first time I hear that…the other way around seems so common..I'm a big fan of tone pots. I could live without a volume.
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first time I hear that…the other way around seems so common..I'm a big fan of tone pots. I could live without a volume.
and dark chocolate. Still can't get Mike to come west for a sample.Great! Peanut Butter Beer!
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Yes, but the (RHD) Bedford was in the ‘real people’ movie/s
Just part of my daily Queen duties..........
Now, I must go trim the poodle
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first time I hear that…the other way around seems so common..
Well, this guy is about 3/8 of an inch further south than a II. But it's already an improvement in sound to me. Two moderns might end up being a little bit too much. May have to call in some reissues or trade some gear for some lollars or Duncan's.
Anybody need jazz pickups or a John East Pre? Lol.
I like to live at about 70%ish on the tone knob unless I'm slapping. Sometimes I'll go even darker.
first time I hear that…the other way around seems so common..
) Live, it depends on the room but once dialed - I don't touch the controls during the set(s). Song-to-song during a set... I adjust on-board only. TETO - but a volume and tone knob are something I very much use and rely on.If I stick with the single pickup I'll probably keep the modern. I have a reissue on backorder with Sweetwater in case though.Gibson re-issue FTW.
those make great gigmobiles, a british band that played next door to us had a dark blue one with brit plates….always liked the styling of those over US made vans, big, with lotsa space…do you remember what motor went in those?…Yes, but the (RHD) Bedford was in the ‘real people’ movie/s
I set controls so that the bass knob becomes the volume control…I could not get-on with a bass with limited on-board controls. V/T, V/V/T, V/T-V/T or VT/VT. These all work for me. I have also used active pre-amps that incorporate blend, boost, pu selector, series/parallel/kill-switch etc. All good in my book. I dial/set my amp at rehearsal and never alter it. I'm the default in the room as far as volume, which gets contended at times. (our guitarist...) Live, it depends on the room but once dialed - I don't touch the controls during the set(s). Song-to-song during a set... I adjust on-board only. TETO - but a volume and tone knob are something I very much use and rely on.
I set controls so that the bass knob becomes the volume control…
Great! Peanut Butter Beer!
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Anchor Porter. As ‘merican as it gets.Is that 'merican beer?![]()
Anchor Porter. As ‘merican as it gets.
Firstly, these are not Fords. GM’s old Vauxhall brand was based in Bedfordshire - so when they created a truck brand they used Bedford for the name. Same logo, a Griffin with banner. The V on the banner is for Vauxhall.those make great gigmobiles, a british band that played next door to us had a dark blue one with brit plates….always liked the styling of those over US made vans, big, with lotsa space…do you remember what motor went in those?…
I do not have that issue with my ‘15.My Gibby 2015 bird is one of the worse offenders I have when it comes to the tone knob controlling the volume of the bass (as long as the volume knob isn’t on max).
TB is the only social media site I’m on. I have a LinkedIn page but I mostly ignore it and it’s way out of date.
My last house had about a dozen large Bradford pear trees. Every wind storm we would get would tear about half the trees down. Lop em off about three feet above the ground and the grow back in a couple of years. Aristocrat Pear trees are much stronger and pretty much have no problems in the wind.
Yes that’s bubinga. With the characteristic blurred grain line.
You can also get them directly from Gibson, although I just checked and they apparently don’t have them right now either.If I stick with the single pickup I'll probably keep the modern. I have a reissue on backorder with Sweetwater in case though.
If I decide to go through with the double I'm willing to bet the reissues will be way more versatile than two moderns.