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Thunderbird Club

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Rush's"]MSN Geddy Lee and Alex Lifeson[/URL] Make Surprise Performance at Gordon Lightfoot Tribute Concert in Toronto.

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Plus this was to honor the great story teller/troubadour Gordon Lightfoot who had a great bass player Bassist Rick Haynes. He passed his audition with Lightfoot in 1968 and has been with the revered singer songwriter – recording artist to the end.
 
Would it work behind a 3 point?


Sorry, you’ll have to tell me

Well yes, the string-stop is useable (behind a 3-point), but (a new) one like it is available through Scott Dasson or other repro T-bird string-stops found on eBay so paying (what could end up to be) a "vintage" price for that '64 would only be worth it if you were missing it on another '64 T-bird and wanted to keep it era-specific. The bridge itself is only useful if positioned correctly, unlike on the '64 it came off of - and even then, its short adjustment saddle-path still might not allow correct intonation adjustment.

Like bridge & pu covers back in the day - someone 86'd that bridge/tailpiece to install one that would intone correctly before the whole 'vintage worth' got out of control. Same with the brass-mute ... just in the way.
 
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Well yes, the string-stop is useable (behind a 3-point), but (a new) one like it is available through Scott Dasson or other repro T-bird string-stops found on eBay so paying (what could end up to be) a "vintage" price for that '64 would only be worth it if you were missing it on another '64 T-bird and wanted to keep it era-specific. The bridge itself is only useful if positioned correctly, unlike on the '64 it came off of - and even then, its short adjustment saddle-path still might not allow correct intonation adjustment.
I read 64 as being from the new Epiphone that supplanted the Vintage Pro.
Oops.
 
I saw King Crimson back when. Nope, no women.

There's a doc about them and their drummer Bill Bruford relays a story about their early days touring. He said at the end of the show, they expected 'groupies' being young bucks... and there was none! :laugh:

Wetton, 1973:
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"I'd like to feel your Fender...", to quote "Ladies Of The Road".
 
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Anyone have experience with Darkglass amps and thunderbirds??
Sort of. I'm using a Microtubes 500V2 with my Dingwall D Roc. That amp sounds good with everything I've put through it, from Squier Contemporary Active p and J to my 89 Mexican. Squier Jazz Standard with Fender Noiseless Vintage pickups to my 88 Charvel 4b with EMGs to the D Roc.
 
I do all my basses and guitars with copper foil. Nice job plus nice big control cavity!
I did a handful but then weened off of that
Probably the tin foil hat speaking, but I swear I hear the difference and not in a good way.
Almost like it sterilizes the tone

2 fact worth noting:
I don't run a 100% clean signal chain anyway. yay dirt
I have clean power here. The only noise the basses pick up are RFi from wireless devices