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Thunderbird Club

I’m glad my GAS is gone.
The work that’s been done on mine, (and one more to be finished) has satisfied my itch.

Sure, sure, that's why you're here at the Free Clinic! :woot:
 
We've gone full circle, bass used to be mixed for transistor radios; hence Pbasses, now compressed for smartphones. Doesn't explain the heavy kicks. I guess those are for oversized subs in cars (and side by sides)
The heavy kick drum mix thing just turns everything into mud. Bass completely disappears in those mixes.

When I get into a boomy room or it gets muddy and the bass starts to disappear, I usually cut the lowest frequencies. As much as I love to rumble the floor, sometimes that's the last thing the music needs. I don't play EDM, so there's that.
 
The heavy kick drum mix thing just turns everything into mud. Bass completely disappears in those mixes.

When I get into a boomy room or it gets muddy and the bass starts to disappear, I usually cut the lowest frequencies. As much as I love to rumble the floor, sometimes that's the last thing the music needs. I don't play EDM, so there's that.

I hate a boomy bass sound whenever I hear it and avoid it like the plague - it only fits in Reggae IMO.
 
I don't know if I could go to a 4 bird after this 5.
Don't tell me that. I have too many four string Thunderbirds that would get neglected. Not that they wouldn't anyway if I had a Lull, most likely. Like if Veronica ever parted with the orange one. Chances are I wouldn't play much of anything else if it kept sounding like it does.
 
'Dressed to Kill' Bond Girl Cherie & I on her B-day at Sat night's The Lucky Horseshoe 2 set gig.

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The over-emphasized kick is a club thing - sooo loud, it drowns the bass out! Don't know the rationality behind it.
Purely intended to put butts on the dance floor, simple repetitive monotonous beat to keep ‘em on the dance floor. No creative bass line, no significant vocal arrangement, cheap electronic generated club dub, trance music. Five minutes of it and I’m done.
 
Purely intended to put butts on the dance floor, simple repetitive monotonous beat to keep ‘em on the dance floor. No creative bass line, no significant vocal arrangement, cheap electronic generated club dub, trance music. Five minutes of it and I’m done.

It's more than that - I saw the Mermen (not a dance-oriented band) play their jammy psychedelic surf at an SF club and the kick drowned out Jennifer's usually very present (power trio) bass.
 
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I never owned one, but friends rode them back in the day. Until the early '70s it was one of the few '10-speed' bikes to be had in the US. The "bike-boom" '70s brought in many Euro brands. I bought my first 10-speed in '72 - a purple (French) Gitane Interclub with sew-up tyres. I later bought a Schwinn Paramount track-bike that I raced on the Northbrook velodrome outside of Chicago.

Not mine but it looked just like this.
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I was one of the cool kids. I had a green Peugeot. :p

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French Gitane, Peugeot & Motobecane, UK Raleigh, Japanese Fuji, Nishiki... (entry-level consumer-bikes mostly plus some higher-end "race-bikes") The Retrogrouch: The American Bike Boom - 1970s
 
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