird 5er w/ passive P/J pups.The Epi has a preamp that some find to be pretty anemic and convert them to passive. @GonePlaid had one but didn’t get along with it. I’ve played @Stealth57 ‘s 4string and found it to play quite nicely. There also some Gibson fivers out there in their set neck Studio model. And there are Lull fivers out there as well.
